Movies Released December 25, 2008

"I was born under unusual circumstances." And so begins "The Curious Case of Benjamin Button," adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards: a man, like any of us, who is unable to stop time. We follow his story, set in New Orleans from the end of World War I in 1918, into the 21st century, following his journey that is as unusual as any man's life can be. Directed by David Fincher and starring Brad Pitt and Cate Blanchett with Taraji P. Henson, Tilda Swinton, Jason Flemyng, Elias Koteas and Julia Ormond, "Benjamin Button," is a grand tale of a not-so-ordinary man and the people and places he discovers along the way, the loves he finds, the joys of life and the sadness of death, and what lasts beyond time.

As the snow falls on their wedding night, newlyweds John and Jenny Grogan (Owen Wilson and Jennifer Aniston) decide to leave behind the harsh winters of Michigan and head south to begin their new lives in West Palm Beach, Florida. They obtain jobs as journalists at competing local newspapers, buy their first home, and begin to make their way through the challenges of a new marriage, new careers and, possibly, the life-changing decision to start a family.

Unsure of his preparedness for raising children, John confesses his fears to his friend and fellow journalist Sebastian, who comes up with the perfect solution: John should get Jenny a puppy. "There's nothing to it," says Sebastian. "You walk 'em. You feed 'em, you let 'em out now and then."

Then came Marley.

The Grogans adopt the cute, twelve pound yellow Labrador, who in no time at all, grows into a 100-pound steamroller of unbridled energy that turns the Grogan home into a disaster area. He flunks obedience school, chews off dry-wall, takes a bite out of the sofa, overturns garbage cans, steals a Thanksgiving turkey, consumes pillows and flowers, drinks toilet water, and chases the UPS guy. Even a newly-purchased, expensive necklace isn't safe from Marley's voracious antics.

Amidst the mayhem he generates through the years, Marley sees the Grogans through the ups and downs of family life, through job and home changes, and most of all, through the myriad challenges of a growing family. As John and Jenny come to realize, Marley - "the world's worst dog" - somehow brings out the best in them.

For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost's team harbored doubts about their boss' ability to hold his own. But as cameras rolled, a charged battle of wits resulted. Would Nixon evade questions of his role in one of the nation's greatest disgraces? Or would Frost confound critics and bravely demand accountability from the man who'd built a career out of stonewalling? Over the course of their encounter, each man would reveal his own insecurities, ego and reserves of dignity--ultimately setting aside posturing in a stunning display of unvarnished truth. "Frost/Nixon" not only re-creates the on-air interview, but the weeks of around-the-world, behind-the-scenes maneuvering between the two men and their camps as negotiations were struck, deals were made and secrets revealed--all leading to the moment when they would sit facing one another in the court of public opinion.

"The Spirit" is a classic action-adventure-romance genre-twister written for the screen and directed by Frank Miller. It is the story of a former rookie cop who returns mysteriously from the dead as the Spirit (Gabriel Macht) to fight crime from the shadows of Central City. His arch-enemy, the Octopus (Samuel L. Jackson) has a different mission: he's going to wipe out Spirit's beloved city as he pursues his own version of immortality. The Spirit tracks this cold-hearted killer from Central City's rundown warehouses, to the damp catacombs, to the windswept waterfront ... all the while facing a bevy of beautiful women who either want to seduce, love or kill our masked crusader. Surrounding him at every turn are Ellen Dolan (Sarah Paulson), the whip-smart girl-next-door; Sliken Floss (Scarlett Johansson), a punk secretary and frigid vixen; Plaster of Paris (Paz Vega), a murderous French nightclub dancer; Lorelei (Jaime King), a phantom siren; and Morgenstern (Stana Katic), a sexy young cop. Then of course, there's Sand Saref (Eva Mendes), the jewel thief with dangerous curves. She's the love of his life turned bad. Will he save her or will she kill him?

Dustin Hoffman and Emma Thompson reunite in "Last Chance Harvey", a hopeful romance that celebrates new beginnings—at any age. The film is directed and written by Joel Hopkins.

New Yorker Harvey Shine (Dustin Hoffman) is on the verge of losing his dead-end job as a jingle writer. Warned by his boss (Richard Schiff) that he has just one more chance to deliver, Harvey goes to London for a weekend to attend his daughter’s (Liane Balaban) wedding but promises to be back on Monday morning to make an important meeting—or else. Harvey arrives in London only to learn his daughter has chosen to have her stepfather (James Brolin) walk her down the aisle instead of him. Doing his best to hide his devastation, he leaves the wedding before the reception in hopes of getting to the airport on time, but misses his plane anyway. When he calls his boss to explain, he is fired on the spot. Drowning his sorrows at the airport bar, Harvey strikes up a conversation with Kate (Emma Thompson), a slightly prickly, 40-something employee of the Office of National Statistics. Kate, whose life is limited to work, the occasional humiliating blind date and endless phone calls from her smothering mother (Eileen Atkins), is touched by Harvey, who finds himself energized by her intelligence and compassion.

The growing connection between the pair inspires both as they unexpectedly transform one another’s lives.

It's 1964, St. Nicholas in the Bronx. A vibrant, charismatic priest, Father Flynn (Academy Award® winner Philip Seymour Hoffman), is trying to upend the schools' strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier (Academy Award® winner Meryl Streep), the iron-gloved Principal who believes in the power of fear and discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James (Academy Award® nominee Amy Adams), a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequence.

The life of Skeeter Bronson, a hotel handyman, is changed forever when the bedtime stories he tells his niece and nephew start to mysteriously come true. He attempts to take advantage of the phenomenon, incorporating his own aspirations into one outlandish tale after another, but it's the kids' unexpected contributions that turn Skeeter's life upside down.

Superstar Tom Cruise heads an international cast as Col. Claus von Stauffenberg, the aristocratic German officer who led the heroic attempt to bring down the Nazi regime and end the war by planting a bomb in Hitler's bunker. The "July 20 Plot" on Hitler's life is one of the most heroic but least known episodes of World War Two. Severely wounded in combat, Colonel Claus von Stauffenberg returns from Africa to join the German Resistance and help create Operation Valkyrie, the complex plan that will allow a shadow government to replace Hitler's once he is dead. But fate and circumstance conspire to thrust Stauffenberg from one of many in the plot to a double-edged central role. Not only must he lead the coup and seize control of his nation's government... He must kill Hitler himself.