2003 Best Reviewed Movies (Page #4)

Many years ago, a playful toddler accidentally ended up in one of Santa's bags of presents, and got whisked away to the North Pole, where he would live out his entire childhood. One of Santa's elves adopted the child, named Buddy, and raised it among the tight-knit community of elves, who live up North with Santa, making toys year-round. Now a tall, fully grown man, Buddy and his distinctly non-elfishness, regularly causes havoc in Santa's workshop. He is unable to fully fit in with the other elves, and becomes forlorn. This inspires Buddy's adopted elf father to suggest to his human son that it's time for him to travel out into the world of men, and try to find his biological father and family back in New York City. However, it maybe just as hard for Buddy to fit into this new world, as he's only existed with other elves around him, and is not quite used to the ways of humans--especially urbanites.

A kaleidoscope of color and culture clash humorously as an Indian family in London tries to raise their soccer-playing daughter in a traditional way. Unlike tarty elder sister Pinky, who is preparing for an Indian wedding and a lifetime of cooking the perfect chapatti, Jess' dream is to play soccer professionally like her hero David Beckham. Wholeheartedly against Jess' unorthodox ambition, her parents eventually reveal that their reservations have more to do with protecting her than with holding her back. When Jess is forced to make a choice between tradition and her beloved sport, her family must decide whether to let her chase her dream...and a soccer ball.

Spider is a strange and lonely man. After a long period in a mental institution, he returns to the streets of the East End of London where he grew up. The sights and sounds and the smells of those streets begin to awaken the deeply buried memories of his childhood. At the centre of these memories is the great trauma of losing his mother, a trauma which occurred, he believes, because his plumber father, Bill Cleg, murdered her in order to move a prostitute, Yvonne, into the house in her place.

A love story spanning two continents, "Nowhere in Africa" is the extraordinary true tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel (Juliane Kohler) and their five-year-old daughter Regina each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country-learning the local language and customs, and finding a friend in Owuor, the farm's cook. As the war rages on the other side of the world, the trio's relationships to their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. As they eventually learn to cherish their life in Africa, they also endeavor to find a way back to each other.

Based on "The Age of Grief" by Jane Smiley, it centers on a dentist that has a dream that blurs the lines between fantasy and reality. Dr. Dave Hurst (Campbell Scott) shares two homes, three children and a private practice with his dentist wife Dana (Hope Davis). One evening, backstage at Dana's drama club production, Dave believes he witnesses his wife in an intimate exchange with another man. Emotionally repressed by nature, Dave's jealousy flares up in the form of a raucous alter-ego personified by an unsatisfied patient named Slater (Denis Leary). Slater goads the quiet dentist toward violent action, but the unraveling of the emotional bonds in the marriage is more than a simple threat of aggression can solve.

April Burns (Katie Holmes) is a 21-year-old wild child with a very big problem. Against her better judgment, she's invited her straightlaced family for Thanksgiving dinner. Her boyfriend, Bobby, wants to help, but she banishes him from the apartment while she attempts to cook the meal. To make matters worse, she then discovers that her oven doesn't work. So, while April is forced to ask her eccentric neighbors for help in cooking her fifteen pound turkey, the Burns Family begins a reluctant journey from suburban Pennsylvania toward New York City's Lower East Side. April's Dad, Jim Burns (Oliver Platt) tries to convince the family that the day will be beautiful. Her mom, Joy (Patricia Clarkson) has her doubts and freely voices them. April's teenage sister and brother are squeezed between Grandma Dottie and a bag of snacks in the back seat as the Burns' family car hurtles toward Manhattan and what will most likely be certain disaster.

Follows young Lilya, who moves to Sweden from the Soviet Union with her boyfriend after her mother leaves for America. Once she gets there, she finds nothing but deceit, betrayal, and violence.

Sarah Morton (Charlotte Rampling) is a famous British mystery author. Tired of London and seeking inspiration for her new novel, she accepts an offer from her publisher John Bosload (Charles Dance) to stay at his home in the South of France. It is the off-season, and Sarah finds that the beautiful country locale and unhurried pace is just the tonic for her – until late one night, when John's indolent and insouciant French daughter Julie (Ludivine Sagnier) unexpectedly arrives. Sarah's prim and steely English reserve is jarred by Julie's reckless, sexually charged lifestyle. Their interactions set off increasingly unsettling dynamics and begin to unduly influence Sarah's creative process, as Sarah finds herself drawn into a real-life mystery that Julie embodies.

Through a chronological history of the liberation struggle in South Africa, the documentary cites examples of the way music was used in the fight for freedom. Songs united those being oppressed and gave those fighting a way to express their plight. The music consoled the incarcerated and created an effective underground form of communication inside the prisons.

Im Kwon-taek's ninety-fifth film tells the story of renowned nineteenth-century painter Jang Seung-up (Choi Min-Sik), an artist whose revolutionary work - and persona - has forever changed the face of Korean art.

Phobia-addled con artist Roy (Nicolas Cage) and his protégé Frank (Sam Rockwell) are on the verge of pulling off a lucrative swindle when the unexpected arrival of Roy's teenage daughter Angela (Alison Lohman) disrupts his carefully-ordered life and jeopardizes his high-risk scam.

A fast and furious action tale of three tough, hard-hitting women who take on a powerful pair of computer moguls, the Hong Kong police, two deadly assassins, and... each other. Shu Qi and Zhao Wei play sisters whose family inheritances are a state-of-the-art computer surveillance system and an unresolved family vendetta. After a wealthy Shanghai computer magnate is murdered, a beautiful and ambitious young undercover detective (Mok) is assigned to the case. Finding herself further drawn-in when she discovers the criminal masterminds are two women, the young detective eventually comes face-to-face with the sisters who, despite their delicate appearance, hold mental and combat skill to match her own. A battle of wits and force ensues in this tale of technological wizardry.

At the edge of adolescence, Tracy (Evan Rachel Wood) is a promising student and the loving apple of her mother's eye. But that was before she fell under the spell of Evie (Nikki Reed), the most popular and beautiful girl in school. Tracy aches to become Evie's friend but fails the secret code of acceptance. Wrong socks, wrong look. As Tracy transforms to reach for a new life, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother, teachers, and old friends. Each decision is radical, each choice is major, each crisis is huge, and it all makes Tracy squeal with horror and excitement. But that's what it's like to be 13!

A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.