Movies Titles Starting with F (Page #4)

A prophecy traps a kingdom in eternal winter, so Anna (voice of Kirsten Bell) must team up with Kristoff, a daring mountain man, on the grandest of journeys to find the Snow Queen (voice of Idina Menzel) and put an end to the icy spell. Encountering Everest-like extremes, mystical creatures and magic at every turn, Anna and Kristoff battle the elements in a race to save the kingdom from destruction.

A feature length documentary that digs deep into the psyche of enigmatic West Australian ‘slab wave’ surfer Kerby Brown, a man whose connection with the ocean runs as deep as his love for his family. This film is far more than just a surfing story. It’s an unapologetic musing into the essence of Kerby and his family as we join them on his quest to ride a ferocious slab wave in the deep southern ocean that no one on the planet has surfed before. It’s a film about fear, addictions, and family bonds as we explore what drives Kerby, what anchors him and why he’s obsessed with pitting himself against one of nature’s most intimidating forces.

Ever since hulking lawman Hobbs (Johnson), a loyal agent of America's Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down.

But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (Vanessa Kirby), who just happens to be Shaw’s sister — these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.

The story of a one-time promising baseball player, now working as a Pittsburgh garbage collector, and the complicated relationships with his wife, son and friends.

Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.

A gang of close-knit thieves from Youngstown, Ohio, try to steal $30 million in illegal contributions and blackmail money from President Richard Nixon’s secret fund.

When ‘Lady’ Sandra Abbott (Academy Award nominee Imelda Staunton, Maleficent, Vera Drake) discovers that her husband of forty years (John Sessions) is having an affair with her best friend (Josie Lawrence) she seeks refuge in London with her estranged, older sister Bif (Celia Imrie). The two could not be more different — Sandra is a fish out of water next to her outspoken, serial dating, free-spirited sibling. But different is just what Sandra needs at the moment, and she reluctantly lets Bif drag her along to a community dance class, where gradually she starts finding her feet and romance as she meets her sister’s friends, Charlie (Timothy Spall), Jackie (Joanna Lumley) and Ted (David Hayman). This colorful, defiant and energetic group start to show Sandra that retirement is in fact only the beginning, and that divorce might just give her a whole new lease on love and life.

Food Club revolves around three longtime girlfriends from elementary school who are coming into their prime and finding a new lease on life after participating in a cooking course in Italy. Marie (Olesen) is abandoned by her husband on Christmas Eve, leading her identity as part of a happy family to crumble; while Berling (Ekblad) is the eternal bachelorette who lives the sweet life but has a complicated relationship with her daughter; and Vanja (Lehfeldt) lives with the memories of her late husband and has difficulty moving on.

This documentary investigates the stories of the dozens of thousands of Jews who emigrated to Israel in 1948 from Iraq, making up 25% of the new nation's Hebrew population. Leaving an Iraq in the 1940s in which Jews lived in peace with Christian and Muslim neighbors, these emigres found themselves pitched into a new political environment in which they were not exactly welcomed, with Ben Gurion once saying of the Iraqi Jews, "We kicked out good Arabs and brought in bad Jews". Director Samir interviewed a quartet of elderly survivors from that time (who also happened to be Communists, which was another reason they were not welcomed), along with NYU film historian Ella Shohat, to make a film that combines their testimony with light-hearted fragments of the last 100 years of Jewish culture as documented in the movies, to demonstrate the sometimes thin, sometimes thick lines between Arabs, Jews, and those who have claim to both heritages (ie, the "Mizrahim", or Eastern Jews).

In 1872, JOHN HENRY CLAYTON (Kiefer Sutherland) retires as a gunfighter and returns to his hometown of Fowler, Wyoming in hope of repairing his relationship with his estranged father, REVEREND CLAYTON (Donald Sutherland). However, he soon learns that the town is in turmoil, as the railroad will be coming through the area and a criminal gang is terrorizing ranchers who refuse to sell their land. John Henry is the only one who can stop them, but his father does not want his son to return to a life of violence.

When a wanna-be rapper learns his ex is engaged to marry his smarmy rival, he and three other misfit dreamers plan a heist to steal her wedding diamonds and win her back in this feel-good family caper.

The pseudonymous Agnes was a pioneering transgender woman who participated in an infamous gender health study conducted at UCLA in the 1960s. Her clever use of the study to gain access to gender-affirming healthcare led to her status as a fascinating and celebrated figure in trans history. In this innovative cinematic exercise that blends fiction and nonfiction, director Chase Joynt (No Ordinary Man) uses Agnes’s story, along with others unearthed in long-shelved case files, to widen the frame through which trans history is viewed. Through a collaborative practice of reimagination, an all-star cast of trans performers, artists, and thinkers – including Angelica Ross (Pose), Jen Richards (Mrs. Fletcher), and Zackary Drucker (Transparent) – take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans history.

Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (Jeremy Allen White) who could stand to see his own world expanded.

“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm (Lucas Hedges) and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.

A newly engaged, spoiled hotel heiress (Lindsay Lohan) gets into a skiing accident, suffers from total amnesia and finds herself in the care of a handsome, blue-collar lodge owner (Chord Overstreet) and his precocious daughter in the days leading up to Christmas.

Vin Diesel and Paul Walker reteam for the ultimate chapter of the franchise built on speed—"Fast and Furious." Heading back to the streets where it all began, they rejoin Michelle Rodriguez and Jordana Brewster to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert in the new high-octane action-thriller. When a crime brings them back to L.A., fugitive ex-con Dom Toretto (Diesel) reignites his feud with agent Brian O'Conner (Walker). But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmanuever him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what's possible behind the wheel.

In the fifth installment in the "Fast and Furious" series, former cop Brian O'Conner (Paul Walker) partners with ex-con Dom Toretto (Vin Diesel) on the opposite side of the law. Since Brian and Mia Toretto (Jordana Brewster) broke Dom out of custody, they've blown across many borders to elude authorities. Now backed into a corner in Rio de Janeiro, they must pull one last job in order to gain their freedom. As they assemble their elite team of top racers, the unlikely allies know their only shot of getting out for good means confronting the corrupt businessman who wants them dead. But he's not the only one on their tail. Hard-nosed federal agent Luke Hobbs (Dwayne Johnson) never misses his target. When he is assigned to track down Dom and Brian, he and his strike team launch an all-out assault to capture them. But as his men tear through Brazil, Hobbs learns he can't separate the good guys from the bad. Now, he must rely on his instincts to corner his prey... before someone else runs them down first.

Revolves around love, abandonment, domestic abuse and other issues faced by black women.

Spanning over two decades, For the Love of Money follows the true account of a Jewish immigrant who searches for his piece of the American dream. The story begins in Tel Aviv in 1973, where young Izek is raised in a seedy, gangster filled illegal casino that operates behind his family’s bar. The casino is a haven for unsavory characters who seek to corrupt him to their way of life. When violence and crime finds its way to him and his family, Izek (played by Yuda Levi) and his family relocate to Los Angeles. Hoping to start anew, he pursues his ambitions. Success seems to find him at every turn and after falling in love with the beautiful Aline (Delphine Chanéac), Lady luck seems to be on his side. However, it isn’t long before the world of crime that Izek tried to escape so long ago continues to doggedly follow his every step. Threatened by a temperamental gangster (James Caan), his criminal cousin (Oded Fehr), and even a Colombian drug lord (Steven Bauer), Izek finds that starting with a clean slate is all but impossible. As those close to him fall victim to the promises of quick money by the way of the gun, violence surrounds Izek until he has no choice but to confront it.

Story centers on a married couple who decide to adopt after their own son is killed. Until one day a boy, who may or may not be their own unexpectedly arrives on their doorstep.