Browse Movies : 2004 : Rating Not Available : Drama

A widowed schoolteacher flees Nazi-occupied Paris with her children, and encounters a teenage boy who steers them into the forest -- their best shot at survival.

"Secret Things" is the story of two gorgeous young women who discover the power of sex as a tool to climb the social ladder. Sandrine and Natalie work at a strip club; Natalie performs an erotic act on stage while Sandrine serves drinks. After they are both fired, the two become roommates and Natalie begins training Sandrine in the art of the courtesan. Erotic lessons on how to pleasure oneself and others, how to seduce and not be seduced, public nudity and sex and the art of the fake orgasm are all part of their plan to take on the world of men. Their top prize is Christophe, a charming heir apparent and rising star at a large bank. These femme fatales don't bargain for the ultimate cruelty and power of their prey and soon find Christophe, a man who controls all he meets, their ultimate match.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

The film follows the structure of Dante's masterwork, beginning in Hell. In Godard's hands, hell becomes a devastating but beautifully collected montage of war images. War - be it World War II, Algeria, Vietnam, Israel or Bosnia - is a constant in his films, but never has he pieced together an assemblage of such poetic power. Purgatory finds Godard himself in Sarajevo, where he has been invited to attend a European literary conference with other artists and writers. Here we are introduced to a young French-Jewish journalist based in Israel who has come to Sarajevo to see a place "where reconciliation is possible." Paradise is the most enigmatic section of the film, where the journalist finds peace by the water on a small beach guarded by American Marines.

Set in a contemporary South untouched by time, "The Undertow" is a dramatic thriller about two brothers who run away from home to guard a secret following the death of their father and the arrival of their greedy, troubled uncle.

Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their unlikely relationship has on eachother's lives and futures. Evie Decker (Lili Taylor) is a painfully timid young woman whose monotonous life consists of living with her reclusive widower father (Tom Bower) and working a dead-end job dressed in a rabbit costume at a rundown amusement park. Evie's quiet existence is shattered when she hears a late-night radio interview with struggling musician Drumstrings Casey (Guy Pearce). Evie is fascinated with his seductive voice and sultry lyrics and convinces her best friend Violet (Sara Rue) to go with her to the local roadhouse to see him perform. Seeing him in person, Evie becomes even more mesmerized by the handsome and brooding musicians. During one of Drum's shows, Evie's growing infatuation blends with obsession when she becomes so entranced by his singing that she actually cuts his name into her forehead with a piece of glass. Instead of regretting her action, she considers this her first step towards taking more control of her life. The stunt brings her to Drum's attention and he and his manager David Elliot (John Hawkes) decide to use her as a marketing gimmick at future shows. Evie's total faith in Drum's talent inspires and intrigues him while her role as his "muse" imparts Evie with uncharacteristic self-assurance. The physical attraction between Evie and Drum increases as their emotional need for one another becomes more and more apparent. The inspiration they find together to break out from the confines of low expectations and the ordinariness of small town life begins to conflict with the pursuit of their individual dreams. Together or apart they must decide which path will lead to the fulfillment of their newfound strength.

Jim Jarmusch's ensemble comedy is a series of vignettes, all revolving around discussions held over coffee and cigarettes. Starring a diverse cast, including Bill Murray, Steve Buscemi, Tom Waits, Cate Blanchett, and others, the film has been in production since the 1980s and is in black and white. Topics of conversation include Nicola Tesla, alternative medicine, Paris, the movie industry, and more.

"De-lovely" is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and legendary hits like "Anything Goes," "It's De-lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter. Directed by Academy Award-winner Irwin Winkler from a script by Jay Cocks and starring Oscar-winner Kevin Kline, Ashley Judd, and Jonathan Pryce in addition to some of today's biggest rock and pop music stars, "De-lovely" is a sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love.

This is the true story of two members of England's Army Dental Corps, Sgt. Peter King (Kenneth Cranham), a World War I veteran looking to keep on fighting, and Private Leslie Cuthbertson (Leo Bill), a wet-behind-the-ears trainee, whose dedication to helping the war effort during World War II inspired them to leave their posts and attempt to join the war effort in France. Sneaking into occupied territory in 1942, the two dentists found a German radar station, a part of which they successfully destroyed, but their efforts caused them to be chased by the enemy through dangerous territory. The most dangerous opposition to their patriotism manifested itself, however, when they made their way back to English territory, where they were now branded as deserters and liars...

A dramatic tale of the moral dilemmas of a not-too-honest cop played out against a background of a manhunt. Pascal supplies his wife, Agnes, with morphine provided by Jaquillat, the local crime boss; Agnes was addicted even before the pair met. But the prison break-out of terrorist Bruno Le Roux, and the certainty that he's settling old scores in the Grenoble area, has made Jaquillat a worried man. He attempts to blackmail Pascal into killing Bruno on sight, using the supply of morphine as a lever. Pascal refuses to co-operate, but he can't tell Agnes why his supplies have suddenly dried up. As a result, she trawls the streets in search of a hit, which is where she meets, and is helped by, the fugitive. He takes her back to her place to tend to her injuries after a street dealer beats her up, and Pascal, coming home, sees them together; however, he doesn't make them aware of his presence, and deliberately lets the fugitive slip through his fingers.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).

A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.

Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.

A photographer who is haunted by the feeling that the gap between his ideals and his real life is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.

Havana: November, 1958. 18-year-old Katey Miller (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Ford. Bookish and awkward, Katey is expected to join the smart set of American teenagers who are the Millers' neighbors at the exclusive Oceana Hotel. But Katey finds herself drawn instead to the proud, purposeful Javier (Diego Luna), a waiter who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Javier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at Havana's glittering nightclub/casino, The Palace. Soon, the straight-A student is deceiving her parents, stealing away both day and night to discover a different part of Cuba with Javier. They meet at the steamy nightclub La Rosa Negra, where only the locals go and where the dancing is hotter than the temperature outside. Some days, they practice on the sand of an out-of-the way beach, aligning their bodies in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Javier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence.

A look at the resurgence of Jewish Culture in Poland, particularly Krakow, an ironic location, as this part of Europe is also one of the epicenters of the Holocaust.

A young man who thought himself already in love with a nice girl is drawn into a literary drama when he is captured by a deep and stimulating love affair.

It's a summer holiday weekend in Paris and Antoine and Hélène are on their way to pick up their children at summer camp, thus joining thousands of other vacationers on the highways to the south of France. At first in high spirits, the couple starts sniping at each other during the drive as tensions in their relationship bubble to the surface. Frustrated by the freeway, Antoine takes a byway detour, much to Helene's displeasure, and then leaves her in the car as he stops for a drink. Once they're back on the road, their bickering escalates, with Antoine blaming Hélène for his drinking. Antoine then stops again to continue drinking at another tavern, although this time, Helene warns that she won't be there when he gets back. Still he defies her and goes into the bar, taking the car keys with him. He panics when he leaves the bar and discovers she has left. Believing that she has taken the train, he drives like a madman to the next station, but upon his arrival, the last train is mid-pulling out of the station. Driving away in a state of dread, he picks up a strange hitchhiker—not knowing he might have already crossed the path of his soon-to-be-missing wife.

Winner of over 22 film festival awards, "Robot Stories" is science fiction from the heart, four stories in which utterly human characters struggle to connect in a world of robot babies and android office workers. The stories include: "My Robot Baby," in which a couple must care for a robot baby before adopting a human child; "The Robot Fixer," in which a mother tries to connect with her dying son by completing his toy robot collection; "Machine Love," in which an office worker android learns that he, too, needs love; and "Clay," in which an old sculptor must choose between natural death and digital immortality.