Browse Movies : NR : Drama : L

Clara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively strives to protect her son despite not fully understanding him. An effortlessly moving film about growing up, fitting in, and breaking the mold, L’immensita is as freewheeling and creative as its central characters, mixing genres and staging musical numbers out of thin air.

Seven interconnecting stories set in and around a lost and found office of an Irish train station. All segments are inspired by true stories, share a theme of something lost or found and characters that come in and out of each other’s lives.

Like Someone in Love revolves around the brief encounter between an elderly professor (the wonderful 81-year-old stage actor Tadashi Okuno, here playing his first leading role in a film) and a sociology student (Rin Takanashi) who moonlights as a high-end escort. Dispatched to the old man by her boss—one of the professor’s former students—the young woman finds her latest client less interested in sex than in cooking her soup, talking, and playing old Ella Fitzgerald records (like the one that gives the film its allusive title). Eventually, night gives way to day and a tense standoff with the student’s insanely jealous boyfriend (Ryô Kase); but as usual in Kiarostami, nothing is quite as it appears on the surface. Are these characters—who conjure in one another the specters of regret and roads not taken—meeting by chance, or is it fate? Is this love, or merely something like it?

When rebellion creeps into their family, Charlie and Alice realize their approach to raising children isn’t working, and they start searching for answers. But is it too late? FamilyLife’s first feature film explores the joys and heartaches of parenting. Through a story that unfolds over 50 years, Charlie and Alice discover the power of family and their need for God.

Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she’s on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic.

Laura is 25 years old. She’s a journalist, she’s single and lives in a small apartment in Mexico City. After a series of short-lived affairs, Laura meets Arturo. After the first time they make love, she is left deeply unsettled. They embark on an intense and passionate sexual relationship, in which pleasure, pain and love merge. As days go by which Laura conscientiously crosses out in a calendar, her secret past resurfaces, pushing Arturo to the limit.

Leonor Reyes was once a groundbreaking figure in the Filipino film industry during its ragtag action cinema glory days, but now she struggles with old age, mounting bills, and the untimely death of her son. While revisiting an unfinished script about a fearless protagonist trying to avenge his brother’s murder, Leonor is struck on the head by a falling television set and knocked into a coma. As she lays unconscious in the hospital, fantasy and reality begin to blur when Leonor finds herself awake inside her script, becoming the hero of her own story.

Smuggling LP’s by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the trajectory of rock n’roll music in the Soviet Union.

Following a devastating loss, Nadine and Lewis retreat to a small Bahamian island where Nadine's family has kept a house for many years. As they try to heal and move forward with their relationship, the community on the island shows signs of unraveling -- with the island's mayor, Roy, squaring off against Doughboy, a human trafficker who manipulates the impressionable homeless teenager Myron into assisting with his smuggling operation.

Sex, drugs, power, and vice: welcome to the mid-2000s Italy of Silvio Berlusconi, the egomaniac billionaire Prime Minister who presides over an empire of scandal and corruption. Sergio (Riccardo Scamarcio) is an ambitious young hustler managing an escort service catering to the rich and powerful. Determined to move up in the world, Sergio sets his sights on the biggest client of all: Berlusconi (Toni Servillo), the disgraced, psychotically charming businessman and ex-PM currently plotting his political comeback. As Berlusconi attempts to bribe his way back to power, Sergio devises his own equally audacious scheme to win the mogul’s attention.

When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.

Let It Be Morning is the story of Sami (Alex Bakri) a Palestinian-born Israeli citizen living in Jerusalem who receives an invitation to his brother’s wedding forcing him to return to the Arab village where he grew up. After the wedding finishes, with no explanation, Sami's hometown is put under a military blockade lockdown by Israeli soldiers. When chaos erupts overnight amongst the villagers stuck behind the wall due to the blockade, Sami is cut off from the outside world and trapped in an unexpected situation. As he deals with questions about his own identity and hidden secrets are revealed, Sami watches everything he holds dear begin to fall apart.

On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law.

A lost soul (Jue Huang) is on a quest to find a missing woman from his past (Wei Tang).

Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit. Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media.

Hannah, a shy songwriter, discovers that her friend, respected record producer Theo Ross, has lapsed on his medication for schizophrenia. Hannah rallies a group of friends to help commit Theo to a psychiatric facility, chasing him as he outruns his colorful delusions through the glamour and grit of Los Angeles. From the highs of rock 'n' roll to rock bottom, it's a story of the unsung heroes behind the hits and the inadequacies of our mental health system.

La Civil tells the story of Cielo, a mother in search of her daughter, abducted by a criminal gang in Northern Mexico. As the authorities fail to offer support in the search, Cielo takes matters into her own hands. Cielo begins her own investigation and earns the trust and sympathy of Lamarque, an unconventional army Lieutenant working in the region. He agrees to help Cielo in her search, because her research data could be useful to his operations as well. Cielo’s collaboration with Lamarque pulls her further into a vicious cycle of violence. The film focuses on Cielo’s emotional rollercoaster, as she is drawn into increasingly intense and dangerous circumstances. The camera stays close, we never lose sight of her as she gradually transforms from housewife into avenging activist. As events unfold, Cielo gets closer to the truth: discovering a mass grave, obtaining official DNA analyses, confronting one of the presumed kidnappers, but corruption and apathy keep her from finding resolution. Until the end finally comes, unpredictable and uninvited...

It is 2085. A young man, one of the few survivors of the human community of old, embarks on a long voyage to find others.

Agathe, a self-centered, workaholic feminist politician, reluctantly returns home to sort out her mother’s affairs and runs for an local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed reporter Michel, on the subject of successful women. As Agathe's life hilariously unravels, the camera is there to capture it all.