Browse Movies : 2009 : Drama : P

"Peter and Vandy" is a love story told out of order. Set in Manhattan, the story shifts back and forth in time, juxtaposing Peter and Vandy's romantic beginnings with the twisted, manipulative, regular couple they become. The film explores the question most couples ask themselves... 'How the hell did we get here?' The answer is found in the little moments. Peter and Vandy communicate through truthful, every day dialogue. They begin with the hope of new love on the horizon, adoring the little quirks about each other. As they continue, the way they bicker while trying to order takeout and begin to criticize the smallest of gestures reveals more about them than "couples therapy" ever could. Through these iconic moments, we see just who they are... and it's familiar. By going back and forth in time, we are able to pinpoint the subtle causes that lead to the larger effects within their relationship.

With sheer audacity and utter authenticity, director Lee Daniels tackles "Push: Based on the Novel by Sapphire" and creates an unforgettable film that sets a new standard for cinema of its kind. Precious Jones (Gabourey "Gabby" Sidibe) is a high-school girl with nothing working in her favor. She is pregnant with her father's child - for the second time. She can't read or write, and her schoolmates tease her for being fat. Her home life is a horror, ruled by a mother (Mo'Nique) who keeps her imprisoned both emotionally and physically. Precious's instincts tell her one thing: if she's ever going to break from the chains of ignorance, she will have to dig deeply into her own resources. Don't be misled - "Push: Based on the Novel by Sapphire" is not a film wallowing in the stillness of depression; instead, it vibrates with the kind of energy derived only from anger and hope. The entire cast are amazing; they carry out a firestorm of raw emotion. Daniels has drawn from them inimitable performances that will rivet you to your seat and leave you too shocked to breathe. If you passed Precious on the street, you probably wouldn't notice her. But when her story is revealed, as Daniels does in this courageous film, you are left with an indelible image of a young woman who - with creativity, humor, and ferocity - finds the strength to turn her life around.

The Division, a shadowy government agency, is genetically transforming citizens into an army of psychic warriors—and brutally disposing of those unwilling to participate. Nick Gant (Chris Evans), a second-generation telekinetic or “mover,” has been in hiding since the Division murdered his father more than a decade earlier. He has found sanctuary in densely populated Hong Kong—the last safe place on earth for fugitive psychics like him—but only if he can keep his gift a secret. Nick is forced out of hiding when Cassie Holmes (Dakota Fanning), a 13-year-old clairvoyant or “watcher,” seeks his help in finding Kira, (Camilla Belle), an escaped “pusher” who may hold the key to ending the Division’s program. Pushers possess the most dangerous of all psychic powers: the ability to influence others’ actions by implanting thoughts in their minds. But Cassie’s presence soon attracts the attention of the Division’s human bloodhounds, forcing Nick and Cassie to flee for their lives. With the help of a team of rogue psychics, the unlikely duo traverses the seedy underbelly of the city, trying to stay one step ahead of the authorities as they search for Kira. But they find themselves square in the crosshairs of Division Agent Henry Carver (Djimon Hounsou), a pusher who will stop at nothing to keep them from achieving their goal.

In "Pandorum", actors, Dennis Quaid ("Vantage Point", "The Express") and Ben Foster ("3:10 to Yuma", "Alpha Dog"), join Cam Gigandet ("Never Back Down", "Twilight"), Cung Le ("Tekken", Fighting"), newcomer Antje Traue and director Christian Alvart ("Antibodies") to tell the terrifying story of two crew members stranded on a spacecraft who quickly realize they are not alone. Two astronauts awaken in a hyper-sleep chamber aboard a seemingly abandoned spacecraft. It's pitch black, they are disoriented, and the only sound is a low rumble and creak from the belly of the spacecraft. They can't remember anything - who are they, what is their mission? The only way out of the chamber is a dark and narrow airshaft. Corporal Bower (Foster), the younger of the two, crawls inside, while the other, Lt. Payton (Quaid), stays behind for guidance on a radio transmitter. As Bower ventures deeper and deeper into the ship, he begins to uncover a terrifying reality. Slowly the spacecraft's shocking and deadly secrets come unraveled, and the astronauts realize that the survival of mankind hinges on their actions.

In the action-thriller "Public Enemies," acclaimed filmmaker Michael Mann directs Johnny Depp, Christian Bale and Academy Award® winner Marion Cotillard in the story of legendary Depression-era outlaw John Dillinger (Depp)—the charismatic bank robber whose lightning raids made him the number one target of J. Edgar Hoover's fledgling FBI and its top agent, Melvin Purvis (Bale), and a folk hero to much of the downtrodden public.

No one could stop Dillinger and his gang. No jail could hold him. His charm and audacious jailbreaks endeared him to almost everyone—from his girlfriend Billie Frechette (Cotillard) to an American public who had no sympathy for the banks that had plunged the country into the Depression.

But while the adventures of Dillinger's gang—later including the sociopathic Baby Face Nelson (Stephen Graham) and Alvin Karpis (Giovanni Ribisi)—thrilled many, Hoover (Billy Crudup) hit on the idea of exploiting the outlaw's capture as a way to elevate his Bureau of Investigation into the national police force that became the FBI. He made Dillinger America's first Public Enemy Number One and sent in Purvis, the dashing "Clark Gable of the FBI."

However, Dillinger and his gang outwitted and outgunned Purvis' men in wild chases and shootouts. Only after importing a crew of Western ex-lawmen (newly baptized as agents) and orchestrating epic betrayals—from the infamous "Lady in Red" to the Chicago crime boss Frank Nitti—were Purvis, the FBI and their new crew of gunfighters able to close in on Dillinger.

Romain Duris plays a dancer who is home-ridden when he suffers from heart disease. Instead of dancing, he watches as the city and its dwellers entertain him.

Set in a suburb of north-east Paris between December 1935 and July 1936 during the "revolutionary" period of the Popular Front (who introduced the first paid holidays and a shorter working week). Three unemployed performers decide to take over by force the music hall where they worked a few months earlier and stage a show there.

The story follows four eclectic characters — a mortician, an ex-con, a suicidal ex-priest and a stripper — brought together on Christmas Eve by a mixture of circumstances.

A politician's relationship with his unusually developed son - the child suffers from a disease that causes him to age rapidly, rendering him an old man.