Browse Movies : Sony Pictures Classics : 2006

"Art School Confidential" follows Jerome, an art student who dreams of becoming the greatest artist in the world. Arriving as a freshman at a prestigious East Coast art school, filled with every artsy "type" there is, Jerome quickly discovers his affected style and arrogance won't get him very far. When he sees that a clueless jock is attracting the glory rightfully due him, he hatches an all-or-nothing plan to hit it big in the art world and win the heart of the most beautiful girl in the school.

A man is shot and quickly buried in the high desert of west Texas. The body is found and reburied in Van Horn's town cemetery. Pete Perkins, a local ranch foreman kidnaps a Border Patrolman and forces him to disinter the body. With his captive in tow and the body tied to a mule Pete undertakes a dangerous and quixotic journey into Mexico.

"The Devil and Daniel Johnston" is a stunning portrait of a musical genius that nearly slipped away. It depicts a perfect example of brilliance and madness going hand in hand. Because Daniel Johnston is an artist suffering from manic depression with delusions of grandeur, wild fluctuations, numerous downward spirals, and periodic respites mark his life. The film artfully melds current footage, vintage performances, home movies, and dozens of recorded audiotapes from Johnston's life. Testimony from supportive friends and a deeply committed family adds a rich layer to Johnston's personal history, but Daniel Johnston's poetic songs tell their own passionate, haunting, and truly unforgettable story.

A tale which centers around four best friends and their relationships with one another, the men in their lives, and their checkbooks. However one of them, who is unsettled and unattached, decides to clean houses to make ends meet.

Set in Spain, this female-centered generational story involves a grandmother, her daughter and granddaughter.

During production on his latest movie, an aging cowboy star walks away from the set and heads out on a journey of self-discovery.

This rites of passage comedy introduces a shy and downtrodden Ben (Rupert Grint) with yet another dreary school holiday coming around. Seventeen years of living in an absurdly conservative and traditional household with his highly-strung and overbearing mother (Laura Linney) and quiet, mild mannered vicar father have taken its toll on young Ben. While the other kids are out having fun, Ben spends these precious few weeks attending bible classes, having driving lessons with his mother and helping out at a local old people's home.

However, Ben's world is turned upside down when he's employed by an eccentric retired actress Evie (Julie Walters). Vulgar, dignified and childish all at once, she certainly is not the kind of person Ben expected when searching through the job listings in the stuffy parish magazine, "Hello Jesus". Evie enters Ben's life with a cataclysmic force, whisking him away on a series of adventures from camping, to performing Shakespeare in the garden, to attending the Edinburgh festival — where he finally meets a girl much nearer his own age.

Evie's unconventional and often downright bizarre behavior challenges Ben's beliefs, and forces him to confront the very idea of who he wants to be. Then, when it seems that his new-found freedom is about to be taken away, Ben has to suddenly choose; should he continue to conform, or break out and live his life as his own man?

Based on a true story, the film recreates one Christmas night during WWI when enemies were able to lay aside their differences, visit each others trenches and celebrate the holiday.

It was among the fastest, most efficient production car ever built. It ran on electricity, produced no emissions and catapulted American technology to the forefront of the automotive industry. The lucky few who drove it never wanted to give it up. So why did General Motors crush its fleet of EV-1 electric vehicles in the Arizona desert?

"Who Killed the Electric Car?" chronicles the life and mysterious death of the EV-1; examining the cultural and economic ripple effects caused by its conception and how they reverberated through the halls of government and big business.

"Why We Fight" is an unflinching look at the military industrial complex and the rise of the American Empire. Inspired by Dwight Eisenhower's legendary farewell speech (in which he coined the phrase "military industrial complex"), the film surveys the scorched landscape of a half-century's military adventures, asking how—and telling why—a nation of, by, and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war. The film moves beyond the headlines of various American military operations to the deeper questions of why—why does America fight? What are the forces—political, economic and ideological—that drive us to fight against an ever-changing enemy?