Browse Movies : Sony Pictures Classics : 2022

Follows a family as it falls apart and tries to come back together again. A couple of years after his parents’ divorce, 17-year-old Nicholas no longer feels he can stay with his mother, Kate. He moves in with his father Peter and Peter’s new partner Beth. Juggling work, his and Beth’s new baby, and the offer of his dream job in Washington, Peter tries to care for Nicholas as he wishes his own father had cared for him. But by reaching for the past to correct its mistakes, he loses sight of how to hold onto the Nicholas in the present.

Set in 1961 when Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge – a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage.

Sandra (Léa Seydoux) is a widowed young mother raising her daughter on her own, while also caring for her sick father (Pascal Greggory). She’s dealing with the loss of the relationship she once had with her father, while she and her mother and sister fight to get him the care he requires. At the same time, Sandra reconnects with Clément (Melvil Poupaud), a friend she hasn’t seen in a while and, although he’s married, their friendship soon blossoms into a passionate affair.

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on (an unexpected) journey in a country she knows so little about, taking her life in new and unexpected directions.

The documentary tracks Salvatore Ferragamo’s fascinating personal, artistic and business story, from his childhood in Bonito, where he made his first pair of shoes, to his journey to America to seek his fortune, from his experiences in Hollywood to his return to Italy, from the verge of bankruptcy to resurgence in his Florence factory and rise to definitive acclaim.

Turn Every Page explores the remarkable fifty-year relationship between two literary legends, writer Robert Caro and his longtime editor Robert Gottlieb. Now 86, Caro is working to complete the final volume of his masterwork, The Years of Lyndon Johnson; Gottlieb, 91, waits to edit it. The task of finishing their life’s work looms before them. With humor and insight, this unique double portrait reveals the work habits, peculiarities and professional joys of these two ferocious intellects at the culmination of a journey that has consumed both their lives and impacted generations of politicians, activists, writers, and readers.

1953. A London shattered by WWII is still recovering. Williams (Bill Nighy), a veteran civil servant, is an impotent cog within the city’s bureaucracy as it struggles to rebuild. Buried under paperwork at the office, lonely at home, his life has long felt empty and meaningless. Then a shattering medical diagnosis forces him to take stock – and to try and grasp fulfilment before it goes beyond reach.

On a warm spring day in 1924, house maid and foundling Jane Fairchild (Odessa Young) finds herself alone on Mother’s Day. Her employers, Mr and Mrs Niven (Colin Firth and Olivia Colman), are out and she has the rare chance to spend an afternoon of abandon with her secret lover, Paul (Josh O’Connor), the boy from the manor house nearby who is Jane’s long-term love despite the fact that he’s engaged to be married to another woman, a childhood friend and daughter of his parents’ friends. But events that neither can foresee will change the course of Jane’s life forever.

Tells the remarkable true story of Maurice Flitcroft, a crane operator and optimistic dreamer from Barrow-in-Furness who, with the support of his family and friends, managed to gain entry to the 1976 British Open qualifying, despite never playing a round of golf before. With pluckiness and unwavering self-belief, Maurice pulls off a series of stunning, hilarious and heartwarming attempts to compete at the highest level of professional golf, drawing the ire of the golfing elite but becoming a British folk hero in the process.

The New Orleans Jazz & Heritage Festival presented by Shell, aka “Jazz Fest,” is the signature annual music and cultural event of the city and has been called America’s greatest festival. Celebrating the music, food, and arts and crafts of all of Louisiana since 1970, Jazz Fest is an essential showcase of the rich heritage of the region, and hundreds of thousands attend the event each year.

A Finnish student (Seidi Haarla) gets on the Moscow-Murmansk train, trying to escape her mysterious Moscow love. By chance, she has to share a long trip and a cramped compartment with a larger-than-life Russian miner (Yuriy Borisov),

HALLELUJAH: Leonard Cohen, A Journey, A Song is a definitive exploration of singersongwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, “Hallelujah.” This feature-length documentary weaves together three creative strands: The songwriter and his times; the song’s dramatic journey from record label reject to chart-topping hit; and moving testimonies from major recording artists for whom “Hallelujah” has become a personal touchstone. Approved for production by Leonard Cohen just before his 80th birthday in 2014, the film accesses a wealth of never-before-seen archival materials from the Cohen Trust including Cohen’s personal notebooks, journals and photographs, performance footage, and extremely rare audio recordings and interviews.

Trailblazing, hell-raising country music legend Tanya Tucker defied the standards of how a woman in country music was supposed to behave. Decades after Tanya slipped from the spotlight, rising Americana music star Brandi Carlile takes it upon herself to write an entire album for her hero based on Tanya’s extraordinary life, spurring the greatest comeback in country music history.

The Return of Tanya Tucker follows Tanya’s richly creative, utterly captivating, bumpy ride back to the top as Brandi encourages her to push past her fears to create a new sound and reach a new audience. The writing, the experimenting, and refining of this new music mixes with all that came before – using rare archival footage and photographs to delve into Tanya’s history, beginning in a single wide trailer in Seminole, Texas.

Interweaving lecture, personal anecdotes, interviews, and shocking revelations, in WHO WE ARE — A Chronicle of Racism in America, criminal defense/civil rights lawyer Jeffery Robinson draws a stark timeline of anti-Black racism in the United States, from slavery to the modern myth of a post-racial America.