Browse Movies : LGBTQIA+

Set in the iconic Pines, Andrew Ahn's FIRE ISLAND is an unapologetic, modern day rom-com showcasing a diverse, multicultural examination of queerness and romance. Inspired by the timeless pursuits from Jane Austen's classic Pride and Prejudice, the story centers around two best friends (Joel Kim Booster and Bowen Yang) who set out to have a legendary summer adventure with the help of cheap rosé and their cadre of eclectic friends.

After a year of online pillow-talk, Ben, is exhilarated to finally meet his first (but secret) love, Leo. Consumed with passion, Ben weaves the plans and cover-story for his romantic tryst with Leo who is arriving from Germany in just one month. Everything must be perfect, but some family news will quickly change things. Ben cannot take it, he must meet Leo...

A 21-year-old working in construction in New Mexico joins a community of queer rodeo performers in search of their own version of the American dream.

Robert, a Polish immigrant working at a fish factory in Norway, has come to earn money to pay off his mother's debts. Robert realizes he has feelings for his colleague Ivar. For fear of losing his position within a group of Poles at the factory, he hides his feelings, especially when it turns out that Ivar is doing vogue and is an aspiring drag queen.

A Place of Our Own follows Laila & Rashni as they seek a new home after an unjust eviction, the deceptively simple plot illuminates the wide range of prejudice they face. Determined to find a space to thrive, Laila and Rashni depend on each other and their own inner strength to withstand the hatred that surrounds them. As challenges mount, the women find friends and support in unexpected places.

Dee Dee Allen (three-time Academy Award winner Meryl Streep) and Barry Glickman (Tony Award winnerJames Corden) are New York City stage stars with a crisis on their hands: their expensive new Broadway show is a major flop that has suddenly flatlined their careers. Meanwhile, in small-town Indiana, high school student Emma Nolan (newcomer Jo Ellen Pellman) is experiencing a very different kind of heartbreak: despite the support of the high school principal (Keegan-Michael Key), the head of the PTA (Kerry Washington) has banned her from attending the prom with her girlfriend, Alyssa (Ariana DeBose). When Dee Dee and Barry decide that Emma's predicament is the perfect cause to help resurrect their public images, they hit the road with Angie (Academy Award winner Nicole Kidman) and Trent (Andrew Rannells), another pair of cynical actors looking for a professional lift. But when their self-absorbed celebrity activism unexpectedly backfires, the foursome find their own lives upended as they rally to give Emma a night where she can truly celebrate who she is.

A woman plagued by blackouts and strange visions that lead her to discover she’s stuck in a series of time loops, possibly related to her mysterious new girlfriend.

Alex Claremont-Diaz (Taylor Zakhar Perez), the son of the President of the United States (Uma Thurman), and Britain’s Prince Henry (Nicholas Galitzine) have a lot in common: Stunning good looks, undeniable charisma, international popularity … and a total disdain for each other. Separated by an ocean, their long-running feud hasn’t really been an issue, until a disastrous—and very public—altercation at a royal event becomes tabloid fodder, driving a potential wedge in U.S./British relations at the worst possible time. Going into damage-control mode, their families and handlers force the two rivals into a staged “truce.” But as Alex and Henry’s icy relationship unexpectedly begins to thaw into a tentative friendship, the friction that existed between them sparks something deeper than they ever expected.

A piano prodigy out of ex-gay conversion therapy is pressured by his father to run the family farm.

In 1973, teenaged Beth Bledsoe (Sophia Lillis) leaves her rural Southern hometown to study at New York University where her beloved Uncle Frank (Paul Bettany) is a revered literature professor. She soon discovers that Frank is gay, and living with his longtime partner Walid “Wally” Nadeem (Peter Macdissi) -- an arrangement that he has kept secret for years. After the sudden death of Frank's father -- Beth’s grandfather -- Frank is forced to reluctantly return home for the funeral with Beth in tow, and to finally face a long-buried trauma that he has spent his entire adult life running away from.

Feña (Lio Mehiel), a young trans guy bustling through life in New York, is afflicted with an incessantly challenging day that resurrects ghosts from his past. Laundromats, subway turnstiles, airport transfers are the hectic background to this emotional drama from Sundance that overlaps past, present, and future. Settling the disharmony of transitional upheaval in relationships familial, romantic, platonic is Feña's task at hand, and his resulting juggling act is equal parts skillful, fumbling, and honest. In negotiating his obliqueness, the poignant moments he finds between himself and others - as the distance between them closes - are warm, true, and touching.

The film will tell the story of Jared (Hedges), the son of a Baptist pastor in a small American town, who is outed to his parents (Kidman, Crowe) at age 19. Jared is quickly pressured into attending a gay conversion therapy program – or else be shunned by his family, friends, and church. It is within the program that Jared comes into conflict with its head therapist (Edgerton).

Vice Lieutenant Eismayer is the most feared trainer and model macho in the Austrian Military and lives as a gay man in secret. When he falls in love with a young, openly gay soldier, his world gets turned upside down. Based on real events.

Jack (David W Ross) is a gay Brit living in New York. When his brother (Grant Bowler) gets killed in a car crash, Jack is left to raise his niece, Tara, with his sister-in-law Mya (Alicia Witt).

When Jack’s work visa is denied moving back to England isn’t an option. With Tara, now seven, and Mya, struggling through medical school, he can’t leave them behind. Faced with deportation and no other means to stay in America, Jack marries his lesbian best friend Ali (Jamie-Lynn Sigler). When Jack falls for a Spanish architect Mano (Maurice Compte), a U.S. citizen, and I.C.E officers detain and interview Ali and Jack, a terrified Ali files for divorce.

Mano, ready for commitment, believes he can marry Jack and keep him in the country. Their lawyer informs them that even though Mano is a citizen, immigration is a Federal level right not afforded to gay marriage on a State level. Jack will be deported unless he marries another woman.

A drama about a fictional young man caught up during the 1969 Stonewall riots. Danny Winters (Jeremy Irvine) is forced to leave behind friends and loved ones when he is kicked out of his parent’s home and flees to New York. Alone in Greenwich Village, homeless and destitute, he befriends a group of street kids who soon introduce him to the local watering hole The Stonewall Inn; however, this shady, mafia-run club is far from a safe haven. As Danny and his friends experience discrimination, endure atrocities and are repeatedly harassed by the police, we see a rage begin to build. This emotion runs through Danny and the entire community of young gays, lesbians and drag queens who populate the Stonewall Inn and erupts in a storm of anger. With the toss of a single brick, a riot ensues, and a crusade for equality is born.

Kevin Bacon plays Owen Whistler in this slasher horror film set at an LGBTQIA+ conversion camp. Several queer and trans campers join Whistler for a week of programming intended to "help them find a new sense of freedom". As the camp's methods become increasingly more psychologically unsettling, the campers must work together to protect themselves. When a mysterious killer starts claiming victims, things get even more dangerous.

The story is about a gay man (Colin Firth), who tries to go about his normal routines after the death of his partner. Matthew Goode will play Firth's former boyfriend, and Julianne Moore will be his friend.

In a nameless, suburban American town, the smell of barbeque fills the air as Fourth of July celebrations move from a hot summer day into night. Joe, a man who works hard and travels a lot, leaves his family behind for the holiday, citing a business trip. Abigayle, his precocious daughter, is left to tend to her ill mother and manage the house on her own, yet again. Seeking just enough attention to get her through another night of her lonely responsibilities, she turns to Dexter, a former high school basketball star whose best days are behind him. And while Abigayle is out with Dexter, Joe is quietly spending time around town with June, a young man he met online who’s struggling to accept himself. And for just this night, the small world that these four live in will become even smaller, though the freedom they experience has never been so dangerous, fleeting and honest.

In 1977, Harvey Milk was elected to the San Francisco Board of Supervisors, becoming the first openly gay man to be voted into public office in America. His victory was not just a victory for gay rights; he forged coalitions across the political spectrum. From senior citizens to union workers, Harvey Milk changed the very nature of what it means to be a fighter for human rights and became, before his untimely death in 1978, a hero for all Americans. During the last eight years of his life, while living in New York City, he turns 40. Looking for more purpose, he and his lover Scott Smith relocate to San Francisco, where they found a small business, Castro Camera, in the heart of a working-class neighborhood. Then, with support from Scott and from new friends like young activist Cleve Jones, Milk plunges headfirst into the choppy waters of politics. Bolstering his public profile with humor, Milk's actions speak even louder than his gift-of-gab words. When Milk is elected supervisor for the newly zoned District 5, he tries to coordinate his efforts with those of another newly elected supervisor, Dan White. But as White and Milk's political agendas increasingly diverge, their personal destinies tragically converge.