Browse Movies : 2013 : Rating Not Available : I

A boy of 16 wants to get in the house of one of his classmates to glean inspiration for his writing assignments. Impressed with this unusual and gifted student, his teacher rediscovers a taste for teaching, but the intrusion sparks a series of uncontrollable events.

Jack (David W Ross) is a gay Brit living in New York. When his brother (Grant Bowler) gets killed in a car crash, Jack is left to raise his niece, Tara, with his sister-in-law Mya (Alicia Witt).

When Jack’s work visa is denied moving back to England isn’t an option. With Tara, now seven, and Mya, struggling through medical school, he can’t leave them behind. Faced with deportation and no other means to stay in America, Jack marries his lesbian best friend Ali (Jamie-Lynn Sigler). When Jack falls for a Spanish architect Mano (Maurice Compte), a U.S. citizen, and I.C.E officers detain and interview Ali and Jack, a terrified Ali files for divorce.

Mano, ready for commitment, believes he can marry Jack and keep him in the country. Their lawyer informs them that even though Mano is a citizen, immigration is a Federal level right not afforded to gay marriage on a State level. Jack will be deported unless he marries another woman.

Tells the story of a thirtysomething commitment-phobe who breaks up with the love of his life thanks to conflicting advice from his outrageous, inner voices -- and says the only thing he can think of to soften the blow: "It's not you, it's me."

When middle class consumers have to tighten their belts, the whole economy suffers as seen in the years before the Great Depression and as it stands today. The middle class represents 70% of spending and is the great stabilizer of our economy. No increase in spending by the rich can make up for it. This is the moment in history in which we find ourselves: unprecedented income divisions, a wildly fluctuating and unstable economy, and average Americans increasingly frustrated and disillusioned. The debate about income inequality has become part of the national discussion, and this is a good thing. Inequality for All connects the dots for viewers, showing why dealing with the widening gap between the right and everyone else isn’t just about moral fairness. The issues addressed are arguably the most pressing of our times. The film alternates between intimate, approachable sequences and intellectually rigorous arguments helping people with no economic background or education of what it means for the U.S. to be economically imbalanced, and walk away with a comprehensive and significantly deeper sense of the issues and what can be done about it.

When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next

Miles Montego (Ja Rule) has it all - cars, boats, good looks, mansion, money, women, but more importantly, he has a past. Miles is a retired high level drug trafficker who is now completely legitimate. Even though Miles has turned over a new leaf, the DEA can't seem to let him out of their sights. Miles' only downfall is that he is extremely loyal to his circle of friends and former colleagues who are not retired from the lucrative business. Struggling to keep on the right side of the law, Miles meets the one girl of his dreams but she's not the usual type of girl that he's used to dating. Vanessa (Adrienne Bailon) is a church girl in every sense of the word. They are tested to their last ounce of faith and strength in God and each other. God continues to chip away at Miles through struggles from his past, having to live up to his reputation, feelings of unworthiness, the death of his mother, federal charges, his friends being indicted, the strain on his relationship with Vanessa, almost losing her in a near fatal car accident, and finally the spiritual breakdown and one on one with God that brings Miles to his knees.

Starting in the early 1930s, home movies were made by private individuals documenting their personal and family lives alongside historic events in Palestine/Israel. Each amateur cinematographer had a camera of his own, but each saw something different.