Browse Movies : I (Page #5)

Based on true events, Inside Man follows a disgraced police detective seeking redemption by going undercover to expose a violent and bloody crime syndicate. But as he sinks deeper into the mob and more bodies drop, the price for absolution may be higher than he can afford.

Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

Irena Sendler makes a defiant stand against Polish Nazi occupation. She develops an incredible network to care for and save 2500 Jewish children from the Warsaw ghetto. Following her arrest by the Gestapo during the height of the war, it becomes a race against time to save not only herself but the identities of the hidden thousands who'll face certain execution.

A pre-wedding party descends into an existential nightmare when an estranged friend shows up with a mysterious suitcase.

An intense character drama about four men who look within themselves and find emptiness.

A technical failure (a kind of justifiable negligence, even though it sounds contradictory, but that’s what human actions are) has endangered the lives of the passengers on Peninsula Flight 2549. The pilots, hardened, experienced professionals are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves body and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death.

The travelers in Business Class consist of a pair of newlyweds, partygoers, worn out by their wedding celebration; a financier and embezzler; unscrupulous in business but also a father afflicted by his daughter’s estrangement; an inveterate Don Juan with an uneasy conscience who is trying to say goodbye to one of his women (girlfriends); a rural psychic; a queen of the gossip magazines and a Mexican with an important secret. Each of them has a project in Mexico City, either to work or to escape. They all have some kind of secret, not just the Mexican.

Their defenselessness in the face of danger provokes a general catharsis among the passengers and the crew, and this ends up becoming the best way to escape from the idea of death.

Madelyn Reid accidentally learns of her husband’s infidelity when she saves his sexy young mistress (Leonor Watling) from a bungled suicide attempt. When her unsuspecting young rival suggests the two new “best friends” take each other’s advice—on everything—Madelyn sees an opportunity to seize the upper hand. But the plan backfires when the aspiring young actress insists Madelyn keep her end of the bargain—and orders her to star as King Lear in a very amateur production, with Lucy playing The Fool. Things really get out of control when Lucy starts giving Madelyn instructions on dealing with an amorous coworker and a handsome stranger (Aidan Quinn). Marcia Gay Harden gives a hilarious, touching and utterly believable performance in this delightful comedy about two women who become the unlikeliest of friends.

The rise and fall of a four-year relationship between a 40ish photographer and a New York Times food columnist in her late 20s.

While staying at an isolated island resort, James (Alexander Skarsgård) and Em (Cleopatra Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi (Mia Goth), they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.

When private eye Doc Sportello’s ex-old lady suddenly out of nowhere shows up with a story about her current billionaire land developer boyfriend whom she just happens to be in love with, and a plot by his wife and her boyfriend to kidnap that billionaire and throw him in a loony bin…well, easy for her to say.

It’s the tail end of the psychedelic '60s and paranoia is running the day and Doc knows that "love" is another of those words going around at the moment, like “trip” or “groovy,” that’s being way too overused—except this one usually leads to trouble.

With a cast of characters that includes surfers, hustlers, dopers and rockers, a murderous loan shark, LAPD Detectives, a tenor sax player working undercover, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists... Part surf noir, part psychedelic romp—all Thomas Pynchon.

The newest chapter in the terrifying horror series is written and directed by franchise co-creator Leigh Whannell. This chilling prequel, set before the haunting of the Lambert family, reveals how gifted psychic Elise Rainier (Lin Shaye) reluctantly agrees to use her ability to contact the dead in order to help a teenage girl (Stefanie Scott) who has been targeted by a dangerous supernatural entity.

The story follows Nick (Grimes), an ex-con adjusting to a normal life in rural Alabama. When a past he thought he left behind comes back to haunt him, it forces him to come to terms with his current situation and rectify a relationship with his father-in-law (Taylor) — all the while dealing with the one person (Grillo) who threatens to pull his world apart.

Set in a town where a single mother and a teenage girl were found dead in a river within a few months of each other. The story centers on a 15-year-old girl, who has been left parentless while caring for her mother’s sister — a fearful stranger who has been dragged back to the place she deliberately ran from.

Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don’t realize is that agoraphobia is not her only psychosis.

When a husband and wife (Logan Marshall-Green and Freida Pinto) move to a small town, a home invasion leaves the wife traumatized and suspicious that those around her might not be who they seem.

An intimate and revealing portrait of a largely misunderstood American icon, this emotional and engaging documentary about Yogi Berra takes us beyond the caricatures and "Yogisms," and into the heart of a sports legend whose unparalleled accomplishments on the baseball diamond were often overshadowed by his off-the-field persona.

A horror film following a man (Joel Edgerton) as he is learns that the evil stalking his family home may be only a prelude to horrors that come from within.

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge.

Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.