Browse Movies : 2003 : War

"Divine Intervention" follows ES, a character played by and clearly based upon the filmmaker himself. ES is burdened with a sick father, a stalled screenplay and an unrequited love affair with a beautiful Palestinian woman (Manal Khader) living in Ramallah. An Israeli checkpoint on the Nazareth-Ramallah road forces the couple to rendezvous in an adjacent parking lot. Their relationship and the absurd situations around them serve as metaphors for the lunacy of larger cultural problems, and the result is palpable, bottled personal and political rage.

Set during the final days of the war between Iran and Iraq, this is the story of an elderly Iranian Kurd musician who ventures off with his two sons, also musicians, into the dangerous territory of Kurdish Iraq in search of his wife, Hanareh, a singer with an amazing voice, who they fear may be in danger there, after she ran away with the old man's best friend.

This documentary presents 90 minutes of interview footage (edited down from more than ten hours) with Traudl Junge (1920-2002), who from 1942 to 1945 was one of three personal secretaries of Adolf Hitler, whom she describes as a "pleasant boss and fatherly friend". Ms. Junge describes first-hand experiences of what life was like within the most inner circles of the Third Reich, including those chilling last days for Hitler, Goebbels and Eva Braun in the bunker, where she transcribed Hitler's last will and testament before he and the others committed suicide.

Western Front, 1917. In the chaos of a trench war battle, a small company of men get lost, surrounded by a thick mysterious fog. As they emerge from it, they come across a deserted German trench. Convinced they have broken through the enemy lines, they decide to secure the trench and begin to explore it. Only to find mutilated German corpses everywhere. Something very strange and evil has happened here. When one of them is found horribly murdered, wrapped in barbed wire, they know they are not alone!

Robert McNamara, former Secretary of Defense during the JFK and LBJ administrations, was one of the key figures in the Vietnam War. This documentary is built around 20 hours of interviews and additional archival footage of Mr. Namara, who later became president of the World Bank and broadened his global influence.

September 1944. Several days before Finland, an ally of Nazi Germany, pulls out of World War II, Veiko, (Ville Haapasalo) a lone Finnish sniper, is turned on by his compatriots for a being a pacifist and, in their eyes, a reluctant fighter. As a punishment, the young man is placed in shackles, nailed to a heavy rock and forced to wear a German uniform, knowing full well that Russian soldiers have orders to shoot Germans on sight, without accepting surrender. Veiko is thus left to die in a remote Lapland forest, with nothing but a few supplies and his wits. Days pass, and after several failed attempts, he succeeds in freeing himself and heads for safety, shackles still attached. While trying to escape, Veiko witnesses the following through his rifle's telescope: Ivan, a captain in the Russian army accused of anti-Soviet correspondence, is being held prisoner by the Soviet Military secret police. En route to his court martial, Russian planes accidentally bomb the vehicle carrying the disgraced captain, killing the driver and his guard. Not far away is Anni (Anni-Kristiina Juuso), a Lapp reindeer farmer whose husband was drafted into the war by the Finnish authorities four years earlier, never to return. Hungry and alone, the young and resourceful widow locates the bodies of Ivan and his captors while foraging for food. As she begins to bury the dead, Anni discovers that Ivan is still alive, but seriously hurt. She carries him to her wooden hut and nurses him back to health. Meanwhile, Veiko, in search of tools to remove his shackles, stumbles upon Anni's farm. Thus World War II creates the unlikeliest of bonds (between three different people, from three different cultures, speaking three different languages.) Comic, and sometimes tragic, misunderstandings soon arise, resulting in a passionate, and very human, three-way relationship. Unable to communicate with the others and unaware that the war between the USSR and Finland is over, Ivan is convinced that Veiko is a German soldier gone astray; to Ivan, the German uniform the Finnish soldier was forced to wear is further proof. But Veiko is unaware of Ivan's hatred and just wants to cut off his shackles, return home and put the war behind him. Yet, to avoid falling into enemy hands, Veiko opts to stay on Anni's farm for temporary safety. The earthy and sensuous Anni, who has not been with a man in four years, could not be more delighted with her good fortune, language barrier be damned. For Anni, Veiko and Ivan are not enemies, but just men. An uncommon and touching bond develops, as the three unlikely souls begin a domestic routine of hunting and gathering in preparation for the long Lap winter. The two men do what they can to contribute to Anni's well being: Veiko builds a sauna and Ivan picks mushrooms... but their war is not over.

Russell Crowe is Lucky Jack Aubrey, the Navy's greatest fighting captain and Paul Bettany is ship's doctor Stephen Maturin. The ship, the Surprise, is suddenly attacked by a superior enemy. With the Surprise badly damaged and much of his crew injured, Aubrey – the "Master" of the Surprise and "Commander" of his men – is torn between duty and friendship as he sets sail in a high-stakes chase across two oceans, to the far side of the world, to intercept and capture their foe. It's a mission that can decide the fate of a nation – or destroy Lucky Jack and his crew. The film is based on the narrative outline of the tenth book in Patrick O'Brian's legendary "Aubrey/Maturin" series of high seas novels about the British navy during the Napoleonic Wars.

Set shortly after World War II in Berlin, this is the story of an American officer's (Harvey Keitel) prosecution of German conductor Wilhelm Furtwängler (Stellan Skarsgard) as part of the Allied Forces' de-Nazification trials. As the investigation progresses, the American, wanting to convict a man he sees as a Jew-killing Nazi is brought face-to-face into conflict with a man consumed entirely by his art, not politics.