DVD & Blu-rays Released May 16, 2006

Set in the exotic country of South Africa, Duma tells the powerful adventure tale of an unbreakable bond of friendship between a cheetah named Duma and an intrepid young boy named Xan (Alexander Michaletos), who faces the true test of love when he must cross the whole of Southern Africa to return his best friend to his rightful home in the wilds. On his journey, Xan learns that everything always changes, but not love.

Two-time Tony Award winners Nathan Lane and Matthew Broderick return to their celebrated roles as Max Bialystock and Leo Bloom, a scheming theatrical producer and his mousy CPA who hit upon the perfect plan to embezzle a fortune: raise far more money than you need to produce a sure-fire Broadway flop and then (since no one will expect anything back), Max and Leo can pocket the difference. To do this, they need the ultimate bad play, which they find in the musical "Springtime for Hitler". Their plans come to naught and the duo are taken completely by surprise when their new production is hailed as a toast-of-the-town hit. Uma Thurman stars as Ulla, the Swedish secretary/slash/receptionist and would-be showgirl, and Will Ferrell brings his spot-on comic talents to the role of Franz Liebkind, the neo-Nazi playwright (and pigeon fancier) responsible for penning the "worst play ever written."

When Steve Barker (Johnny Knoxville) finds himself running dead last in the corporate rat race, he sinks to an all time low...he attempts to rig the Special Olympics by pretending to be intellectually challenged. But, Barker is completely out-classed by his fellow Olympians, who are not only better athletes; they're just plain better people. And they're on to him. But rather than rat-out the rat, they join forces with him to once and for all beat Jimmy, the cocky reigning champion of the annual games. With a work-out regime uniquely their own, they train Barker to go for the gold and, in the process, show him what's at the heart of a true winner.

If love is an adventure, it's one yet to be embarked upon by Kenya Denise McQueen. A beautiful L.A. career woman, Kenya works as senior manager at a prestigious accounting firm, and is on the verge of making partner. But she has yet to find her own partner and a fulfilling personal life. It's not that she's stopped looking; her (mental) checklist is at the ready. After another Valentine's Day spent working late, Kenya agrees to a blind date with Brian Kelly, a sexy and free-spirited landscape architect who turns out to be not exactly what she'd pictured for herself. Then again, she does need the yard of her new house fixed up. Her girlfriends Cheryl, Suzzette, and Nedra are there for her with advice, while Cheryl's new beau Walter shares a male perspective with Brian. Kenya's socially prominent parents Joyce and Edmond and womanizing younger brother Nelsen also voice their own opinions. But it's when her perfect match, Mark, enters the picture that Kenya is truly thrown into confusion. Ultimately, Kenya has to decide for herself and follow her heart--no matter where it takes her.

Ernesto is a successful artist who has his life turned upside down by his family's wishes for the canonization of his murdered mother. His extreme dislike for her ignorant ways brings about a greater connection to his inane brother who killed her, while his other brothers favor her beautification.

Set in Shanghai in the late 1930s, it is the story of the relationship between a disillusioned former US diplomat and a refugee Russian countess reduced to a sordid life in the city's bars.

Todd Jackson (Ralph Feinnes), once an American diplomat filled with idealism, has become bitterly disillusioned by realpolitik and the seemingly unavoidable nature of war and conflict. Moreover, he is deeply bereaved by the deaths of his wife and children, who were victims of violent political events in 1930s China that also robbed Jackson of his sight.

Jackson is trying to retreat into a smaller, more controllable world by creating here, in one of the world's most licentious, glittering and sordid ports, the perfect bar. After countless hours spent critically examining dive after dive in the city's pleasure districts, Jackson has become a connoisseur of decadence. One day, after a chance meeting with Matsuda - a mysterious Japanese man who appears to share his refined eye for the beauty of low-life establishments - Jackson gambles his savings on a horse, wins, and sets about realizing his masterpiece: a bar that will achieve the exquisite balance of romance, tragedy, and political tension.

Matsuda is a decidedly shadowy figure, but that fails to worry Jackson, and they partner to create the perfect bar. When rumors circulate that Matsuda has come to Shanghai to oversee a Japanese invasion of the city, Jackson still willfully refuses to listen.

Sofia (Natasha Richardson) is a White Russian countess in her thirties who fled the Bolshevik Revolution as a child. Her immediate family have perished, and she now lives in a Shanghai slum with members of her late husband's aristocratic family and her ten-year-old daughter, Katya. The household's sole breadwinner, Sofia works as a taxi-dancer in dingy night spots, resorting to prostitution when times are hard. The rest of the household show their gratitude by endlessly ostracizing her for bringing disgrace to the family.

Jackson encounters Sofia one night working at her taxi-dance hall, decides she is the perfect blend of tragedy and sensuality and asks her to become the centerpiece of his perfect bar. Thus begins a relationship that will see Jackson - despite his best efforts - slowly coaxed out of his enclosed world. He gradually comes to concede that Sofia may be more than a beautiful picture, becomes drawn to the spirited young Katya, and ultimately, into the intrigues within the family to separate Sofia from her child.

The story ends as the Japanese invade Shanghai, with the entire world on the brink of World War II. Ironically, it is at this point that Jackson, in acknowledging his love for Sofia and her daughter, finds reawakened his own idealism for a world free from war.