Music Movies (Page #4)

Enn (Alex Sharp) is a shy suburban London teenager in 1977, sneaking out with his best friends to after-hours punk parties. One night they stumble upon a bizarre gathering of sexy teenagers who seem like they are from another planet. In fact, they are from another planet, visiting Earth to complete a mysterious rite of passage. That doesn’t stop Enn from falling madly in love with Zan (Elle Fanning), a beautiful and rebellious alien teenager who, despite her allegiance to her strange colony, is fascinated by Enn.

This intimate exploration takes viewers on a journey inside Celine's past and present as she reveals her battle with Stiff Person Syndrome (SPS) and the lengths she has gone to continue performing for her beloved and loyal fans. From visiting her couture touring wardrobe and personal effects to spending time in the recording studio, the documentary captures a global megastar's never-before-seen private life.

The story of the legendary country western singer Hank Williams, who in his brief life created one of the greatest bodies of work in American music. The film chronicles his meteoric rise to fame and its ultimately tragic effect on his health and personal life.

The electric guitar has dominated popular music for the last half century. Anyone who has ever plugged into an amp understands its power. So does the average stadium crowd. But if you have too much exposure to amateurs, you might forget the incredible range of expression that the creation pioneered by Les Paul can achieve in the hands of masters.

Director Davis Guggenheim, well-known for his Academy Award-winning documentary "An Inconvenient Truth", deepens our appreciation for going electric by bringing together three virtuosos from different generations: Jimmy Page of Led Zeppelin, The Edge of U2 and Jack White of The White Stripes. "It Might Get Loud" weaves together their stories to reveal how each of them developed a unique sound.

Unlike rock 'n' roll documentaries that focus on backstage drama, this one concentrates on the music, giving us intimate access to the creative process. Each guitarist describes his own musical rebellion: Page against the saccharine pop of the sixties; The Edge against the self-indulgent solos of the seventies; White against the soulless bass machines of the eighties. The film also travels to the locations that left a mark on each player. Page visits the stone halls of Headley Grange where "Stairway to Heaven" was composed. In Dublin, The Edge pulls out the original four-track rehearsals of "Where the Streets Have No Name." And in Tennessee, White describes being inspired by the raw style of bluesman Son House. What's more, we see each musician play new work that has yet to be released.

The trio comes together for a jam session, during which they demonstrate their varying tastes in gear, from Page's double-neck guitar to The Edge's array of accessory pedals to White's cheap plastic instrument. Contrary to the stereotype that rock 'n' rollers are sullen and guarded, these three display an infectious joy when discussing their craft. Anyone who has ever played air guitar along with a Zeppelin song will be thrilled watching Page mimic the licks of one of his own favourites, Link Wray's "Rumble."

You don't need to be an aficionado to enjoy the pleasure of this company. This film might not affect how you play, but it will change how you listen.

Kenny Chesney, the biggest ticket-seller of this century in any musical genre, has wrapped his latest concert tour, the Sun City Carnival. This coming spring, Sony Pictures Releasing's special programming division, The Hot Ticket, will take audiences for another ride. For a limited engagement beginning in April 2010 in movie theatres nationwide, "Kenny Chesney: Summer in 3D", will give fans the chance to live the fun, the friends, the songs and the moments that make Kenny Chesney the must-see concert experience to kickoff the summer season.

On the eve of Y2K, orphaned 12-year-old Beverly discovers a broken mixtape crafted by her teen parents. Raised by her grandmother (Julie Bowen)—who struggles talking about her late daughter—Beverly sees the mixtape as a chance to finally learn more about her parents.

She was one of the century's most extraordinary talents, a 15-time Grammy nominee and Grammy Hall of Fame recipient; her mesmerizing songs and passionate politics combined to make her the unforgettable Nina Simone (Zoe Saldana). But fame and fortune came with a price, and her later years were riddled with depression, alcohol abuse and isolation. Rediscovering the meaning of her life and work took courage, strength and one true friend: Clifton Henderson (David Oyelowo), the man who started out as her assistant and eventually became her loyal manager. With Clifton's encouragement, the "high priestess of soul" began a courageous journey back to her music... and, eventually, herself.

Beecham House is abuzz. The rumor circling the halls is that the home for retired musicians is soon to play host to a new resident. Word is, it's a star. For Reginald Paget (Tom Courtenay), Wilfred Bond (Billy Connolly) and Cecily Robson (Pauline Collins) this sort of talk is par for the course at the gossipy home. But they're in for a special shock when the new arrival turns out to be none other than their former singing partner, Jean Horton (Maggie Smith). Her subsequent career as a star soloist, and the ego that accompanied it, split up their long friendship and ended her marriage to Reggie, who takes the news of her arrival particularly hard. Can the passage of time heal old wounds? And will the famous quartet be able to patch up their differences in time for Beecham House's gala concert?

The movie chronicles late Motown legend Marvin Gaye's self-imposed exile in Europe after years of battling drugs, domestic issues and label headaches. There, he was rescued by a promoter who helped Gaye record his biggest-selling album, "Midnight Love," which yielded the monster comeback hit, "Sexual Healing." Gaye's life was cut short the day before his 45th birthday in 1984, when his father killed him.

In the next exciting chapter of the international phenomenon Step Up, all-stars from previous installments come together in glittering Las Vegas, battling for a victory that could define their dreams and their careers.

The Lost Weekend: A Love Story explores the 18-month relationship (1973-1975) that John Lennon spent with May Pang, his Chinese American assistant turned lover (on Yoko Ono’s insistence). With May’s help, Lennon reunited with his son Julian and had his most artistically and commercially productive period post-Beatles – with the albums “Mind Games”, “Walls and Bridges” which included his only #1 Hit Single “Whatever Gets You Through the Night”, “Rock and Roll” and collaborated with Elton John, David Bowie, Harry Nilsson, Mick Jagger, and Ringo to name a few. Pang chronicles it all revisiting her younger self, a naïve 22-year old experiencing her first, unforgettable love.

Tells the extraordinary story of an international musical collective created by legendary cellist Yo-Yo Ma. The film follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists and storytellers as they explore the power of music to preserve tradition, shape cultural evolution and inspire hope.

With over 200 million album sales worldwide, and remaining the only artist to chart seven consecutive US No. 1’s, Whitney Houston was the voice of a generation. Coming from an esteemed lineage of singers, Whitney was destined to be plucked from her gospel-singing roots to rule the world stage. She inspired a generation of singers from Mariah Carey to Beyoncé and her unforgettable performance of The Star-Spangled Banner unlocked an anthem that had for so long been dismissed by many black artists.

But all these achievements have become a footnote to a story of addiction and self-destruction. With salacious stories filling the columns of tabloid papers and magazines, Whitney had the voice of an angel onstage, but was being torn apart by her demons offstage.

Before Bad Brains, the Sex Pistols or even the Ramones, there was a band called Death. Punk before punk existed, three teenage brothers in the early '70s formed a band in their spare bedroom, began playing a few local gigs and even pressed a single in the hopes of getting signed. But this was the era of Motown and emerging disco. Record companies found Death's music—and band name—too intimidating, and the group were never given a fair shot, disbanding before they even completed one album. Equal parts electrifying rockumentary and epic family love story, A Band Called Death chronicles the incredible fairy-tale journey of what happened almost three decades later, when a dusty 1974 demo tape made its way out of the attic and found an audience several generations younger.

While Barry, Robin and Maurice Gibb first begin performing together in the late 1950s, much of their popularity comes after they write songs for the 1977 film "Saturday Night Fever" that prolongs the popularity of disco and leads to one of the top selling albums ever. The trio's worldwide sales of over 220 million records established them as one of the biggest selling groups of all time.

A drummer plays in the warm-up band of a big American performer giving a concert for the Russian premier. When bad guys break up the show the ex-Marine drummer springs into action.

The film is about an 80's-style rock band that are killed in a freak accident, all but the singer who makes a deal with death to bring them back...so they all come back as zombies and become the biggest band in the world.

ajo Tonorio, a.k.a. “Filly Brown,” is a raw, young Los Angeles hip-hop artist who spits rhymes from the heart. With an incarcerated mother, and a father struggling to provide for his daughters, a record contract could be the ticket out for her family. But when a record producer offers Majo a crack at stardom, she is suddenly faced with losing who she is as an artist and the friends who helped her reach the cusp of success.

A fast living, cynical London music executive (Daniel Mays) heads to a remote Cornish village on a stag weekend where he's pranked by his boss (Noel Clarke) into trying to sign a group of shanty singing fishermen (led by James Purefoy). He becomes the ultimate "fish out of water" as he struggles to gain the respect or enthusiasm of the unlikely boy band and their families (including Tuppence Middleton) who value friendship and community over fame and fortune. As he's drawn deeper into the traditional way of life he's forced to reevaluate his own integrity and ultimately question what success really means.