Movies Released January 7, 2005

Successful architect Jonathan Rivers' peaceful existence is shattered by the unexplained disappearance and death of his wife, Anna. Jonathan is eventually contacted by a man, who claims to be receiving messages from Anna through EVP (Electronic Voice Phenomenon). At first skeptical, Jonathan then becomes convinced of the messages' validity, and is soon obsessed with trying to contact her on his own. His further explorations into EVP and the accompanying supernatural messages unwittingly open a door to another world, allowing something uninvited into his life.

In the wake of a painful estrangement from his daughter, boxing trainer Frankie Dunn (Clint Eastwood) has been unwilling to let himself get close to anyone for a very long time—then Maggie Fitzgerald (Hilary Swank) walks into his gym. In a life of constant struggle, Maggie's gotten herself this far on raw talent, unshakable focus and a tremendous force of will. But more than anything, she wants someone to believe in her. The last thing Frankie needs is that kind of responsibility—let alone that kind of risk—but won over by Maggie's sheer determination, he begrudgingly agrees to take her on. In turns exasperating and inspiring each other, the two come to discover that they share a common spirit that transcends the pain and loss of their pasts, and they find in each other a sense of family they lost long ago. Yet, they will both face a battle that will demand more heart and courage than any they've ever known.

Life story of Spaniard Ramón Sampedro, who fought a 30-year campaign to win the right to end his life with dignity. Film explores Ramón's relationships with two women: Julia, a lawyer who supports his cause, and Rosa, a local woman who wants to convince him that life is worth living. Through the gift of his love, these two women are inspired to accomplish things they never previously thought possible. Despite his wish to die, Ramón taught everyone he encountered the meaning, value and preciousness of life. Though he could not move himself, he had an uncanny ability to move others.

Louis may be brilliant and he may be suicidal, but he has the keys to the car. Hilary may be seductive and she may be falling apart, but she is his sister. These two are as far from average as any middle-class Phoenix siblings can get. Louis and Hilary combine the vulgar and the poetic as they badger, berate and bewitch each other. Louis has something Hilary desperately needs, and Hilary has something Louis cannot live without. Both will fight to the death not to give it to each other. And it all takes place with company in the house.