Browse Movies : Next 90 Days : Drama (Page #2)

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

A story of star-crossed lovers on the western U.S. frontier in the 1860s, The Dead Don’t Hurt centers on Vivienne Le Coudy (Krieps), a fiercely independent woman who embarks on a relationship with Danish immigrant Holgen Olsen (Mortensen).

Sophia, a brilliant scientist comes to know that a large shark is swimming deep in the river.

An ex-criminal must save his son when a group of thugs raid his place of work in the hopes to steal an expensive amount of platinum.

Follows DOG, who lives in Manhattan and one day, tired of being alone, decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?

Daisy Ridley stars as the accomplished swimmer who was born to immigrant parents in New York City in 1905. Through the steadfast support of her older sister and supportive trainers, she overcame adversity and the animosity of a patriarchal society to rise through the ranks of the Olympic swimming team and complete the staggering achievement – a 21-mile trek from France to England.

A Cable News program is born after the Election of Donald Trump. Influenced by past Civil Rights struggles, the Producers are guided by the mystic spirit of children.

Trans man Leo’s (Bobbi Salvör Menuez) life is a jumble of auditions, acting classes, barista jobs, and situationships, all of which he hopes will amount to more. Unexpectedly, Leo’s college best friend, cisgender and straight Eleanor (Marianne Rendón), calls Leo announcing that she’ll be driving through NYC, and offers to pick him up for an impromptu trip upstate. They embark on the weekend getaway, marking their first time spent together since Leo began transitioning. Reunited with new gender dynamics between them, and uncovering problems lurking behind Eleanor’s “well-meaning” façade, Leo and Eleanor navigate how their old feelings towards one another exist within this new context, forcing them both to confront buried secrets and emotions. A modern twist on the buddy comedy from a queer and trans perspective, Noah Schamus’ debut feature SUMMER SOLSTICE is a celebration of friendship, resilience, and coming of age again.

Lucy, a former child actress, seeks healing from the traumas of her life. She embarks on a spiritual retreat, only for it to become anything but healing: she’s easily annoyed by the other attendees and wants attention from the retreat’s new-age guru Elon Bello. Even worse, she has become destructively obsessed with the retreat’s celebrity guest, a model named Beverly. As Beverly finds “enlightenment” easily, Lucy’s feelings of insecurity continue to rise to the surface. During this time, Lucy also tries to connect with her stunt performer adult daughter, Dylan who’s currently on set in New Zealand. Dylan’s falling into an obsession of her own: a bad romance with the main actor Elmore, whose insistence on doing his own stunts will have disastrous consequences. Brutal incidents in both women’s worlds force them to back together to confront their personal demons and their own relationship.

In a small, sleepy village in the Basque Country, a sculptor named Ane and her three children arrive at her mother Lita’s home for summer vacation where they are surrounded by extended family and nosy neighbors. Ane and her mother’s relationship is strained — Lita disapproves of her daughter’s frayed marriage, career as an artist, and the way she parents her obstinate and mischievous children. Chief among them is eight-year-old Aitor, nicknamed Coco after it becomes clear that being referred to by the Aitor elicits feelings of distress in the child. Born biologically male, neither birth name nor the genderless nickname feel quite right, and Ane’s concern for her child grows as Coco becomes more withdrawn. The child’s only respite lies in the Basque hills, where Ane’s aunt Lourdes tends to the family’s beekeeping farm. Among the peaceful humming of bees and Lourdes' open-minded guardianship, Coco slowly begins to confide in family and friends her discomfort in her body, eventually voicing a desire to be treated as a girl. As Coco explores her own developing identity over the summer, Ane and the rest of her family in turn must learn to accept the child as she is.

Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?

In rural Western Massachusetts, 11-year-old Lacy spends the summer of 1991 at home, enthralled by her own imagination and the attention of her mother, Janet. As the months pass, three visitors enter their orbit, all captivated by Janet and her spellbinding nature. In her solitary moments, Lacy inhabits an inner world so extraordinarily detailed that it begins to seep into the outside world.

A small group of prisoners inside Sing Sing Correctional Facility, one of the world’s most infamous maximum security prisons, attempt to stage their own original production, “Breakin’ The Mummy’s Code,” from inception to opening night.

Rapping in their native Irish language, KNEECAP fast become the unlikely figureheads of a Civil Rights movement to save their mother tongue. But the trio must first overcome police, paramilitaries & politicians trying to silence their defiant sound - whilst their anarchic approach to life often makes them their own worst enemies

A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?

A mother (Julia Louis-Dreyfus, in a profoundly moving performance) and her teenage daughter (Lola Petticrew) must confront Death when it arrives in the form of an astonishing talking bird.

In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.

Centers on a man and a woman – travelers who’ve all but given up on futures that might have been glorious. When a stranger enters their midst, a woman on the run from her own demons, the harrowing possibility of a new start for each of them beckons.

A dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance.