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After millions of people vanish and the world falls into chaos, the only light is a charismatic leader who rises to become head of the U.N. But does he bring hope for a better future? Or is it the end of the world?

In a world where the Metaverse has become widely adopted, four couples go to ridiculous lengths to find true love in a virtual world. Love Virtually is a retro future satirical rom-com for the Metaverse era, blending live action and 3D animation as It explores and exposes the absurd reality of our world and where we are heading, while probing life’s deepest questions such as: How does a celebrity find someone who loves them for their true selves? Is it cheating if it’s in VR? and, Is it cheating if it’s with an AI?

Seven interconnecting stories set in and around a lost and found office of an Irish train station. All segments are inspired by true stories, share a theme of something lost or found and characters that come in and out of each other’s lives.

Clara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively strives to protect her son despite not fully understanding him. An effortlessly moving film about growing up, fitting in, and breaking the mold, L’immensita is as freewheeling and creative as its central characters, mixing genres and staging musical numbers out of thin air.

When rebellion creeps into their family, Charlie and Alice realize their approach to raising children isn’t working, and they start searching for answers. But is it too late? FamilyLife’s first feature film explores the joys and heartaches of parenting. Through a story that unfolds over 50 years, Charlie and Alice discover the power of family and their need for God.

When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.

La Civil tells the story of Cielo, a mother in search of her daughter, abducted by a criminal gang in Northern Mexico. As the authorities fail to offer support in the search, Cielo takes matters into her own hands. Cielo begins her own investigation and earns the trust and sympathy of Lamarque, an unconventional army Lieutenant working in the region. He agrees to help Cielo in her search, because her research data could be useful to his operations as well. Cielo’s collaboration with Lamarque pulls her further into a vicious cycle of violence. The film focuses on Cielo’s emotional rollercoaster, as she is drawn into increasingly intense and dangerous circumstances. The camera stays close, we never lose sight of her as she gradually transforms from housewife into avenging activist. As events unfold, Cielo gets closer to the truth: discovering a mass grave, obtaining official DNA analyses, confronting one of the presumed kidnappers, but corruption and apathy keep her from finding resolution. Until the end finally comes, unpredictable and uninvited...

A New York lawyer (Neil Brown Jr.) returns to his Boston hometown to reunite his dying friend (Jeremy Sisto) with his estranged 10-year-old son. His journey forces him to confront a childhood trauma the two men have been hiding for years.

Takes a unique and in-depth look at the years and events leading up to the city-wide violence that began April 29, 1992, when the verdict was announced in the Rodney King case.

Following a devastating loss, Nadine and Lewis retreat to a small Bahamian island where Nadine's family has kept a house for many years. As they try to heal and move forward with their relationship, the community on the island shows signs of unraveling -- with the island's mayor, Roy, squaring off against Doughboy, a human trafficker who manipulates the impressionable homeless teenager Myron into assisting with his smuggling operation.

Follows the efforts of the internationally recognized White Helmets, an organization comprised of ordinary citizens who are the first to rush towards explosions in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders – Khaled, Subhi, and Mahmoud – as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee with their families or stay and fight for their country.

Little Richard: I Am Everything tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything.

The iconic Mister Kelly’s, once called a “supernova in the local and national night life firmament,” illuminated legendary Chicago’s Rush Street, and the entire country, by launching talent like Barbra Streisand, Richard Pryor, Bob Newhart, Bette Midler and Steve Martin. Its visionary owners George and Oscar Marienthal smashed color and gender barriers to put unknown, controversial voices on stage and transform entertainment, as America knew it in the ‘50s, ‘60s, and ’70s. Now, with the club long gone, and its star talent reaching its golden years, George’s son David and director/screenwriter, Theodore Bogosian, go on a quest to collect the memories of the clubs before they are lost.

Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit. Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media.

Rabble rouser or activist? Opportunist or trailblazer? During his six-decade journey from pastoral prodigy to racial justice firebrand to elder media statesman, the Reverend Al Sharpton has been a polarizing figure on the national stage

Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.

Let It Be Morning is the story of Sami (Alex Bakri) a Palestinian-born Israeli citizen living in Jerusalem who receives an invitation to his brother’s wedding forcing him to return to the Arab village where he grew up. After the wedding finishes, with no explanation, Sami's hometown is put under a military blockade lockdown by Israeli soldiers. When chaos erupts overnight amongst the villagers stuck behind the wall due to the blockade, Sami is cut off from the outside world and trapped in an unexpected situation. As he deals with questions about his own identity and hidden secrets are revealed, Sami watches everything he holds dear begin to fall apart.

LOURDES, a small village where the Virgin Mary appeared to a young girl about 150 years ago. And where few miracles have been recognized by the church but not recognized and recounted by thousands. The biggest of them is the heart with which pilgrims come and go, each one with something to heal: mentally, physically or spiritually. Still today LOURDES is more alive than ever. And Our Lady remains active and attentive to each of her children. About 6 million people visit it every year. After the pandemic, her devotion is increasing. The multitudinous processions of people seeking a miracle feed a small army of caregivers (nurses, volunteers, hospitalists) who accompany them.

In this romantic comedy about the power of chance, alternate versions of the same wedding unfold as Jack (Sam Claflin) tries to make sure his little sister has the perfect wedding day. But he'll have to juggle an angry ex-girlfriend, an uninvited guest with a secret, a misplaced sleep sedative, and unexpectedly reuniting with the girl of his dreams who got away, Dina (Olivia Munn). If he succeeds, Jack might find a happy ending of his own.

A struggling actor comes from Delhi to Bombay and enters the Hindi film industry.