Browse Movies : Next 180 Days : Drama (Page #2)

A 1960s ad shark and a by-the-book launch director on a mission set against the high-stakes backdrop of NASA’s historic moon landing.

Soulmates Eric Draven (Skarsgård) and Shelly Webster (FKA twigs) are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.

Based on the Icelandic best-selling novel by Ólafur Jóhann Ólafsson, Touch is a romantic and thrilling story that spans several decades and continents. Touch follows one widower’s emotional journey to find his first love who disappeared 50 years ago, before his time runs out.

A skilled Special Forces commando (Jessica Alba) takes ownership of her father's bar after he suddenly dies, and soon finds herself at odds with a violent gang running rampant in her hometown.

When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater’s production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.

Follows Ted (Logan Marshall-Green), a failed writer-turned-Yankees Stadium peanut slinger who moves back home after learning of the failing health of his Red Sox-obsessed father, Marty (David Duchovny). While Marty strives to make amends for his past, his health drops abruptly whenever his beloved Sox lose a game. To keep his dad’s spirits up, Ted takes matters into his own hands and manufactures a winning streak with the help of a crew of dad’s neighborhood pals. In the process, Ted strikes up a bond with Marty’s charming “Death Specialist,” Marianna (Stephanie Beatriz), and the prospect of a new love reignites his ambitions. An ode to the bond between father and son, this warm and witty film demonstrates how life truly belongs to the losers, and that the longshots are the ones worth betting on.

In blood-soaked Tudor England, twice married, accomplished, and educated Katherine Parr (Vikander), reluctantly agrees to become the sixth wife of the tyrannical King Henry VIII (Law). Her consent to marry him carries great personal risk, given that her predecessors are either vanquished, beheaded, or dead. When Henry appoints her as Regent, the nation’s ruler during his absence when he departs to fight overseas, he lays a dangerous path for her. Henry’s courtiers, suspecting she’s sympathetic to radical Protestant beliefs that have taken root in the kingdom and are a threat to their power, scheme against her and cast doubts upon her fidelity to the increasingly ailing and paranoid King. Once Henry returns to England, his courtiers convince him to turn his fury on the nation’s radicals, including Katherine’s childhood friend Anne Askew, who becomes one of the scores of people convicted of treason and burned at the stake. Horrified and privately grieving, Katherine finds herself under ever-increasing scrutiny and suspicion. Knowing that even a whisper of scandal might lead to her downfall, Katherine must unleash her own scheme to fight for survival.

In rural Western Massachusetts, 11-year-old Lacy spends the summer of 1991 at home, enthralled by her own imagination and the attention of her mother, Janet. As the months pass, three visitors enter their orbit, all captivated by Janet and her spellbinding nature. In her solitary moments, Lacy inhabits an inner world so extraordinarily detailed that it begins to seep into the outside world.

The story takes place in 1990s Poland and follows Ruth (Dunham), an American music journalist, and her father, Edek (Fry), a charmingly stubborn Holocaust survivor, on a journey to his homeland. While Ruth is eager to make sense of her family’s past, Edek embarks on the trip with his own agenda.

Desperate to raise money for his daughter’s cancer treatment, a retired bull rider teams up with his estranged son and resorts to robbery to secure payment before time runs out. But after the heist goes awry, keeping the money—and their freedom—requires the duo to outwit a dogged pair of local law enforcement officers, including a justice-minded sheriff who soon suspects that the key to her case may lie uncomfortably close to home.

A mother (Julia Louis-Dreyfus, in a profoundly moving performance) and her teenage daughter (Lola Petticrew) must confront Death when it arrives in the form of an astonishing talking bird.

A dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance.

In White Bird, we follow Julian (Bryce Gheisar), who has struggled to belong ever since he was expelled from his former school for his treatment of Auggie Pullman. To transform his life, Julian’s grandmother (Helen Mirren) finally reveals to Julian her own story of courage — during her youth in Nazi-occupied France, a boy shelters her from mortal danger. They find first love in a stunning, magical world of their own creation, while the boy’s mother (Gillian Anderson) risks everything to keep her safe.

A small group of prisoners inside Sing Sing Correctional Facility, one of the world’s most infamous maximum security prisons, attempt to stage their own original production, “Breakin’ The Mummy’s Code,” from inception to opening night.

In a dystopian future where the Bible has been outlawed, seven brave Christians risk everything to transport the Holy Book to underground churches across the country.

Portrays a pivotal decade in the life of American war correspondent and photographer, Lee Miller (Kate Winslett). Miller’s singular talent and unbridled tenacity resulted in some of the 20th century's most indelible images of war, including an iconic photo of Miller herself, posing defiantly in Hitler's private bathtub. Miller had a profound understanding and empathy for women and the voiceless victims of war. Her images display both the fragility and ferocity of the human experience. Above all, the film shows how Miller lived her life at full-throttle in pursuit of truth, for which she paid a huge personal price, forcing her to confront a traumatic and deeply buried secret from her childhood.

In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.

Since her sister’s disappearance, Jax (Lily Gladstone) has cared for her niece Roki (Isabel Deroy-Olson) by scraping by on the Seneca-Cayuga reservation in Oklahoma. Every spare minute goes into finding her missing sister while also helping Roki prepare for an upcoming powwow. At the risk of Jax losing custody to Roki’s grandfather, Frank (Shea Whigham), the pair hit the road and scour the backcountry to track down Roki’s mother in time for the powwow. What begins as a search gradually turns into a far deeper investigation into the complexities and contradictions of Indigenous women moving through a colonized world while at the mercy of a failed justice system.

The story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.

Zaffan is a rebellious and carefree young girl, until she begins to see horrifying physical changes in her body. When her friends find out, hysteria ensues - one by one teen girls drop to the floor in fits and rumors of a dark figure causing it quickly spread through their school. A medical officer arrives to drive out the demon and he suspects Zaffan may be the problem. He begins to perform an exorcism on her, until she reveals her true self, her wrath, rage and her beauty, to everyone.