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Biopic of debauched 1960s rock icon, Brian Jones, the charismatic guitarist who founded the Rolling Stones but was fired in 1969 and found dead at the bottom of his swimming pool a few weeks later.

Fifteen-year-old Tracey Berkowitz is naked under a tattered shower curtain at the back of a bus, looking for her little brother Sonny, who thinks he's a dog. Tracey's journey leads her into the dark underbelly of the city, into the emotional cespool of her home, through the brutality of her high school, the clinical cat and mouse games with her shrink and her soaring fantasies of Billy Zero--her boyfriend and rock 'n' roll savior. Her travels also put her in contact with the seedier inhabitants of the city. Like Lance, her would-be savior who ultimately puts her life in jeopardy. Tracey's stories begin to intertwine truth with lies, hope with despair as she moves closer to the truth of Sonny's disappearance.

"Eros" is an anthology of three short films on the subject of eroticism and love, from a trio of the world's most extraordinary directors, Wong Kar Wai, Steven Soderbergh, and Michelangelo Antonioni. Wong Kar Wai's "The Hand" is the story of a young tailor's (Chang Chen) long-time unrequited love for a beautiful Hong Kong courtesan (Gong Li). Over many years, he lovingly crafts the clothes that she wears for other men. Over time, the seemingly unattainable fantasy woman loses everything, just as the tailor prospers in his career. Then the unexpected happens... Steven Soderbergh's "Equilibrium" is about a stressed-out 1950's advertising man (Robert Downey, Jr.) who has been suffering from a series of recurring erotic dreams. During his session with psychiatrist Dr. Pearl (Alan Arkin), he describes his dream of a woman who is familiar to him—but he can't recall who she is when he wakes up. Through the course of a very offbeat hour of therapy, we discover why that is. Michelangelo Antonioni's "The Dangerous Thread of Things" follows a fortyish married couple (Christopher Buchholz and Regina Nemni) that no longer have anything to say to one another. At an impasse, the man has a passionate one night stand with a free-spirited young girl (Luisa Ranieri), but this experience also fails to satisfy him. Later on, the wife and the girl meet....

Tells the story of a Buddhist monk's pilgrimage to India to collect religious texts.

A dysfunctional family is at the core of the story that unfolds as the matriarch, Magda, attempts to cope with the aftermath of a deadly accident. She dotes on her 20-year old son while her daughter and her husband live upstairs. Seven characters struggle to survive against odds that become more complicated than any of them could have contemplated. Greed, betrayal, homosexual politics, manipulation, blackmail, and a ferocious race to take ownership of a family owned plot of land, all combine to make this a modern day Greek tragedy, However, as in most tragedies of this nature, farce is never far behind.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

This documentary captures what happened in Rio de Janeiro, Brazil, on June 12th, 2000 when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento threatened to kill all of the passengers, but eventuallly agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens watching the event take place. Then, a police officer decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged at police brutality. The film intertwines the story of the standoff with biographical information about Sandro do Nascimento, including his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s, and the trauma of seeing his mother stabbed to death in front of him.

A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.

Shortly after both his brother died and his girlfriend left him, Bruce (Rodolphe Marconi), a young filmmaker attending a year-long seminar in Rome, finds himself becoming the subject of obssession by a mostly straight Italian tour guide, Matteo (Andrea Necci), after the two end up sleeping together. Matteo continues to hang around Bruce, sometimes lurking in the darkness, stalking him, even as a new American girl (Echo Danon) with a fascination with serial killers enters their lives.

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

Set during the final days of the war between Iran and Iraq, this is the story of an elderly Iranian Kurd musician who ventures off with his two sons, also musicians, into the dangerous territory of Kurdish Iraq in search of his wife, Hanareh, a singer with an amazing voice, who they fear may be in danger there, after she ran away with the old man's best friend.

This film tells the stories of the locals living in a resort town in northern France so renowned for its pebble-covered beach that the central character, Marie (Helene Fillieres), works at a pebble processing factory. As the town changes seasonally from being completely empty in the winter and crowded during the summer, the working class lives of the locals whose livelihoods depend upon the money spent while others have a great time on vacation go on...

After his wife leaves him, a man (Jean-Pierre Bacri) hires an unqualified but lovely suburban girl to clean his Paris apartment. The two become close as they chat while she's working, but can the lonely older guy sweep her off her feet?

On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).

A dramatic tale of the moral dilemmas of a not-too-honest cop played out against a background of a manhunt. Pascal supplies his wife, Agnes, with morphine provided by Jaquillat, the local crime boss; Agnes was addicted even before the pair met. But the prison break-out of terrorist Bruno Le Roux, and the certainty that he's settling old scores in the Grenoble area, has made Jaquillat a worried man. He attempts to blackmail Pascal into killing Bruno on sight, using the supply of morphine as a lever. Pascal refuses to co-operate, but he can't tell Agnes why his supplies have suddenly dried up. As a result, she trawls the streets in search of a hit, which is where she meets, and is helped by, the fugitive. He takes her back to her place to tend to her injuries after a street dealer beats her up, and Pascal, coming home, sees them together; however, he doesn't make them aware of his presence, and deliberately lets the fugitive slip through his fingers.

Newly commissioned SS Lieutenant and respected civilian chemist, Kurt Gerstein, discovers that the Zyklon B pellets he has developed to disinfect soldiers' drinking water are being used to gas interred Jews by the thousands. Recruited to help streamline the death camp process by a team of SS officers, Gerstein secretly approaches the Swedish Consulate, the German Protestant community and finally Vatican representatives in the hopes of exposing this unspeakable crime. The only one who listens is Father Ricardo, a young Jesuit priest with deep family connections at the Vatican. Ricardo promises Gerstein he will alert the Pope to the Jewish genocide in hopes that the pontiff will reveal and denounce the Final Solution to the Christian world...

A mysterious and intoxicating pop romance, Ryûsuke Hamaguchi's follow-up to his acclaimed HAPPY HOUR, begins with Asako, young woman who meets and falls madly in love with a drifter named Baku who one day drifts right out of her life. Two years later, working in Tokyo, Asako sees Baku again – or, rather, a young solid businessman named Royhei, who bears a striking resemblance to her old flame. They begin to build a happy life together until traces of Asako’s past start to resurface

A tale about a troubled hit man who is starting to realize that he has too much conscience to kill. Having recently rekindled his relationship with his childhood soul mate, Michelle, he sees their love as a way out. But reality soon grips him when he learns that she has stolen a mysterious briefcase, forcing Jean-Pierre to walk a fine line between protecting the woman he loves and falling back into the world of crime he just left--an impossible task that soon unravels in ways that he can neither imagine nor control.