Browse Movies : 2003 : R : Drama : C

Women prisoners strike up a friendship with a young law student who works as a part-time prison guard. Together they discover that a corporation funds and is profitting from the plantation-like work environment they are forced to work under. In a botched attempt to organize a protest against their "slave labor", the women take over the prison - A rare glimpse of the effects of the prison industrial complex on female inmates.

Jimmy Cremming (Matt Dillon) finds himself in Bangkok after fleeing the investigation of an insurance scam in the United States. Having discovered that his partner and mentor Marvin (James Caan) has surfaced in Cambodia, Jimmy sets off to get his promised cut of the action. What he finds, however, is a bizarre, ominous environment where cleverness is bait. The further Jimmy searches for Marvin, the deeper he plunges into torment - and the farther he gets from getting out alive.

Television made him famous, but his biggest hits happened off screen. "Confessions of a Dangerous Mind" is the story of a legendary showman's double life - television producer by day, CIA assassin by night. At the height of his TV career, Chuck Barris was recruited by the CIA and trained to become a covert operative.

The main character in Cidade de Deus is not a person. It is a place. Cidade de Deus is a poor housing project started in the 60's that became one of the most dangerous places in Rio de Janeiro by the beginning of the 80's. In order to tell the story of the place the film tells us the stories of many characters. But all is seen through the eyes of the narrator: Busca-Pi, a poor black kid too frail and scared to become an outlaw but also to smart to be content with an underpaid job. He grows up in a very violent environment. The odds are all against him. But he discovers he can see the reality with a different eye: the eye of an artist. Eventually he becomes a professional photographer. That is his redemption... Buscapi is not the real protagonist of the film. He is not the one who makes the story moves on [sic]. He is not the one who makes the decisions that will determine the main chain of events. Nevertheless, not only his life is attached to what happens in the story but it is also through his perspective of life that we understand the humanity of a world apparently condemned to endless violence.