Browse Movies : Next 180 Days : Drama (Page #2)

A Cable News program is born after the Election of Donald Trump. Influenced by past Civil Rights struggles, the Producers are guided by the mystic spirit of children.

Daisy Ridley stars as the accomplished swimmer who was born to immigrant parents in New York City in 1905. Through the steadfast support of her older sister and supportive trainers, she overcame adversity and the animosity of a patriarchal society to rise through the ranks of the Olympic swimming team and complete the staggering achievement – a 21-mile trek from France to England.

A dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance.

Trans man Leo’s (Bobbi Salvör Menuez) life is a jumble of auditions, acting classes, barista jobs, and situationships, all of which he hopes will amount to more. Unexpectedly, Leo’s college best friend, cisgender and straight Eleanor (Marianne Rendón), calls Leo announcing that she’ll be driving through NYC, and offers to pick him up for an impromptu trip upstate. They embark on the weekend getaway, marking their first time spent together since Leo began transitioning. Reunited with new gender dynamics between them, and uncovering problems lurking behind Eleanor’s “well-meaning” façade, Leo and Eleanor navigate how their old feelings towards one another exist within this new context, forcing them both to confront buried secrets and emotions. A modern twist on the buddy comedy from a queer and trans perspective, Noah Schamus’ debut feature SUMMER SOLSTICE is a celebration of friendship, resilience, and coming of age again.

A story of star-crossed lovers on the western U.S. frontier in the 1860s, The Dead Don’t Hurt centers on Vivienne Le Coudy (Krieps), a fiercely independent woman who embarks on a relationship with Danish immigrant Holgen Olsen (Mortensen).

Sophia, a brilliant scientist comes to know that a large shark is swimming deep in the river.

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

Since her sister’s disappearance, Jax (Lily Gladstone) has cared for her niece Roki (Isabel Deroy-Olson) by scraping by on the Seneca-Cayuga reservation in Oklahoma. Every spare minute goes into finding her missing sister while also helping Roki prepare for an upcoming powwow. At the risk of Jax losing custody to Roki’s grandfather, Frank (Shea Whigham), the pair hit the road and scour the backcountry to track down Roki’s mother in time for the powwow. What begins as a search gradually turns into a far deeper investigation into the complexities and contradictions of Indigenous women moving through a colonized world while at the mercy of a failed justice system.

Lucy, a former child actress, seeks healing from the traumas of her life. She embarks on a spiritual retreat, only for it to become anything but healing: she’s easily annoyed by the other attendees and wants attention from the retreat’s new-age guru Elon Bello. Even worse, she has become destructively obsessed with the retreat’s celebrity guest, a model named Beverly. As Beverly finds “enlightenment” easily, Lucy’s feelings of insecurity continue to rise to the surface. During this time, Lucy also tries to connect with her stunt performer adult daughter, Dylan who’s currently on set in New Zealand. Dylan’s falling into an obsession of her own: a bad romance with the main actor Elmore, whose insistence on doing his own stunts will have disastrous consequences. Brutal incidents in both women’s worlds force them to back together to confront their personal demons and their own relationship.

Desperate to raise money for his daughter’s cancer treatment, a retired bull rider teams up with his estranged son and resorts to robbery to secure payment before time runs out. But after the heist goes awry, keeping the money—and their freedom—requires the duo to outwit a dogged pair of local law enforcement officers, including a justice-minded sheriff who soon suspects that the key to her case may lie uncomfortably close to home.

Follows DOG, who lives in Manhattan and one day, tired of being alone, decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?

In White Bird, we follow Julian (Bryce Gheisar), who has struggled to belong ever since he was expelled from his former school for his treatment of Auggie Pullman. To transform his life, Julian’s grandmother (Helen Mirren) finally reveals to Julian her own story of courage — during her youth in Nazi-occupied France, a boy shelters her from mortal danger. They find first love in a stunning, magical world of their own creation, while the boy’s mother (Gillian Anderson) risks everything to keep her safe.

When melancholic construction worker Dan finds himself drifting from his wife and daughter, he discovers community and purpose in a local theater’s production of Romeo and Juliet. As the drama onstage starts to mirror his own life, he and his family are forced to confront a personal loss.

A girl named Lily has just moved and is ready to start her life after college. Lily then meets a guy named Ryle and she falls for him. As she is developing feelings for Ryle, Atlas, her first love, reappears and challenges the relationship between Lily and Ryle.

In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.

A mother (Julia Louis-Dreyfus, in a profoundly moving performance) and her teenage daughter (Lola Petticrew) must confront Death when it arrives in the form of an astonishing talking bird.

An ex-criminal must save his son when a group of thugs raid his place of work in the hopes to steal an expensive amount of platinum.

Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?

17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.