Browse Movies : Next 90 Days : Drama (Page #2)

A mother (Julia Louis-Dreyfus, in a profoundly moving performance) and her teenage daughter (Lola Petticrew) must confront Death when it arrives in the form of an astonishing talking bird.

Sophia, a brilliant scientist comes to know that a large shark is swimming deep in the river.

A story of star-crossed lovers on the western U.S. frontier in the 1860s, The Dead Don’t Hurt centers on Vivienne Le Coudy (Krieps), a fiercely independent woman who embarks on a relationship with Danish immigrant Holgen Olsen (Mortensen).

An aging woman with dementia moves in with her daughter’s family when she is unable to continue to live by herself. Her teen granddaughter is forced to share her room and miss school to care for her. Her resentment turns to love as she spends her days and nights with her grandmother and long-hidden family secrets are revealed, giving a new understanding and appreciation of her past.

Desperate to raise money for his daughter’s cancer treatment, a retired bull rider teams up with his estranged son and resorts to robbery to secure payment before time runs out. But after the heist goes awry, keeping the money—and their freedom—requires the duo to outwit a dogged pair of local law enforcement officers, including a justice-minded sheriff who soon suspects that the key to her case may lie uncomfortably close to home.

In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.

A dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance.

When Marshall finds out the world is ending in thirty days, he embarks on a mission to finally give his life some meaning … to shoot the unfinished sci-fi movie he abandoned in high school. He must quickly rekindle old relationships, forge new ones, and lock down some decent equipment if he has any hope of completing the long-lost epic.

A small group of prisoners inside Sing Sing Correctional Facility, one of the world’s most infamous maximum security prisons, attempt to stage their own original production, “Breakin’ The Mummy’s Code,” from inception to opening night.

The story of a young nomad named Sira, who, after a brutal attack, refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror. SIRA follows the journey of a beautiful young Peul girl, Sira, and her tribe cross Northern Africa’s Sahelian desert to take refuge in her fiancé's village. In the middle of the journey, Sira sees her tribesmen violently massacred. After being humiliated by Sira, the chief, Yéré, decides to kidnap her and leaves her for dead in the middle of the desert. Sira is left to face her survival instinct alone. She gradually organizes herself and makes contact with one of the camp's kidnapped prostitutes, Kemi, who risks her own life for her freedom and Sira's survival. Meanwhile, her devastated fiancé Jean Sidi doesn't believe she's dead and sets out to find her, risking her own life in the process. One distressing situation followed another, and the one last person who helped her to escape is Karim, an undercover soldier. But Sira wants more than just to escape, she also wants revenge.

In a small, sleepy village in the Basque Country, a sculptor named Ane and her three children arrive at her mother Lita’s home for summer vacation where they are surrounded by extended family and nosy neighbors. Ane and her mother’s relationship is strained — Lita disapproves of her daughter’s frayed marriage, career as an artist, and the way she parents her obstinate and mischievous children. Chief among them is eight-year-old Aitor, nicknamed Coco after it becomes clear that being referred to by the Aitor elicits feelings of distress in the child. Born biologically male, neither birth name nor the genderless nickname feel quite right, and Ane’s concern for her child grows as Coco becomes more withdrawn. The child’s only respite lies in the Basque hills, where Ane’s aunt Lourdes tends to the family’s beekeeping farm. Among the peaceful humming of bees and Lourdes' open-minded guardianship, Coco slowly begins to confide in family and friends her discomfort in her body, eventually voicing a desire to be treated as a girl. As Coco explores her own developing identity over the summer, Ane and the rest of her family in turn must learn to accept the child as she is.

Daisy Ridley stars as the accomplished swimmer who was born to immigrant parents in New York City in 1905. Through the steadfast support of her older sister and supportive trainers, she overcame adversity and the animosity of a patriarchal society to rise through the ranks of the Olympic swimming team and complete the staggering achievement – a 21-mile trek from France to England.

Aisha, a young Nigerian woman seeking asylum in Ireland, struggles to maintain hope and dignity against the looming threat of deportation.

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?

Banel and Adama are fiercely in love. The young married couple lives in a remote village in northern Senegal. For them, nothing else exists. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The young man and his lovelorn wife have their own plans — until something in the air changes. The rains do not come, the cattle begin to die, the men leave. Senegal's official submission to the Academy Awards and the only debut feature in competition at last year's Cannes Film Festival, Banel & Adama is a lush and lyrical fable that soars to the heights of longing and descends deep into the realm of myth, sending its protagonists' perfect everlasting love on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.

At the risk of losing custody to Jax's father, Frank (Shea Whigham), the pair hit the road and scour the backcountry to track down Roki's mother in time for the powwow. What begins as a search gradually turns into a far deeper investigation into the complexities and contradictions of Indigenous women moving through a colonised world and at the mercy of a failed justice system.

Dandelion (KiKi Layne), a struggling but determined Cincinnati singer-songwriter in a downward spiral reluctantly takes a last ditch effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s eclectic and nomadic group of struggling musicians, the two kindred spirits make music together and strike up an intoxicating whirlwind romance that moves Dandelion from an obsession with results and a narrow view of success to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.

Léa Drucker stars as Anne, a lawyer who specializes in cases of sexual consent and parental custody. Seemingly happily married to kind-hearted businessman Pierre (Olivier Rabourdin) with adopted twin daughters, Anne inexplicably finds herself drawn to Pierre’s estranged 17-year-old son Théo (Samuel Kircher) after the boy returns home to live with them. Embarking on a passionate affair with the teenager, Anne all too willingly thrusts herself into a maelstrom of attraction, intimidation, and manipulation.

Centers on a man and a woman – travelers who’ve all but given up on futures that might have been glorious. When a stranger enters their midst, a woman on the run from her own demons, the harrowing possibility of a new start for each of them beckons.