Browse Movies : 2023 : NR : Drama

A young man and his father begin a desperate search to find their beloved dog Gonker on the Appalachian Trail before it’s too late.

Jane Fonda and Lily Tomlin star as estranged friends who reunite to seek revenge on the petulant widower (Malcolm McDowell) of their recently deceased best friend. Along the way, Fonda’s character reunites with her great love (Richard Roundtree) as each woman learns to make peace with the past and each other.

Chantilly Bridge reunites a group of lifelong, steadfast friends who are still – in their later years -- chasing their dreams, fighting injustices, and sticking up for their convictions. The women lay bare their lives and deal with important issues that impact all women with humor, humility, humanity, and love. No topic escapes the razor-like wit and insight of these women: equality, sex, menopause, mortality, feminism, parenthood, careers, love, and even “me-too” moments. While women often feel invisible in the world, this film highlights who they are and what they care about. We experience what women are truly like and what they discuss in a setting where no men are present. Chantilly Bridge is also about reconnecting with old friends from the past and the beauty of a shared history.

A young man and a young woman drive to a village to find out something.... There is a sense of familiarity, and of sharing the trauma of a horrible event. They both have a profound need to understand, but they couldn’t be more different. One moves with aggressiveness, the other moves with care, but they both need the same thing: to be in contact with the last people and spaces one of their loved ones was in contact with, to sink into his waters, to believe that a person’s presence remains beyond death. Skillfully doling out narrative information piece by piece and layer upon layer in scenes marked by elegant, sinister single takes, Bareiša has created a foreboding, yet ultimately hopeful portrait of people racked with trauma and unresolved anger.

Addi, a boy raised by a clairvoyant mother, decides to adopt a bullied misfit into his gang of outsiders. Left to their own devices, the boys explore aggression and violence but also learn about loyalty and love. As the group’s behavior escalates towards life-threatening situations, Addi begins to experience a series of dreamlike visions. Can his newfound intuition guide him and his friends back to a safer path, or will they dive irrevocably into further violence?

Mary (Joanna Scanlan) is a white English woman who converted to islam when she married her Pakistani husband, Ahmed, and they settled in Dover, England. Following Ahmed’s unexpected death, Mary discovers that her late husband had a secret life just twenty-one miles away across the Channel in Calais, France. The shocking discovery compels her to go there to find out more, and as she grapples with her shattered sense of identity, her search for understanding has surprising consequences.

A high-octane spy thriller starring Shah Rukh Khan, Deepika Padukone and John Abraham.

A gang leader makes a promise to a dying friend by taking on other criminal gangs.

A death row prisoner with 10 days left to live forms an unlikely bond with a washed up country singer. A story of hope and redemption.

This tells Simone Veil's life story from her childhood to her major political battles seen through the pivotal events of the twentieth century. An intimate and epic portrait of an extraordinary woman who eminently challenged and transformed her era: her humanist message is still keenly relevant today.

Set in the suburbs of Boulogne-Sur-Mer in northern France, The Worst Ones captures a film within a film as it follows the production of a feature whose director turns to the local Cité Picasso housing project for casting.

As far as they can remember, the Solé family have spent every summer picking the peaches from their orchard in Alcarràs, a small village in Spain. But this year’s crop could be their last, as they face eviction.

When dedicated high school teacher Rachel (Virginie Efira) falls in love with Ali (Roschdy Zem), it’s not long before she also falls for his 4-year-old daughter Leila. The adolescent giddiness of Rachel and Ali’s late night rendezvous and secret sleepovers evolves into the familiar warmth of family picnics and after-school pickups. Although she feels like a mother, Rachel is not allowed to forget that Lelia is another woman’s daughter. She begins to long for a child of her own, but as a forty-something woman, she is abundantly aware that she has limited time to begin a family. Rachel must decide whether to embrace the inherent entanglements of her current situation, including the looming presence of Ali’s ex-wife Alice (Chiara Mastroanni) or strike out again on her own. Other People’s Children becomes a soulful, sexy, and resolutely grown-up story of the elusive quest for agency and belonging.

After accidentally witnessing a violent crime, a young girl is left catatonic with shock, and struggles to make sense of what she saw, ultimately finding renewal in the inestimable world of her own imagination.

Julia is a mother– or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn by the widespread violence in a country gaging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.

On the French Polynesian island of Tahiti, the High Commissioner of the Republic and French government official De Roller (Benoît Magimel) is a calculating man with flawless manners. His somewhat broad perception of his role brings him to navigate the high end ’establishment’ as well as shady venues where he mingles with the locals. Especially since a persistent rumor has been going around: the sighting of a submarine whose ghostly presence could herald the return of French nuclear testing.

Tel Aviv, today. At a party, an anxious girl named Danny is looking for Max, a recent casual fling, to share that she’s pregnant with his child. Through the haze of drugs and promiscuity of the partygoers, Danny doesn't get far in her search. Meanwhile, Max is busy with his new girlfriend, Avishag. He attempts to realize her rough sexual fantasies but Avishag instead turns her attention to another burgeoning relationship with Dror, an older man she dog-sits for.

Directed by acclaimed filmmaker Mary Harron (I SHOT ANDY WARHOL, AMERICAN PSYCHO), DALÍLAND stars Ben Kingsley as the titular Salvador Dalí, one of the most world-renowned artists of the 20th century and focuses on the later years of the strange and fascinating marriage between Dalí and his wife, Gala (Barbara Sukowa), as their seemingly unshakable bond begins to stress and fracture. Set in New York and Spain in 1974, the film is told through the eyes of James (Christopher Briney), a young assistant keen to make his name in the art world, who helps the eccentric and mercurial Dalí prepare for a big gallery show.

Clara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively strives to protect her son despite not fully understanding him. An effortlessly moving film about growing up, fitting in, and breaking the mold, L’immensita is as freewheeling and creative as its central characters, mixing genres and staging musical numbers out of thin air.