Browse Movies : Nick Offerman : Drama

While grappling with tremendous personal tragedy, Isabel sets herself on a path of global investigation and discovery. Despite the colossal scope of her project, she finds beauty and bravery while crafting one of the defining American books of our time.

Tells the story of fortunes won and lost overnight in the GameStop short squeeze that may have ended up changing Wall Street forever.

Tells the true story of how Ray Kroc (Michael Keaton), a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers' speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire.

A mosaic of stories about love and loss, Nostalgia explores our relationships to the objects, artifacts, and memories that shape our lives.

Set against the backdrop of the Civil War, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lee Hayden (Sam Elliott) is an aging Western icon with a golden voice, but his best performances are decades behind him. He spends his days reliving old glories and smoking too much weed with his former-co-star-turned-dealer, Jeremy (Nick Offerman), until a surprise cancer diagnosis brings his priorities into sharp focus. He soon strikes up an exciting, contentious relationship with stand-up comic Charlotte (Laura Prepon), and he attempts to reconnect with his estranged daughter, Lucy (Krysten Ritter), all while searching for one final role to cement his legacy.

Kate and Charlie like to have a good time. Their marriage thrives on a shared fondness for music, laughter... and getting smashed. When Kate's partying spirals into hard-core asocial behavior, compromising her job as an elementary schoolteacher, something's got to give. But change isn't exactly a cakewalk. Sobriety means she will have to confront the lies she's been spinning at work, her troubling relationship with her mother, and the nature of her bond with Charlie.

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank (Nick Offerman) is preparing to send his hard-working daughter Sam (Kiersey Clemons) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly "jam sesh" into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery.

Me and Earl and the Dying Girl is the story of Greg (Thomas Mann), a high school senior who is trying to blend in anonymously, avoiding deeper relationships as a survival strategy for navigating the social minefield that is teenage life. He even describes his constant companion Earl (RJ Cyler), with whom he makes short film parodies of classic movies, as more of a 'co-worker’ than a best friend. But when Greg’s mom (Connie Britton) insists he spend time with Rachel (Olivia Cooke) – a girl in his class who has just been diagnosed with cancer - he slowly discovers how worthwhile the true bonds of friendship can be.

The film follows a 16-year-old (Asa Butterfield) who has spent most of his life with his Buckminster Fuller-loving Nana (Ellen Burstyn) in their geodesic-dome home tourist attraction until she is sidelined by a stroke. He soon forms a punk band with a chain-smoking teen (Alex Wolff), who lives in the suburbs with his bible-banging single dad Alan (Nick Offerman) and teenage sister Meredith (Maude Apatow).

After a dinner out, photographer Sophie Jacobs and her boyfriend, Hugh, stop at a corner store for a late night snack. While Sophie waits unaware in the car, Hugh is murdered in a violent robbery. Haunted by guilt, Sophie goes on with her life as best she can: teaching photography at a local art college, meeting her mother for lunch, and visiting her therapist. But one day at school, a slide mysteriously appears in the projector's carousel—an image of what looks like her car in front of the corner store the night of the shooting. Are these paranoid visions stemming from her grief and guilt, or does someone know something about the murder? As her investigation deepens, more strange events start to occur, drawing into question exactly what happened the night of Hugh's death.