Browse Movies : 2023 : Rating Not Available : Drama : F

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1 – 4 of 4 movies

Freedom’s Path

After a Union soldier (Gerran Howell) flees from battle, rescue comes unexpectedly from a free black man (RJ Cyler) operating a section of the Underground Railroad. But when a ruthless and desperate slave catcher (Ewen Bremner) discovers the secret network, he conspires to bring it burning to the ground.

Fremont

Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (Jeremy Allen White) who could stand to see his own world expanded.

Fallen Leaves

Fallen Leaves tells the story of two lonely people (Alma Pöysti and Jussi Vatanen) who meet each other by chance in the Helsinki night and try to find the first, only, & ultimate love of their lives. Their path towards this honourable goal is clouded by the man’s alcoholism, lost phone numbers, not knowing each other’s names or addresses, and life’s general tendency to place obstacles in the way of those seeking happiness.

Fanny, Annie & Danny

Follows three troubled adult siblings brought together by their horrific mother for the Christmas holiday. We first meet Fanny, an obsessive-compulsive who lives in a group home and works at a candy factory about to go bankrupt. Fanny brings this secret to the Christmas dinner, where she reconnects with her self-absorbed sister Annie and their too-perfect-to-trust brother Danny. Mother Edie hosts the party with an iron fist, insisting at an ever-increasing pitch that everyone have fun. Their Vietnam vet father may act like his emotions died with his friends on the battlefield, but director Brown continually lets his audience glimpse the last few pulses of compassion the broken man has for those around him. As with a storm building strength silently offshore, we sense the impending climax without knowing exactly when or where it will hit – or how hard.