Browse Movies : 2003 : Rating Not Available

This action comedy spoof, said to be in the same vein as "Undercover Brother", but for Orthodox Jews, Adam Goldberg ("Saving Private Ryan") stars as a superhero detective who's out to stop Santa's evil son Damien (Andy Dick) from eliminating Hanukkah forever. It's based on the short of the same name, written and directed by Jonathan Kesselman during his days as a student at USC's Film School.

A small cabin, hidden deep in the snow-covered hills of Northern Michigan is Hollywood animator Tom Kempton's only refuge after getting separated from his friends on a snowmobile trip. What started out as a relaxing getaway, becomes a waking nightmare when Tom finds himself at the hands of two psychotic sisters who plan to make him their next victim. A last minute rescue leaves both sisters presumably dead and Tom narrowly escaping with his life. Upon his return to Hollywood, however, Tom develops an unhealthy obsession with one of his captors that ultimately threatens the life and welfare of his family.

John Person (Jon Favreau), a struggling actor on the verge of eviction from his Hollywood studio apartment, goes against his better judgement -- and that of his pretty neighbor Grace (Joey Lauren Adams) -- and accepts an offer from his strange neighbor Neely (Bud Cort) to courier a blue suitcase up to the desert truck stop of Baker, California. His instructions are simple: deliver the suitcase to a trucker called Cowboy (Sean Bean) and collect $27 thousand. Oh yeah, and he has to defend the suitcase with his life. Naturally, nothing goes according to plan once John arrives. The Cowboy is nowhere to be found, John meets with some kooky alien-obsessed locals and Special Agent Banks (Kelsey Grammer) questions John about the mysterious decapitation of Neely and about other missing persons. When the final showdown approaches, John is faced with a choice that could change his life forever. Has the whole town gone mad? Or are the loony locals, who he dismissed as crazy, the only sane ones in this strange parallel universe called The Big Empty?

Four skaters follow the summer tour of a skateboard star (Colin McKay) from Chicago to Oceanside, CA, pulling tricks and tearing it up, in their wild attempts to get noticed and grab a major sponsor and a chance to become stars themselves.

Facing her greatest challenges and dangers yet, Lara Croft (Angelina Jolie) shows off her physical prowess like never before. During this exciting installment of her adventures, the intrepid tomb raider jet skies, horseback rides, motorcycles and much more through such countries as Hong Kong, Kenya, Wales, Greece and Africa as she searches for an infamous site known as "The Cradle of Life."

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

In the explosive action-thriller "S.W.A.T." starring Samuel L. Jackson and Colin Farrell, and inspired by the '70s television series, Farrell portrays Jim Street, an L.A.P.D. officer whose recent demotion to a desk job leaves him desperate for a second chance to don the elite S.W.A.T. uniform. That break comes when team commander Hondo (Samuel L. Jackson) is assigned to recruit and train five top-notch officers for a new Special Weapons and Tactics unit (S.W.A.T.).

Set in Toronto, a romantic tale which revolves around Rahul Seth, a Westernized, young dot.com millionaire, and his unconventional relationship with the beautiful and wild Sue Singh. Rahul is devastated after the untimely death of his beautiful, pop artist, blonde girlfriend Kimberly. To make matters worse, he is under extreme pressure from his family to get engaged to a good Hindu girl before his sister's upcoming wedding. Lest one forgets, according to the popular Hindu adage, 'the best cure for a broken heart is marriage'. Desperate, he hires the services of the gorgeous Sue, a local escort girl, to pretend to be his fiancée during the ten days of celebration, leading up to his sister's marriage ceremony. While Rahul is the scion of a typically successful NRI family, Sue is the daughter of a humble car mechanic and--professionally speaking--is one of the highest paid escorts in Toronto. They enter into the relationship as opposites. However, during this fateful period of much song, dance and merriment, Rahul and Sue's relationship slowly transcends that of employer and employee. With her passion for life, Sue manages to break through Rahul's hardened exterior to reveal a sensitive man who is not as emotionally dead as he would like to believe. In turn, Rahul's strong personality and advice enables Sue to see her parents in a more positive light.

This movie is an anthology of four gay-themed short films that have been recent hits on the film festival circuit: "Bumping Heads"; "L.T.R."; "O' Beautiful"; and "This Car Up". "Bumping Heads" is the story of two gay men trying to figure out if they want to become boyfriends who find themselves working through issues one night at a hospital emergency room. "L.T.R." is the story of a young gay couple in a "long-term relationship" who allow a documentary film crew to follow them around. "O Beautiful" shows what happens after a gay bashing in a corn field, when one of the attackers returns to reveal a secret, and express remorse for what he did. "This Car Up" uses a split-screen to follow the synchronized lives of two lovers.

Set during the final days of the war between Iran and Iraq, this is the story of an elderly Iranian Kurd musician who ventures off with his two sons, also musicians, into the dangerous territory of Kurdish Iraq in search of his wife, Hanareh, a singer with an amazing voice, who they fear may be in danger there, after she ran away with the old man's best friend.

Set in Los Angeles at home of the middle-class Hong family, a drama thriller in which many layers of deception in a bi-cultural clan are unraveled--upon the arrival of an intruder brandishing a gun.

This documentary captures what happened in Rio de Janeiro, Brazil, on June 12th, 2000 when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento threatened to kill all of the passengers, but eventuallly agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens watching the event take place. Then, a police officer decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged at police brutality. The film intertwines the story of the standoff with biographical information about Sandro do Nascimento, including his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s, and the trauma of seeing his mother stabbed to death in front of him.

After it is killed in a bullfight, a bull's body parts are transported across Europe, in Spain, France, Italy and Belgium, with this ensemble drama showing us the people who are the recipients of the remains in one way or another, like an Italian actress (Chiara Mastroianni) selling the bones in a supermarket promotion, a Spanish woman (Angela Molina) who dines on its steaks, a little girl (Raphaelle Molinier) in northern France who imagines a world where animals are much larger than humans, and a taxidermist (Jacques Gamblin) whose wife is simultaneously giving birth to quintuplets.

A young woman, Diane, works for a multinational corporation run by Henri-Pierre Volf. In the logic of the diversification of its activities - from real estate to clothing design - the Volf Group is negociating the acquisition of TokyoAnime, a Japanese company which produces a new form of manga and their pornographic version, hentaï, in digital 3D images that will outdate and destroy the competition in this extraordinarily lucrative market. Two companies battle to obtain exclusive diffusion of Volf's new images on the Web: Mangatronics and Demonlover. Mangatronics has recruted Diane as a sort of industrial spy to serve its interests by torpedoing the Demonlover contract from within. The links between Demonlover and various violent and illegal pornographic sites dangerously weakens the relationship with the Volf Group, unaware of the existence of those secret sites. Diane discovers that they also have their strategy and their spies in the form of her seemingly neutral, naive colleagues. She ends up knowing too much and becomes a danger to Demonlover. Soon there is no way out, except fading into the cyber-reality of which she was perhaps a part from the start.

After accidentally causing the death of her mother (Mariella Valentini), a young lesbian, Lenni (Regina Orioli), runs away with her auto mechanic girlfriend, Stella (Maya Sansa), with the mom's body in the trunk of their car and a gang of crazies on their tail.

Follows various escapades going on inside a hotel: a film being shot, an entertainment news crew tracking the film's production, a mysterious surgical operation and a torture chamber in the hotel basement. All this is tied to a murder subplot.

A moving documentary from director Jennifer Dworkin, "Love and Diane" tells the hard tale of Diane, whose crack cocaine drug addiction in the 1980s resulted in social services taking each of her six children out of her care for more stable lives in foster homes and group homes. Now Diane is clean, and the oldest of her children, Love, is 18-years-old, HIV positive, and has a baby boy. Diane tries to reunite the family, which consists of five teenagers (one of her sons died), but life for them is not easy. At the beginning of the film they are all living together in a Brooklyn, New York apartment. But slowly things go awry. Diane and Love quarrel and social services comes to take the baby away. Neglect charges are filed against Love and social services separates her sisters into another living situation. Their younger brother stops going to school and then also leaves the apartment, no longer interested in living with his mother or with his family. A moving and emotional look at a family struggling against difficult odds to do what's best, LOVE & DIANE is mostly made up of conversations between Diane, Love, and the family. They talk about the hardships they've endured, how they got through difficult times, and how they pray for a brighter future. All combined, it is a truly affecting portrait of a family trying to keep together.

A wry comedy unfolds when Lucía's (Cecilia Roth) husband mysteriously disappears leaving her to discover that her life is not what it seems. In the search for her husband, Lucía finds two new friends who help her on her quest: Adrián (Kuno Becker), a charismatic 25-year-old; and Félix (Carlos Alvarez-Novoa), a seasoned veteran. Together they discover the value of friendship and passion while Lucía reinvents her life, finding a world she had forgotten, her ability to smile and her freedom.

In this documentary, Nathaniel Kahn examines the life and career of his father, Philadelphia architect Louis I. Kahn (1901-1974), whose work included the Salk Institute and the Parliament and Capitol Buildings in Dhaka, Bangladesh, before dying of a heart attack in a Penn Station bathroom in 1974, unidentified and broke despite having been one of the century's most influential architects. Louis Kahn also led three different personal lives, with three different families, fathering a daughter with his wife, and a child each by two other lovers (one of whom was the mother of Nathaniel, who was 11 when his father died).