Browse Movies : Completed : 2004 : Rating Not Available (Page #2)

Set in the fast-paced world of motorcycle racing, this action movie shows what happens to long-time biker Cary Ford (Martin Henderson) when he is framed by a long-time rival, Henry (Matt Schulze), the leader of a biker gang called the Hellions for the murder of Sleepy D, the brother of Trey Wallace (Ice Cube), the leader of the Machine, the most notorious and feared biker gang in the country. Cary and his friends must make a run for it as they have both Trey and his Machine bikers and the FBI on their tails.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

A best-selling author for 30 years, Carlos Castaneda inspired millions to break free from social dogma, fueling controversy over his work's authenticity and assertions of perceiving non-ordinary reality, during an apprenticeship with Yaqui sorcerer, don Juan Matus. Genius, guru, cult leader or fraud? No one really knows. Over three years in the making, this documentary explores Castaneda's mythic impact, controversial teachings and cult following. Candid interviews backed with animation and experimental footage offer an intense visual and intellectual experience.

An expressionist work comprised of surreal action involving: a hockey rink that houses a forgotten wax museum, where ghosts of dead lovers stroll; and a beauty salon where a demented doctor, wearing a corset, performs abortions.

A photographer who is haunted by the feeling that the gap between his ideals and his real life is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.

A persistent cell phone ring connects four crisscrossing stories of Indian Americans in this light-hearted movie set in the post Information Technology boom: two long-distance buddies who share every waking thought; two parents who delight in arguing with each other and are getting to know their future daughter-in-law Jenni, and their son who is juggling all of them; jobless roommates who can't fathom their friend's obsession for a girl back in India; and a newlywed, forced-to-stay-at-home girl who creates a fascinating world for herself within her home. Everything is conneted in this warm, quirky comedy that says the world is really, really small.

In "Harry Potter and the Prisoner of Azkaban", Harry (Daniel Radcliffe) and his friends Ron (Rupert Grint) and Hermione (Emma Watson) return for their third year at Hogwarts School of Witchcraft and Wizardry, where the teenagers are forced to face their darkest fears as they confront a dangerous escaped prisoner (Gary Oldman) and the equally foreboding Dementors, who are sent there to protect them.

The story of the life of artist Ray Johnson is cloaked in mystery not only at the moment of his death, but also throughout a career that was difficult to know and understand. As one of the seminal figures of the Pop Art era, he is known as "the founding father of mail art" and as a "collagist extraordinaire." But, overshadowed by those like Warhol who manipulated the world in a very dissimilar manner, he was also a reclusive and sometimes enigmatic figure who has been called "New York's most famous unknown artist" that challenged the commercial and critical establishment.

An innovative masterpiece that literally gives wings to one man's singular vision of an imaginary world. Henry Darger lived a reclusive life and died alone in a Catholic mission in 1973. For more than 60 years, he created a massive literary and graphic body of work, including The Realms of the Unreal, an epic, fifteen-thousand-page novel with hundreds of paintings that recounts the wars between nations on an enormous unnamed planet. Darger's keen sense of composition and vivid colors allowed him to create incredibly intense and beautiful illustrations which are often disturbingly violent. Consciously excluding art experts and psychologists, Yu presents impressions of Darger's work only from the people who knew him, letting the audience make up their own minds about the man. The film cleverly parallels his real life with his fantasies, making the oddness of his fantasy world more accessible.

Three years in the making, this new film from acclaimed documentary filmmakers Joe Berlinger and Bruce Sinofsky provides a fascinating, in-depth portrait of the most successful heavy metal band of all time, as they faced monumental personal and professional challenges while recording their first studio album of original songs in five years. In the tradition of such seminal music documentaries as "Don't Look Back" and "Gimme Shelter", "Metallica: Some Kind of Monster" seeks to transcend the conventions of the "rock 'n' roll movie" genre, trading rock-star posing for truthful introspection, and revealing an intimate portrait of the individuals behind a legendary band and their unique creative journey.

The film follows the structure of Dante's masterwork, beginning in Hell. In Godard's hands, hell becomes a devastating but beautifully collected montage of war images. War - be it World War II, Algeria, Vietnam, Israel or Bosnia - is a constant in his films, but never has he pieced together an assemblage of such poetic power. Purgatory finds Godard himself in Sarajevo, where he has been invited to attend a European literary conference with other artists and writers. Here we are introduced to a young French-Jewish journalist based in Israel who has come to Sarajevo to see a place "where reconciliation is possible." Paradise is the most enigmatic section of the film, where the journalist finds peace by the water on a small beach guarded by American Marines.

A young man who thought himself already in love with a nice girl is drawn into a literary drama when he is captured by a deep and stimulating love affair.

This is the true story of two members of England's Army Dental Corps, Sgt. Peter King (Kenneth Cranham), a World War I veteran looking to keep on fighting, and Private Leslie Cuthbertson (Leo Bill), a wet-behind-the-ears trainee, whose dedication to helping the war effort during World War II inspired them to leave their posts and attempt to join the war effort in France. Sneaking into occupied territory in 1942, the two dentists found a German radar station, a part of which they successfully destroyed, but their efforts caused them to be chased by the enemy through dangerous territory. The most dangerous opposition to their patriotism manifested itself, however, when they made their way back to English territory, where they were now branded as deserters and liars...

A dramatic tale of the moral dilemmas of a not-too-honest cop played out against a background of a manhunt. Pascal supplies his wife, Agnes, with morphine provided by Jaquillat, the local crime boss; Agnes was addicted even before the pair met. But the prison break-out of terrorist Bruno Le Roux, and the certainty that he's settling old scores in the Grenoble area, has made Jaquillat a worried man. He attempts to blackmail Pascal into killing Bruno on sight, using the supply of morphine as a lever. Pascal refuses to co-operate, but he can't tell Agnes why his supplies have suddenly dried up. As a result, she trawls the streets in search of a hit, which is where she meets, and is helped by, the fugitive. He takes her back to her place to tend to her injuries after a street dealer beats her up, and Pascal, coming home, sees them together; however, he doesn't make them aware of his presence, and deliberately lets the fugitive slip through his fingers.

In 1992, Nick Broomfield made his first documentary about serial killer Aileen Wuornos, and this follow-up comes a year after Wuornos' execution for killing six men during her years as a Florida prostitute. Wuornos gave Broomfield the last interview of her life, and this film includes scenes of Broomfield testifying about his experiences with her.

A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.

Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.

A chronicle of presidential candidate John Kerry's career, from his Navy duty in Vietnam followed by the years of peace advocacy that shaped his political life.