Browse Movies : 2024 (Page #5)

Based on the Icelandic best-selling novel by Ólafur Jóhann Ólafsson, Touch is a romantic and thrilling story that spans several decades and continents. Touch follows one widower’s emotional journey to find his first love who disappeared 50 years ago, before his time runs out.

With high school in the rearview, five teenagers from small-town Oregon decide to embark on one last adventure. Piling into a van with a busted tail light, their mission is to make it to a place they’ve never been — the Pacific coast, five hundred miles away. Their plan, in full: “Fuck it.”

Soar with The Blue Angels in a brand-new documentary featuring never-before-seen footage that chronicles a year with the Navy’s elite Flight Demonstration Squadron—from selection through the challenging training and demanding show season—showcasing the extraordinary teamwork, passion, and pride that fuels America’s best, the Blue Angels.

While awaiting the next fuel truck at a middle-of-nowhere Arizona rest stop, a traveling young knife salesman is thrust into a high-stakes hostage situation by the arrival of two similarly stranded bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained, ill-begotten fortune.

In 2045 convicted criminals are given the opportunity to compete on the world's #1 televised sporting event, Arena Wars. They must survive 7 rooms and 7 of the most vicious killers in the country. If they win, they regain their freedom.

New York City. JFK airport. A young woman jumps into the backseat of a yellow taxi, the cabbie throws the vehicle into drive as the two head out into the night toward Manhattan, striking up the most unexpected conversation resulting in a single, epic remarkable journey.

A Gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

An ex-CIA operative turned painter is thrown back into a dangerous world when a mysterious woman from his past resurfaces. Now exposed and targeted by a relentless killer and a rogue black ops program, he must rely on skills he thought he left behind in a high-stakes game of survival.

A 1960s ad shark and a by-the-book launch director on a mission set against the high-stakes backdrop of NASA’s historic moon landing.

Noah really loves his girlfriend, his daughter, and his car, but he gets involved in a deadly driving job that will result in either losing his life, his family or his beloved car.

First released in May 1970 amidst the swirl of The Beatles’ breakup, “Let It Be” now takes its rightful place in the band’s history. Once viewed through a darker lens, the film is now brought to light through its restoration and in the context of revelations brought forth in Peter Jackson’s multiple Emmy Award®-winning docuseries, “The Beatles: Get Back.” Released on Disney+ in 2021, the docuseries showcases the iconic foursome’s warmth and camaraderie, capturing a pivotal moment in music history.

“Let It Be” contains footage not featured in the “Get Back” docuseries, bringing viewers into the studio and onto Apple Corps’ London rooftop in January 1969 as The Beatles, joined by Billy Preston, write and record their GRAMMY Award®-winning album Let It Be, with its Academy Award®-winning title song, and perform live for the final time as a group. With the release of “The Beatles: Get Back,” fan clamour for the original “Let It Be” film reached a fever pitch. With Lindsay-Hogg’s full support, Apple Corps asked Peter Jackson’s Park Road Post Production to dive into a meticulous restoration of the film from the original 16mm negative, which included lovingly remastering the sound using the same MAL de-mix technology that was applied to the “Get Back” docuseries.

Atlas Shepherd (Jennifer Lopez), a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence, joins a mission to capture a renegade robot with whom she shares a mysterious past. But when plans go awry, her only hope of saving the future of humanity from AI is to trust it.

Lucy, a former child actress, seeks healing from the traumas of her life. She embarks on a spiritual retreat, only for it to become anything but healing: she’s easily annoyed by the other attendees and wants attention from the retreat’s new-age guru Elon Bello. Even worse, she has become destructively obsessed with the retreat’s celebrity guest, a model named Beverly. As Beverly finds “enlightenment” easily, Lucy’s feelings of insecurity continue to rise to the surface. During this time, Lucy also tries to connect with her stunt performer adult daughter, Dylan who’s currently on set in New Zealand. Dylan’s falling into an obsession of her own: a bad romance with the main actor Elmore, whose insistence on doing his own stunts will have disastrous consequences. Brutal incidents in both women’s worlds force them to back together to confront their personal demons and their own relationship.

Detective Axel Foley (Eddie Murphy) is back on the beat in Beverly Hills. After his daughter’s life is threatened, she (Taylour Paige) and Foley team up with a new partner (Joseph Gordon-Levitt) and old pals Billy Rosewood (Judge Reinhold) and John Taggart (John Ashton) to turn up the heat and uncover a conspiracy.

When Marshall finds out the world is ending in thirty days, he embarks on a mission to finally give his life some meaning … to shoot the unfinished sci-fi movie he abandoned in high school. He must quickly rekindle old relationships, forge new ones, and lock down some decent equipment if he has any hope of completing the long-lost epic.

For 10 years the country's most wanted serial killer has evaded police. Even when he's finally caught, nobody can prove his guilt. As the manhunt intensifies, the investigation grows increasingly personal between detective and suspect.

Follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Simpkins) wonders if he's slipping back into his past addictions or if there's something more sinister at play.