By Amy Renner Dec. 22, 2008
1 – 4 of 4 movies
All The Real Girls
Set in a small town somewhere in the south, this is the story of a young inexperienced man (Paul Schneider) who falls in love with the little sister (Zooey Deschanel) of his best friend.
The Station Agent
When his only friend and co-worker dies, a young man born with dwarfism moves to an abandoned train depot in rural New Jersey. Though he tried to maintain a life of solitude, he is soon entangled with an artist who is struggling with a personal tragedy and an overly-friendly Cuban hot dog vendor.
Pieces of April
April Burns (Katie Holmes) is a 21-year-old wild child with a very big problem. Against her better judgment, she's invited her straightlaced family for Thanksgiving dinner. Her boyfriend, Bobby, wants to help, but she banishes him from the apartment while she attempts to cook the meal. To make matters worse, she then discovers that her oven doesn't work. So, while April is forced to ask her eccentric neighbors for help in cooking her fifteen pound turkey, the Burns Family begins a reluctant journey from suburban Pennsylvania toward New York City's Lower East Side. April's Dad, Jim Burns (Oliver Platt) tries to convince the family that the day will be beautiful. Her mom, Joy (Patricia Clarkson) has her doubts and freely voices them. April's teenage sister and brother are squeezed between Grandma Dottie and a bag of snacks in the back seat as the Burns' family car hurtles toward Manhattan and what will most likely be certain disaster.
The Safety of Objects
Esther Gold (Glenn Close) devotes herself to her comatose, bedridden son, and expresses love for her daughter by trying to win her a car in a last-one-standing radio contest. Jim Train (Dermot Mulroney) questions his value as a man when he is passed over for promotion; Annette Jenning (Patricia Clarkson) tries to keep her family intact in the wake of her divorce; and Helen Christianson (Mary Kay Place) looks for fun and inspiration in her banal life. Despair and humor are delicately balanced in this film that examines people's investment in things that are more predictable, if less satisfying, than their relationships with other people.