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Deep within the 100-Acre-Wood, a destructive rage grows as Winnie-the-Pooh, Piglet, Owl, and Tigger find their home and their lives endangered after Christopher Robin revealed their existence. Not wanting to live in the shadows any longer, the group decides to take the fight to the town of Ashdown, home of Christopher Robin, leaving a bloody trail of death and mayhem in their wake. Winnie and his savage friends will show everyone that they are deadlier, stronger, and smarter than anyone could ever imagine and get their revenge on Christopher Robin, once and for all.

Killing Me Softly With His Songs is a musical documentary about the life and work of composer Charles Fox, known for pop hits such as "Killing Me Softly With His Song," "I Got A Name,” and "Ready To Take A Chance Again," as well as iconic television show themes for Happy Days, Laverne & Shirley, The Love Boat and Wonder Woman. He is also the composer of numerous salsa records, which are so popular internationally that it is a safe bet that even as you read this, someone somewhere is dancing to a Charles Fox mambo or pachanga. The film follows Fox’s life and career from the streets of the Bronx, to his education at the Fontainbleau music conservatory near Paris where he studied with the legendary composition teacher Nadia Boulanger (who taught Aaron Copeland, Quincy Jones, Elliot Carter and Michel Legrand among many others), through his fabled career in Hollywood, and finally to Havana, Cuba where Fox “returns to his musical roots.”

After being raised in the wilderness, a teenage girl moves to the city hoping for a normal life with her anything but normal mother.

Follows a young woman and her little brother who are kidnapped by human traffickers and taken to a secluded mansion where they find themselves in a struggle for survival that transcends the physical world.

An aspiring screenwriter/musician grapples with Pure O, a lesser-known form of OCD, while juggling his recent engagement and his day job at a high-end Malibu drug rehab.

Three rascal children run afoul of an enigmatic coven in Weston Razooli’s whimsical neo-fairytale, which evokes a menagerie of esoteric genres and dreamy cult-film vibes.

Based on Georgia Hunter’s New York Times bestselling novel, the television adaptation of “We Were the Lucky Ones” is a limited series inspired by the incredible true story of one Jewish family separated at the start of WWII. The series follows them across continents as they do everything in their power to survive, and to reunite. “We Were the Lucky Ones” demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive. The series is a tribute to the triumph of hope and love against all odds.

Xan gathers her besties to celebrate and sulk in her impending divorce. Chaos ensues when she reveals she brought her life savings with the intention of blowing all of it by the weekend's end.

Inspired by real events, SCOOP is the inside account of the tenacious journalism that landed an earth shattering interview - Prince Andrew's (played by Rufus Sewell) infamous BBC Newsnight appearance. From the tension of producer Sam McAlister’s (played by Billie Piper) high stakes negotiations with Buckingham Palace, all the way to Emily Maitlis’ (played by Gillian Anderson) jaw dropping, forensic showdown with the Prince, SCOOP takes us inside the story, with the women who would stop at nothing to get it.

In the middle of the desert, near a refugee camp, an oil well catches fire, directly threatening the lives of the population. Dispatching experts to the site, the company operating the well realizes that it has only one solution to avert the catastrophe: detonate the oil well with nitroglycerin within 24 hours. Against a large sum of money, a powerhouse team is then sent 800 km away to transport 200 kg of explosives in two trucks. The team now has less than 20 hours to reach the oil well. And 20 hours to traverse hostile zones controlled by armed rebels, cross minefields, and drive two trucks loaded with nitroglycerin over rough terrain!. The race against the clock has begun…

Detective Travis Hurley (Simon Baker) arrives in a small town in the Australian outback. The Hotel Limbo, which resembles a rocky grotto, proves to be perfect for his very own particular type of relaxation. But he has come here to investigate a case from 20 years ago for which the only evidence is a number of tape recordings: the unsolved murder of an Aboriginal girl named Charlotte Hayes. The residents of the small town are less than forthcoming regarding the provision of information; this is especially true of the victim's fractured family. You do not talk to a cop, especially if he is white. But Hurley, in a stoic performance by Baker, knows how to wend his way in his cool car through the labyrinthine landscape of the Opal Mountains and form a bond with the cave and caravan dwellers.

In this unpredictable mystery comedy, a newly engaged couple's swank ski weekend goes horribly awry, when an unexpected guest arrives and the house's dark supernatural forces begin to rise on the anniversary of a tragic event.

From the rise of QAnon to the January 6th riots, The Antisocial Network: Memes to Mayhem explains how a group of bored teenagers built an online community out of their shared loneliness but accidentally shattered consensus reality in the process

In Spring 2020 five students and two faculty members from the Mid Ulster College of Art went missing in a forest on the north coast of Ireland. What happened on the day they disappeared has remained a mystery - until now. Over two years after the disappearance, a police operation on a house outside Belfast uncovered footage of the students’ final movements, as their journey into the forest saw them bear witness to something they should never have seen. The Glenarma Tapes present that footage to the public for the first time.

Parachute tells the story of Riley (Courtney Eaton) and Ethan (Thomas Mann), who must navigate blossoming love and friendship while trying to overcome combustible personal struggles.

After finding out their best friend Wes is dying, filmmakers Parker and Devin realize they can use this opportunity to make an award-winning documentary that will finally help them make it big in Hollywood. As they hit the road to document their journey to see Wes one last time, their missteps and interpersonal troubles threaten to derail the movie and ruin their friendship in the process.

Ella, at almost forty years old, is forced to move back in with her father and has given up custody of her young daughters to her ex-husband Joseph and his new partner Bethan, though she hopes this change won’t be permanent. Ella strikes up an unlikely friendship with a mysterious teenage boy whose belief in her as a mother helps her rediscover her self-worth.

Terry Goon is keeping strict quarantine in his ex-husband’s Brooklyn brownstone while caring for his nephew — a 19-year-old model from Morocco named Bahlul — bedridden in a full leg cast after an electric scooter accident. Unfortunately for Terry, everyone in his life wants to meet the model.

Tells the story of Beth (Thompson), a home helpline worker who is part of the small army that gets on the phone every night across America, fielding calls from all kinds of people feeling lonely, broken, hopeless. Over the last year, the tide has become a tsunami. As Beth goes through her shift, the stakes rise: is this the night she will lose someone? Save someone? Eventually, Beth’s own story comes to light, revealing why she does it. All along, we remain with her: listening, comforting, connecting —patching the world back together, one call at a time.