Browse Movies : 2005 : Rating Not Available : Drama (Page #2)

"Kids in America" is a reality-based dramedy about the experiences of young people in modern-day America. Set in the fictional Booker High School a diverse group of students are tired of seeing their freedoms taken away. They band together and change their world by empowering themselves and their community to protect freedoms of expression and speech.

Holden Donovan (Gregory Smith) is fed up with Principal Weller (Julie Bowen) who goes to great lengths to stop the students from exercising their right to free expression. She expels a young woman for passing out condoms and advocating safe sex on national "safe sex" day and suspends two boys who were kissing in the hallway. Meanwhile, she is running for the Superintendent of their school district, which will give her a chance to practice her brand of administration beyond Booker High School.

The students have an ally in Mr. Drucker (Malik Yoba) one of their teachers who encourages them to fight for their rights. He pays a price for his leadership and is fired by Principal Weller. He decides to use his dismissal to make a change of his own, by producing a documentary chronicling the experiences of students who are faced with similar issues.

A musician who is supposed to mend his ways ends up changing the habits of a group of fellow inmates. Wesley Benfield is a guitar player with a habit of walking on the wrong side of the law. One night, Benfield gets into a fistfight in a Missouri honky-tonk, and when police discover the car he drove to the club is stolen, it's not long before he finds himself standing before a judge. Benfield is ordered to move into a half-way house near a small Baptist college, and as part of his therapy he joins in a small gospel combo made up of the house's residents. However, Benfield is a lot more interested in playing the blues. With a bit of persuading, he convinces his bandmates to pursue a new musical direction, and they start sneaking out at night to play shows at a local nightspot.

"Last Days" is filmmaker Gus Van Sant's meditation on the inner turmoil that engulfs a brilliant, but troubled, musician in the final hours of his life. Michael Pitt stars as Blake, an introspective artist who is buckling under the weight of fame, professional obligations, and a mounting feeling of isolation. "Last Days" follows Blake through a handful of hours he spends in and near his wooded home, a fugitive from his own life. It is a period of random moments and fractured consciousness, fused by spontaneous bursts of rock & roll. Expanding on the elliptical style forged in his two previous films, "Gerry" and the Palme d'Or-winning "Elephant", Van Sant layers images and sounds to articulate an emotional landscape, creating a dynamic work about a soul in transition.

This biopic focuses on the life of 20th-century Italian artist Amedeo Modigliani during the period after the first World War.

A fable of innocence: thirteen-year-old Aviva Victor wants to be a 'mom'. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again.

Unable to tie the knot with his Prozac captivated girlfriend, young Cuban filmmaker Sebastian finds himself thirty years-old and never in love. On his quest to finding the one, Sebastian turns to his friend/tour guide Daria. She introduces him to her sandbox of gay, thirsty, thirty-something cohorts and the adventure of his life as he tries to navigate through the unchartered waters of Hollywood and sexual politics.

Heidi is a beautiful teen. After a "misunderstanding" with her mother, she runs away from home and ends up at a ski-resort, where everyone comes on to her. With her innocence at stake, she learns about the true meaning of life, love and happiness.

A mother is suspicious when her teenage son brings home a vagabond teen named Buck, and even more alarmed when her husband offer to let the kid move in.

A 10-year-old outcast is shunned by his classmates and forced to spend summer vacation alone. With his two imaginary friends, he goes on a mission to prove dreams can become reality.

Jan, Peter and Jule are living out their rebellious youth. They are united by their passion to change the state of the world. Jan and Peter become "The Edukators," mysterious perpetrators who non-violently warn the local rich their "days of plenty are numbered." Complications follow when vulnerable Jule ends up falling for both young men. Reckless choices result in danger. An operation gone wrong and what was never intended to be a kidnapping brings the three young idealists face-to-face with the values of the generation in power.

Jeanette, a French woman, and Martin, a gay black artist, lead what initially seem to be idyllic lives, far away from the complexities of modern life. There is obviously great love and affection between the two, who essentially live as husband and wife. Jeannette is the life of the party, drowning her sorrows and regrets in alcohol and daily confrontations. Martin, the most frequent casualty of her outbursts, is by contrast quiet and introspective, spending his time painting in his private studio and cleaning up after his partner's destructive habits. Two people mired in loneliness driven together by the same perceived predators, men and an abiding fear of simply living, they play out their nightly saga of despair with gaiety and quiet fortitude. When Jeannette's estranged daughter, Sierra, returns with Andrew, her new husband, to collect an inheritance she has been promised, their fragile existence is uprooted. Sierra's relationship with her mother is strained, at best, and her plans are to get the money and quickly be on her way. Things will not, however, be that simple. After Jeanette decides to throw the couple an impromptu wedding reception, a long awaited thaw begins--and lies, motives, flaws, and deceptions melt away to reveal that nothing, and no one, is as it seems. As the reception nears, Andrew and Martin become entangled and many painful truths are exposed.

The two men embark on parallel, if separate, journeys. Their yearning is a common one—for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to hitchhike through the beautiful wild countryside of Bhutan to reach his goal. He shares the road with a monk, an apple seller, a papermaker and his beautiful young daughter, Sonam. Throughout the journey, the perceptive yet mischievous monk relates the story of Tashi. It is a mystical fable of lust, jealousy and murder, that holds up a mirror to the restless Dondup, and his blossoming attraction to the innocent Sonam. The cataclysmic conclusion of the monk's tale leaves Dondup with a dilemma—is the grass truly greener on the other side?

Set in Ghobadi's native Kurdistan, close to the Turkey-Iran border, 13-year-old Soran orders other children around as he installs an antennae for villagers keen to hear of Saddam's fall. Eventually, he falls for Agrin but is disturbed by her brother Henkov, who was left armless after he stepped on a landmine and who can now seemingly predict the future.

In the customarily closed world of ultra-Orthodox Jews, Moshe and Malli, a married couple, are suffering through a financial crisis. They pray for help, but instead of a miracle two suspect strangers with criminal pasts appear on their doorstep.

A hit man for Mossad is given the mission to track down the very old Alfred Himmelman, an ex Nazi officer, who might be still alive. Pretending to be a tourist guide he befriends his grandson Axel, in Israel to visit his sister. He wants to convince her to come back to Germany for their Fathers birthday party. The two men set out on an extended tour of the country during which, Axel's frank and open attitude challenges Eyal's rigid, clichéd values. Their friendship grows until he learns of Axel's homosexuality. With this final straw he leaves. To finish his mission Eyal has to go to Germany. He meets Axel once more and succeeds in being invited to the family party where secrets will be revealed.

In this suburban drama, a widower (played by Anthony LaPaglia) confronts his older son's (played by Aaron Stanford) decision to leave home and his younger son's self-destructive behavior.