Browse Movies : 2004 : Rating Not Available

Havana: November, 1958. 18-year-old Katey Miller (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Ford. Bookish and awkward, Katey is expected to join the smart set of American teenagers who are the Millers' neighbors at the exclusive Oceana Hotel. But Katey finds herself drawn instead to the proud, purposeful Javier (Diego Luna), a waiter who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Javier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at Havana's glittering nightclub/casino, The Palace. Soon, the straight-A student is deceiving her parents, stealing away both day and night to discover a different part of Cuba with Javier. They meet at the steamy nightclub La Rosa Negra, where only the locals go and where the dancing is hotter than the temperature outside. Some days, they practice on the sand of an out-of-the way beach, aligning their bodies in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Javier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence.

Why are Americans so fat? Find out in "Super Size Me", a tongue in-cheek—and burger in hand—look at the legal, financial and physical costs of America's hunger for fast food. Ominously, 37% of American children and adolescents are carrying too much fat and 2 out of every three adults are overweight or obese. Is it our fault for lacking self-control, or are the fast-food corporations to blame? Filmmaker Morgan Spurlock hit the road and interviewed experts in 20 U.S. cities, including Houston, the "Fattest City" in America. From Surgeon Generals to gym teachers, cooks to kids, lawmakers to legislators, these authorities shared their research, opinions and "gut feelings" on our ever-expanding girth. During the journey, Spurlock also put his own body on the line, living on nothing but McDonald's for an entire month with three simple rules: 1) No options: he could only eat what was available over the counter (water included!); 2) No supersizing unless offered; 3) No excuses: he had to eat every item on the menu at least once. It all adds up to a fat food bill, harrowing visits to the doctor, and compelling viewing for anyone who's ever wondered if man could live on fast food alone. The film explores the horror of school lunch programs, declining health and physical education classes, food addictions and the extreme measures people take to lose weight and regain their health. "Super Size Me" is a satirical jab in the stomach, overstuffed with fat and facts about the billion-dollar industry besieged by doctors, lawyers and nutritionists alike. "Would you like fries with that?" will never sound the same!

A photographer who is haunted by the feeling that the gap between his ideals and his real life is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.

A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

"De-lovely" is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and legendary hits like "Anything Goes," "It's De-lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter. Directed by Academy Award-winner Irwin Winkler from a script by Jay Cocks and starring Oscar-winner Kevin Kline, Ashley Judd, and Jonathan Pryce in addition to some of today's biggest rock and pop music stars, "De-lovely" is a sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love.

Centers on a woman who travels with her lover to the jungle and discovers trouble in the form of murder and greed.

A gripping psychological thriller with Hitchcockian twists. Waking from a coma after a car crash, Ben (Colin Firth) learns that his wife, Elisa (Naomie Harris), was killed in the accident, and his world collapses. He attempts to rebuild his life by getting a new job and a new apartment, but his mind starts playing tricks on him. He begins seeing his dead wife everywhere. His attractive neighbor, Charlotte (Mena Suvari), takes him to see a psychic (Brenda Fricker), who tells him that she senses his wife might still be alive. Meanwhile, someone is moving things around in his apartment and destroying cherished possessions. Then the police pay him a visit: he's being investigated for murder.

"Secret Things" is the story of two gorgeous young women who discover the power of sex as a tool to climb the social ladder. Sandrine and Natalie work at a strip club; Natalie performs an erotic act on stage while Sandrine serves drinks. After they are both fired, the two become roommates and Natalie begins training Sandrine in the art of the courtesan. Erotic lessons on how to pleasure oneself and others, how to seduce and not be seduced, public nudity and sex and the art of the fake orgasm are all part of their plan to take on the world of men. Their top prize is Christophe, a charming heir apparent and rising star at a large bank. These femme fatales don't bargain for the ultimate cruelty and power of their prey and soon find Christophe, a man who controls all he meets, their ultimate match.

Set in the fast-paced world of motorcycle racing, this action movie shows what happens to long-time biker Cary Ford (Martin Henderson) when he is framed by a long-time rival, Henry (Matt Schulze), the leader of a biker gang called the Hellions for the murder of Sleepy D, the brother of Trey Wallace (Ice Cube), the leader of the Machine, the most notorious and feared biker gang in the country. Cary and his friends must make a run for it as they have both Trey and his Machine bikers and the FBI on their tails.

Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their unlikely relationship has on eachother's lives and futures. Evie Decker (Lili Taylor) is a painfully timid young woman whose monotonous life consists of living with her reclusive widower father (Tom Bower) and working a dead-end job dressed in a rabbit costume at a rundown amusement park. Evie's quiet existence is shattered when she hears a late-night radio interview with struggling musician Drumstrings Casey (Guy Pearce). Evie is fascinated with his seductive voice and sultry lyrics and convinces her best friend Violet (Sara Rue) to go with her to the local roadhouse to see him perform. Seeing him in person, Evie becomes even more mesmerized by the handsome and brooding musicians. During one of Drum's shows, Evie's growing infatuation blends with obsession when she becomes so entranced by his singing that she actually cuts his name into her forehead with a piece of glass. Instead of regretting her action, she considers this her first step towards taking more control of her life. The stunt brings her to Drum's attention and he and his manager David Elliot (John Hawkes) decide to use her as a marketing gimmick at future shows. Evie's total faith in Drum's talent inspires and intrigues him while her role as his "muse" imparts Evie with uncharacteristic self-assurance. The physical attraction between Evie and Drum increases as their emotional need for one another becomes more and more apparent. The inspiration they find together to break out from the confines of low expectations and the ordinariness of small town life begins to conflict with the pursuit of their individual dreams. Together or apart they must decide which path will lead to the fulfillment of their newfound strength.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

A look at the resurgence of Jewish Culture in Poland, particularly Krakow, an ironic location, as this part of Europe is also one of the epicenters of the Holocaust.

Kat, a brand new journalism grad, has landed her first big job. It's in Hawaii and she couldn't be more excited. All it requires is an upbeat personality, good instincts and a lot of perseverance. But Kat is finding the work harder than she ever imagined. For one thing, her prey - an elusive big wave surfer named "The Monk" – doesn't intend to be found, and the friendly locals are being somewhat less than helpful. Her uninvited boyfriend is driving her crazy, her ex-surfer guide has been on the losing end of too many waves, the geek she's reporting to is falling in love with her, and she's wanted by the FBI. What's a girl to do? Kat realizes too late that finding "The Monk" will cost her more than she could ever afford. But can she foresee that she'll wind up finding herself?

Hollywood comedian/actor Pauly Shore loses everything: his house, nobody in Hollywood wants to represent him, he moves back home with his mom and is now parking cars at the Comedy Store. Then one night when he's up in his mom's loft, a dead famous comedian appears who tells Pauly to kill himself cause he'll go down as a comedic genius who died before his time. Pauly then fakes his own death, and the media goes crazy. Celebrities are talking about him on MTV and girls are fighting over him on Jerry Springer. It's everything that he wanted...his plan worked. A week or so later the LAPD is tipped off about his whereabouts and they break down the door of the seedy motel room that he's hiding out in and throw him in LA County's celebrity wing.

In 1974, the New York City music scene was shocked into consciousness by the violently new and raw sound of a band of misfits from Queens, called The Ramones. Playing in a seedy Bowery bar to a small group of fellow struggling musicians, the band struck a chord of disharmony that rocked the foundation of the mid-'70s music scene. This quartet of unlikely rock stars traveled across the country and around the world connecting with the disenfranchised everywhere, while sparking a movement that would resonate with two generations of outcasts across the globe. Although the band never reached the top of the Billboard charts, it managed to endure by maintaining a rigorous touring schedule for 22 years.

A young man who thought himself already in love with a nice girl is drawn into a literary drama when he is captured by a deep and stimulating love affair.

Why just fly when you can soar with soul! After a humiliating experience on an airplane, Nashawn Wade sues the airline and is awarded a huge settlement. Determined to make good with the money, he creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot onboard dance club, and a bathroom attendant. Departing from all-new Terminal X in Los Angeles, "Soul Plane" gives "fly" a whole new meaning, taking its passengers on a maiden voyage full of comedy.

The story of Haitian national hero Jean Dominique, "The Agronomist" represents a labor of love for the director Jonathan Demme, who first met and filmed the late journalist and freedom fighter in 1987. As owner and operator of his nation's only free radio station, Radio Haiti Inter, Dominique was frequently at odds with his country's various repressive governments and spent much of the 90's in exile in New York, where Demme continued to film him over the years. Following the successful reinstatement of Haiti's democratically elected government, Demee also filmed Dominique's triumphant return to Port Au Prince. But, it was Dominique's still-unsolved assassination in April of 2000, that gave the director the impetus to assemble more than a decade's worth of original and archival material into a celebration of the man and his legacy.