Browse Movies : 2003 : Rating Not Available

In the explosive action-thriller "S.W.A.T." starring Samuel L. Jackson and Colin Farrell, and inspired by the '70s television series, Farrell portrays Jim Street, an L.A.P.D. officer whose recent demotion to a desk job leaves him desperate for a second chance to don the elite S.W.A.T. uniform. That break comes when team commander Hondo (Samuel L. Jackson) is assigned to recruit and train five top-notch officers for a new Special Weapons and Tactics unit (S.W.A.T.).

Four skaters follow the summer tour of a skateboard star (Colin McKay) from Chicago to Oceanside, CA, pulling tricks and tearing it up, in their wild attempts to get noticed and grab a major sponsor and a chance to become stars themselves.

A moving documentary from director Jennifer Dworkin, "Love and Diane" tells the hard tale of Diane, whose crack cocaine drug addiction in the 1980s resulted in social services taking each of her six children out of her care for more stable lives in foster homes and group homes. Now Diane is clean, and the oldest of her children, Love, is 18-years-old, HIV positive, and has a baby boy. Diane tries to reunite the family, which consists of five teenagers (one of her sons died), but life for them is not easy. At the beginning of the film they are all living together in a Brooklyn, New York apartment. But slowly things go awry. Diane and Love quarrel and social services comes to take the baby away. Neglect charges are filed against Love and social services separates her sisters into another living situation. Their younger brother stops going to school and then also leaves the apartment, no longer interested in living with his mother or with his family. A moving and emotional look at a family struggling against difficult odds to do what's best, LOVE & DIANE is mostly made up of conversations between Diane, Love, and the family. They talk about the hardships they've endured, how they got through difficult times, and how they pray for a brighter future. All combined, it is a truly affecting portrait of a family trying to keep together.

Set in Toronto, a romantic tale which revolves around Rahul Seth, a Westernized, young dot.com millionaire, and his unconventional relationship with the beautiful and wild Sue Singh. Rahul is devastated after the untimely death of his beautiful, pop artist, blonde girlfriend Kimberly. To make matters worse, he is under extreme pressure from his family to get engaged to a good Hindu girl before his sister's upcoming wedding. Lest one forgets, according to the popular Hindu adage, 'the best cure for a broken heart is marriage'. Desperate, he hires the services of the gorgeous Sue, a local escort girl, to pretend to be his fiancée during the ten days of celebration, leading up to his sister's marriage ceremony. While Rahul is the scion of a typically successful NRI family, Sue is the daughter of a humble car mechanic and--professionally speaking--is one of the highest paid escorts in Toronto. They enter into the relationship as opposites. However, during this fateful period of much song, dance and merriment, Rahul and Sue's relationship slowly transcends that of employer and employee. With her passion for life, Sue manages to break through Rahul's hardened exterior to reveal a sensitive man who is not as emotionally dead as he would like to believe. In turn, Rahul's strong personality and advice enables Sue to see her parents in a more positive light.

Normally, the mantis shrimp only grows to about a foot long or so, but in this movie, a seven-foot-long one shows up in England (by way of the Philippines). Pub owner and failed boxer Bill (Kevin McNally) buys the creature, seeing it as his chance to become rich and famous, training the ferocious crustacean to box. Hitting the road with his amateur boxer best friend, Steve (Perry Fitzpatrick), a trainee hairdresser (Louise Mardenborough) and the giant sea creature, Bill heads to London to convince a TV network to feature the crustacean on an 'American Gladiators'-style event hosted by Ulrika Jonsson.

"11:14" tells the seemingly random yet vitally connected story of a set of incidents that all converge one evening at 11:14pm. It's a sort of musical chairs with a corpse, with the structurally intriguing storytelling style of Memento and Run Lola Run. The story starts at - 11:14pm - one evening with a young man named Jack who is driving down the freeway, on his way to a rendezvous with his girlfriend. His car hits a body at that moment. Thinking he killed him, Jack tries to hide the body. From there, we backtrack to follow the chain of events of five different characters and five different storylines that all converge and become party to Jack's hitting the body at 11:14pm.

In this romantic triangle teen drama set in modern Taipei, high school students Ke-Rou (Lun-Mei Guey) and Yueh-Chen (Shu-Hui Liang) are best friends. When Yueh-Chen asks Ke-Rou to approach a boy, Shih-Hao (Bo-Lin Chen) that she has a crush on (but is too shy to ask), Shih-Hao unexpectedly asks Ke-Rou out instead. She excepts, but with a warning, because she has a secret: she thinks she might be a lesbian because she's actually in love with Yueh-Chen. Going out with Shih-Hao, however, is her chance to test herself to see if she is, or if she isn't...

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

In this documentary, Nathaniel Kahn examines the life and career of his father, Philadelphia architect Louis I. Kahn (1901-1974), whose work included the Salk Institute and the Parliament and Capitol Buildings in Dhaka, Bangladesh, before dying of a heart attack in a Penn Station bathroom in 1974, unidentified and broke despite having been one of the century's most influential architects. Louis Kahn also led three different personal lives, with three different families, fathering a daughter with his wife, and a child each by two other lovers (one of whom was the mother of Nathaniel, who was 11 when his father died).

John Person (Jon Favreau), a struggling actor on the verge of eviction from his Hollywood studio apartment, goes against his better judgement -- and that of his pretty neighbor Grace (Joey Lauren Adams) -- and accepts an offer from his strange neighbor Neely (Bud Cort) to courier a blue suitcase up to the desert truck stop of Baker, California. His instructions are simple: deliver the suitcase to a trucker called Cowboy (Sean Bean) and collect $27 thousand. Oh yeah, and he has to defend the suitcase with his life. Naturally, nothing goes according to plan once John arrives. The Cowboy is nowhere to be found, John meets with some kooky alien-obsessed locals and Special Agent Banks (Kelsey Grammer) questions John about the mysterious decapitation of Neely and about other missing persons. When the final showdown approaches, John is faced with a choice that could change his life forever. Has the whole town gone mad? Or are the loony locals, who he dismissed as crazy, the only sane ones in this strange parallel universe called The Big Empty?

Harry Mayfield (Baker Hall) was once an extremely successful Los Angeles architect. Today, he is an aging, charming but cantankerous idealist who teaches rather than practices architecture. Decades earlier, he had started work on a magnificent house for his family on a hillside site overlooking the city and the sea. A rich young couple, Kate and Richard Banks, see the charred remains of what was once his house, and decide they want Mayfield to come out of retirement and re-build the house for them. Mayfield, flattered by the attention and attracted by the challenge, agrees. Kate hires him to redesign the house and asks a young Hollywood friend, Gaby (Sangiacomo), to make a documentary record, a film of the building of the house. She learns that Mayfield's work made considerable impact on his colleagues and experts in the field, but for some reason he never achieved great public fame. The house was not finished, and the incidents surrounding its failure to be completed caused the tragic death of his young son, and possibly the end of his career. Mayfield works hard to make a new design. After getting it approved by Kate he starts construction with the contractor he has hired to rebuild the house.

After accidentally causing the death of her mother (Mariella Valentini), a young lesbian, Lenni (Regina Orioli), runs away with her auto mechanic girlfriend, Stella (Maya Sansa), with the mom's body in the trunk of their car and a gang of crazies on their tail.

After a fight with her coked-up boyfriend Marcus, Alex leaves a party to go home. She never gets there; instead she's raped in a desolate tunnel. Her angry boyfriend, and her buddy Pierre decide to take justice into their own hands and hunt down the rapist themselves.

When protest breaks out over Dr. S's new CD, the owner of the rapper's record label, Ben Feld, is hospitalized by a heart attack. But his pampered daughter Marci, who's never set foot in the business world, steps in, stands up to Dr. S and tries to tone down his bad-boy edge.

"Step Into Liquid" is a personal glimpse into the world of surfing from the original family of surf films. It's a film for surfers as well as non-surfers alike because it is a film about people with a passion for life. "Step Into Liquid" is a collection of stories about people who live for surfing. The cross-section of characters featured in this film come from many walks of life, but share one thing in common, the need to surf. For many of them, surfing is merely a hobby. For others, surfing is an identity and maybe even a lifestyle. For a fortunate and talented few, it is a profession. And, for one, it is a salvation.

Set shortly after World War II in Berlin, this is the story of an American officer's (Harvey Keitel) prosecution of German conductor Wilhelm Furtwängler (Stellan Skarsgard) as part of the Allied Forces' de-Nazification trials. As the investigation progresses, the American, wanting to convict a man he sees as a Jew-killing Nazi is brought face-to-face into conflict with a man consumed entirely by his art, not politics.

A man too small, a boy too tall, a girl with her mouth made over all meet by chance. An encounter that seems fated to have no story but, as fate would have it, it becomes the tormented chronicle of denied love. Peppino, the man too small, is a taxidermist. Valerio, the boy too tall, is a waiter. Deborah, the girl with her mouth made over, is one who continually changes jobs… all have different dreams, hidden needs, secret drives. They are three castaways trying to cling to the certainty of a love that can justify the common ills of living and make them normal. They are just as incapable of communicating the ideals of the others as they are incapable of accepting them, they will tragically become lost.

This action comedy spoof, said to be in the same vein as "Undercover Brother", but for Orthodox Jews, Adam Goldberg ("Saving Private Ryan") stars as a superhero detective who's out to stop Santa's evil son Damien (Andy Dick) from eliminating Hanukkah forever. It's based on the short of the same name, written and directed by Jonathan Kesselman during his days as a student at USC's Film School.

Set in the world's holiest city during the dawn of the new century as fanatical Christians from across the globe arrive in hopes of provoking a confrontation between the many extremist Arabs and Jews, the plot of "The Holy Land" focuses on Menachem Weinbaum ("Mendy"),a young rabbinical student who is restless to learn about the bigger world. On the advice of his slightly demented teacher, Mendy visits a brothel in Tel Aviv so he can be rid of his 'madness' and return tohis studies. There he meets Sasha, a nineteen-year-old Russian prostitute, whose dire situation and immense beauty captivates him. But Mendy's world really opens up when he discovers Mike's Place, a real-life magnet for the lost souls who flock to Jerusalem. A place where Arabs, Christians and Jews drink side by side, Mike's Place introduces Mendy to a gun-toting American-born settler, a shady entrepreneurial Arab and a slew of American expatriates, forever changed by the sixties, who act out biblical roles. As Mendy becomes more immersed in this culture of the millennium he begins to wonder if Mike and his band of misfits are as harmless as they seem? Or are they intent on provoking Armageddon? A story of doomed, passionate love and coming of age in troubled times -- set in a world-famous place not unlike Rick's Cafe American or the Cantina in "Star Wars" -- "The Holy Land" explores the underbelly of real life in Jerusalem after the sun goes down and the tourists and Orthodox families go to sleep.

This is the story of an FBI "deep woods tracker" (Jones) who captures an assassin (Del Toro) who makes a sport of hunting deer hunters in the forests outside Portland. When he escapes in the city, the tracker must team up with a female FBI agent (Nielsen) to hunt the assassin down before he comes hunting for them... the assassin kills for fun