Browse Movies : 2009 : R : P

A dying woman wishes to bring six estranged friends together in the Montana wilderness. Upon arriving, the friends discover the situation isn't what they expected.

With sheer audacity and utter authenticity, director Lee Daniels tackles "Push: Based on the Novel by Sapphire" and creates an unforgettable film that sets a new standard for cinema of its kind. Precious Jones (Gabourey "Gabby" Sidibe) is a high-school girl with nothing working in her favor. She is pregnant with her father's child - for the second time. She can't read or write, and her schoolmates tease her for being fat. Her home life is a horror, ruled by a mother (Mo'Nique) who keeps her imprisoned both emotionally and physically. Precious's instincts tell her one thing: if she's ever going to break from the chains of ignorance, she will have to dig deeply into her own resources. Don't be misled - "Push: Based on the Novel by Sapphire" is not a film wallowing in the stillness of depression; instead, it vibrates with the kind of energy derived only from anger and hope. The entire cast are amazing; they carry out a firestorm of raw emotion. Daniels has drawn from them inimitable performances that will rivet you to your seat and leave you too shocked to breathe. If you passed Precious on the street, you probably wouldn't notice her. But when her story is revealed, as Daniels does in this courageous film, you are left with an indelible image of a young woman who - with creativity, humor, and ferocity - finds the strength to turn her life around.

In "Pandorum", actors, Dennis Quaid ("Vantage Point", "The Express") and Ben Foster ("3:10 to Yuma", "Alpha Dog"), join Cam Gigandet ("Never Back Down", "Twilight"), Cung Le ("Tekken", Fighting"), newcomer Antje Traue and director Christian Alvart ("Antibodies") to tell the terrifying story of two crew members stranded on a spacecraft who quickly realize they are not alone. Two astronauts awaken in a hyper-sleep chamber aboard a seemingly abandoned spacecraft. It's pitch black, they are disoriented, and the only sound is a low rumble and creak from the belly of the spacecraft. They can't remember anything - who are they, what is their mission? The only way out of the chamber is a dark and narrow airshaft. Corporal Bower (Foster), the younger of the two, crawls inside, while the other, Lt. Payton (Quaid), stays behind for guidance on a radio transmitter. As Bower ventures deeper and deeper into the ship, he begins to uncover a terrifying reality. Slowly the spacecraft's shocking and deadly secrets come unraveled, and the astronauts realize that the survival of mankind hinges on their actions.

In the action-thriller "Public Enemies," acclaimed filmmaker Michael Mann directs Johnny Depp, Christian Bale and Academy Award® winner Marion Cotillard in the story of legendary Depression-era outlaw John Dillinger (Depp)—the charismatic bank robber whose lightning raids made him the number one target of J. Edgar Hoover's fledgling FBI and its top agent, Melvin Purvis (Bale), and a folk hero to much of the downtrodden public.

No one could stop Dillinger and his gang. No jail could hold him. His charm and audacious jailbreaks endeared him to almost everyone—from his girlfriend Billie Frechette (Cotillard) to an American public who had no sympathy for the banks that had plunged the country into the Depression.

But while the adventures of Dillinger's gang—later including the sociopathic Baby Face Nelson (Stephen Graham) and Alvin Karpis (Giovanni Ribisi)—thrilled many, Hoover (Billy Crudup) hit on the idea of exploiting the outlaw's capture as a way to elevate his Bureau of Investigation into the national police force that became the FBI. He made Dillinger America's first Public Enemy Number One and sent in Purvis, the dashing "Clark Gable of the FBI."

However, Dillinger and his gang outwitted and outgunned Purvis' men in wild chases and shootouts. Only after importing a crew of Western ex-lawmen (newly baptized as agents) and orchestrating epic betrayals—from the infamous "Lady in Red" to the Chicago crime boss Frank Nitti—were Purvis, the FBI and their new crew of gunfighters able to close in on Dillinger.

After a young, middle class couple moves into what seems like a typical suburban “starter” tract house, they become increasingly disturbed by a presence that may or may not be somehow demonic but is certainly most active in the middle of the night. Especially when they sleep. Or try to.

Inspired by the British pirate radio revolution in the '60s, the majority of the film's shoot will take place in a large rusty metal fishing trawler moored off the coast of England in the very waters that kept the rock of the '60s booming into the U.K.

In 1966 -- arguably British pop music's finest era -- the BBC played only two hours of rock and roll every week. But pirate radio blasted rock and pop from the high seas 24 hours a day. And 25 million people -- more than half the population of Britain -- listened to these pirates every single day.

"The Boat That Rocked" is an ensemble comedy in which the romance takes place between the young people of the '60s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that, incomprehensibly, preferred jazz. Leading the cast are Philip Seymour Hoffman as The Count, a big, brash, American god of the airwaves; Bill Nighy as Quentin, the boss of Radio Rock -- a pirate radio station in the middle of the North Sea that's populated by an eclectic crew of rock and roll DJs; Rhys Ifans as Gavin, the greatest DJ in Britain who has just returned from his drug tour of America to reclaim his rightful position; Nick Frost as Dave, an ironic, intelligent and cruelly funny co-broadcaster; and Kenneth Branagh (Harry Potter and the Chamber of Secrets, Hamlet) as British Minister Dormandy, a fearsome government official out for blood against the drug takers and lawbreakers of a once-great nation.

Romain Duris plays a dancer who is home-ridden when he suffers from heart disease. Instead of dancing, he watches as the city and its dwellers entertain him.