Browse Movies : Completed : 2003 : Rating Not Available : Foreign

Newly commissioned SS Lieutenant and respected civilian chemist, Kurt Gerstein, discovers that the Zyklon B pellets he has developed to disinfect soldiers' drinking water are being used to gas interred Jews by the thousands. Recruited to help streamline the death camp process by a team of SS officers, Gerstein secretly approaches the Swedish Consulate, the German Protestant community and finally Vatican representatives in the hopes of exposing this unspeakable crime. The only one who listens is Father Ricardo, a young Jesuit priest with deep family connections at the Vatican. Ricardo promises Gerstein he will alert the Pope to the Jewish genocide in hopes that the pontiff will reveal and denounce the Final Solution to the Christian world...

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

After it is killed in a bullfight, a bull's body parts are transported across Europe, in Spain, France, Italy and Belgium, with this ensemble drama showing us the people who are the recipients of the remains in one way or another, like an Italian actress (Chiara Mastroianni) selling the bones in a supermarket promotion, a Spanish woman (Angela Molina) who dines on its steaks, a little girl (Raphaelle Molinier) in northern France who imagines a world where animals are much larger than humans, and a taxidermist (Jacques Gamblin) whose wife is simultaneously giving birth to quintuplets.

Shortly after both his brother died and his girlfriend left him, Bruce (Rodolphe Marconi), a young filmmaker attending a year-long seminar in Rome, finds himself becoming the subject of obssession by a mostly straight Italian tour guide, Matteo (Andrea Necci), after the two end up sleeping together. Matteo continues to hang around Bruce, sometimes lurking in the darkness, stalking him, even as a new American girl (Echo Danon) with a fascination with serial killers enters their lives.

Set during the final days of the war between Iran and Iraq, this is the story of an elderly Iranian Kurd musician who ventures off with his two sons, also musicians, into the dangerous territory of Kurdish Iraq in search of his wife, Hanareh, a singer with an amazing voice, who they fear may be in danger there, after she ran away with the old man's best friend.

Nominated for two Cesar awards in 2002, including Best First Feature Film, "The Girl From Paris" tells the story of Sandrine, a young Parisienne who decides to leave the city and pursue her dream of becoming a farmer. Adrien is the older, taciturn farmer who agrees to sell Sandrine his land and herd of goats before retiring to Grenoble. Sandrine allows Adrien stay at the farm for eighteen months, then begins renovations in earnest. Sandrine succeeds where Adrien was sure she would fail; she earns a living in the spring and summer by opening up the farm to tourists and selling goat cheese over the Internet. But the arrival of winter brings a tide change and conflicting emotions: Sandrine faces the harsh isolation of the Rhone-Alps while forming a growing attachment to Adrien. Between their mutual curiosity and misunderstandings, Sandrine and Adrien are forced to live side by side when the only thing they share is their love for mountains and nature.

After his wife leaves him, a man (Jean-Pierre Bacri) hires an unqualified but lovely suburban girl to clean his Paris apartment. The two become close as they chat while she's working, but can the lonely older guy sweep her off her feet?

Bruno Le Roux (Elie Belvaux) breaks out of the prison in which he's served 15 years of a life sentence for his membership in an armed wing of a left-wing revolutionary movement, the Popular Army. Bruno is determined to continue the fight against capitalist society, and to avenge his fallen comrades-in-arms. But most of his former associates are dead or behind bars, and the others are either unwilling or untrustworthy. He seeks help from former radical Jeanne (Catherine Frot), but she's now a mother and schoolteacher. Another former contact is local crime boss Jaquillat (Patrick Descamps). Years earlier, Bruno and Jaquillat had been allies in a bank robbery, but now Jaquillat's drug dealing is seriously constrained by the massive police presence as the manhunt for Bruno continues. It's in Jaquillat's interests to finish off Bruno. An alliance between Jaquillat and local cop Pascal Manise (Gilbert Melki) makes things even more dangerous for Bruno. Whatever ideals Bruno might once have had have been distorted by imprisonment and suffering. Bruno is now willing to kill for the most casual reasons -- he's turned into a psychopath with nothing to lose. However, he finds an unexpected ally in Agnes (Dominique Blanc), Manise's junkie wife. Bruno helps her when she is attacked by a street dealer, and, without really knowing who he is, she finds him a place to stay, in the chalet owned by her friend, Cecile (Ornella Muti).

On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).

Set in Toronto, a romantic tale which revolves around Rahul Seth, a Westernized, young dot.com millionaire, and his unconventional relationship with the beautiful and wild Sue Singh. Rahul is devastated after the untimely death of his beautiful, pop artist, blonde girlfriend Kimberly. To make matters worse, he is under extreme pressure from his family to get engaged to a good Hindu girl before his sister's upcoming wedding. Lest one forgets, according to the popular Hindu adage, 'the best cure for a broken heart is marriage'. Desperate, he hires the services of the gorgeous Sue, a local escort girl, to pretend to be his fiancée during the ten days of celebration, leading up to his sister's marriage ceremony. While Rahul is the scion of a typically successful NRI family, Sue is the daughter of a humble car mechanic and--professionally speaking--is one of the highest paid escorts in Toronto. They enter into the relationship as opposites. However, during this fateful period of much song, dance and merriment, Rahul and Sue's relationship slowly transcends that of employer and employee. With her passion for life, Sue manages to break through Rahul's hardened exterior to reveal a sensitive man who is not as emotionally dead as he would like to believe. In turn, Rahul's strong personality and advice enables Sue to see her parents in a more positive light.

This documentary captures what happened in Rio de Janeiro, Brazil, on June 12th, 2000 when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento threatened to kill all of the passengers, but eventuallly agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens watching the event take place. Then, a police officer decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged at police brutality. The film intertwines the story of the standoff with biographical information about Sandro do Nascimento, including his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s, and the trauma of seeing his mother stabbed to death in front of him.

After accidentally causing the death of her mother (Mariella Valentini), a young lesbian, Lenni (Regina Orioli), runs away with her auto mechanic girlfriend, Stella (Maya Sansa), with the mom's body in the trunk of their car and a gang of crazies on their tail.

This film tells the stories of the locals living in a resort town in northern France so renowned for its pebble-covered beach that the central character, Marie (Helene Fillieres), works at a pebble processing factory. As the town changes seasonally from being completely empty in the winter and crowded during the summer, the working class lives of the locals whose livelihoods depend upon the money spent while others have a great time on vacation go on...

This documentary is an intimate portrayal of several months at a one-room elementary schoolhouse in a small village (Saint-Etienne Sur Usson) in rural France, where a single teacher, Georges Lopez, gives his small class of thirteen students, ages 3-10, the sort of attention that is dwindling in many other schools in France (and elsehwere), where crowded classrooms are the norm.