Browse Movies : Completed : 2003 : R : Documentary

The hottest trend in America comes to the big screen with The Real Cancun. Casting was done at colleges across the country to assemble a unique cast of real people ready to explore reality's barriers beyond the limits of television while on the ultimate Spring Break vacation in Cancun, Mexico, with surprising and electric results.

Steve James's new film takes a deeply personal turn as he returns to the town where 10 years earlier he was a "big brother" to a troubled young boy named Stevie. As he resumes his connection with this emotionally and socially challenged man after so many years, we get a glimpse into the difficulties Stevie faced as a product of his environment. Abandoned by his mother at a young age, he bounced from foster home to foster home, abused and neglected. He soon found his way into trouble with the law, which complicated his strained relationships with what little family he had.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

This comedy concert movie will see Eddie Griffin following in the footsteps of other black comedians like Richard Pryor, Eddie Murphy and Martin Lawrence. What makes this movie stand out, however, is that it is a combination of Griffin's stand-up routines with footage of Griffin's Kansas City family, including some of his eccentric uncles, like Uncle Buckey who's a former pimp, and Uncle Curtis, who has an extensive porn collection, much of which he filmed himself.

A documentary about the pivotal hip-hop artist Tupac Shakur that is narrated entirely in the words of the deceased artist himself. Through a variety of interviews, journal readings, poetry performances, private home movies, and never-before-seen concert footage, the film serves as a "self-portrait" of a cultural icon whose career and persona, both, continue to grow from beyond the grave.