Browse Movies : Completed : 2003 : Documentary

This documentary presents 90 minutes of interview footage (edited down from more than ten hours) with Traudl Junge (1920-2002), who from 1942 to 1945 was one of three personal secretaries of Adolf Hitler, whom she describes as a "pleasant boss and fatherly friend". Ms. Junge describes first-hand experiences of what life was like within the most inner circles of the Third Reich, including those chilling last days for Hitler, Goebbels and Eva Braun in the bunker, where she transcribed Hitler's last will and testament before he and the others committed suicide.

"Step Into Liquid" is a personal glimpse into the world of surfing from the original family of surf films. It's a film for surfers as well as non-surfers alike because it is a film about people with a passion for life. "Step Into Liquid" is a collection of stories about people who live for surfing. The cross-section of characters featured in this film come from many walks of life, but share one thing in common, the need to surf. For many of them, surfing is merely a hobby. For others, surfing is an identity and maybe even a lifestyle. For a fortunate and talented few, it is a profession. And, for one, it is a salvation.

Avery has finally gotten his life back on track. A competitive swimmer, he had to drop out of college to support his girlfriend, Krista, and their son, Jordan. He's back on the swim meet circuit, and starting to have some success. When he's approached by a college scout after winning his latest race, he goes out to celebrate with his friends, Cashmere and Dre. In an instant, Avery's luck is about to run out...

The hottest trend in America comes to the big screen with The Real Cancun. Casting was done at colleges across the country to assemble a unique cast of real people ready to explore reality's barriers beyond the limits of television while on the ultimate Spring Break vacation in Cancun, Mexico, with surprising and electric results.

This documentary investigates the stories of the dozens of thousands of Jews who emigrated to Israel in 1948 from Iraq, making up 25% of the new nation's Hebrew population. Leaving an Iraq in the 1940s in which Jews lived in peace with Christian and Muslim neighbors, these emigres found themselves pitched into a new political environment in which they were not exactly welcomed, with Ben Gurion once saying of the Iraqi Jews, "We kicked out good Arabs and brought in bad Jews". Director Samir interviewed a quartet of elderly survivors from that time (who also happened to be Communists, which was another reason they were not welcomed), along with NYU film historian Ella Shohat, to make a film that combines their testimony with light-hearted fragments of the last 100 years of Jewish culture as documented in the movies, to demonstrate the sometimes thin, sometimes thick lines between Arabs, Jews, and those who have claim to both heritages (ie, the "Mizrahim", or Eastern Jews).

This documentary follows eight children of various ages as they compete their ways through regional finals, with their eyes on going to the 1999 Scripps Howard National Spelling Bee in Washington, D.C., and hopefully, winning. Nine million kids try each year, but only 250 make it to the Nationals. The kids seen in this movie come from vastly different backgrounds, from families ranging from the affluent to the struggling (and some in-between).

Robert McNamara, former Secretary of Defense during the JFK and LBJ administrations, was one of the key figures in the Vietnam War. This documentary is built around 20 hours of interviews and additional archival footage of Mr. Namara, who later became president of the World Bank and broadened his global influence.

Through a chronological history of the liberation struggle in South Africa, the documentary cites examples of the way music was used in the fight for freedom. Songs united those being oppressed and gave those fighting a way to express their plight. The music consoled the incarcerated and created an effective underground form of communication inside the prisons.

The most ambitious surfing movie ever undertaken — the "Billabong Odyssey", is based on a three-year global expedition to seek out and ride the biggest waves in the world. Shot primarily in 24-frames-per-second, progressive-scan 1080 HD format as well as 35mm, the film combines the talents of the world's best big-wave surfers, jet-powered watercraft tow vehicles, and cutting-edge weather-tracking technology to create an unprecedented cinematic experience. The Billabong Odyssey calls for three expeditions each year. Two, which will take place between October and March, will unfold in the Northern Hemisphere, including the entire West Coast of North America, the Hawaiian chain, Canada, and Mexico, as well as France and Spain. A third will occur in the Southern Hemisphere during its winter months of June through August. Although specific destinations remain secret, the maiden expedition took to the seas last October, focusing on key locations in the Pacific Northwest between San Francisco and Canada's Vancouver Island. Preparations are under way for future excursions to coastlines rich with high-surf potential, including Chile, South Africa, Ireland, New Zealand and the South Pacific isles.

This comedy concert movie will see Eddie Griffin following in the footsteps of other black comedians like Richard Pryor, Eddie Murphy and Martin Lawrence. What makes this movie stand out, however, is that it is a combination of Griffin's stand-up routines with footage of Griffin's Kansas City family, including some of his eccentric uncles, like Uncle Buckey who's a former pimp, and Uncle Curtis, who has an extensive porn collection, much of which he filmed himself.

This documentary examines the careers of the 1950s-1970s Stax Records and Motown soul and R&B singers who "kept on keeping on" right through (and after) the disco scene into today, through the use of interviews with and performance footage by such Motown luminaries as Isaac Hayes, the Chi-Lites, Sam Moore (of Sam and Dave), Mary Wilson (of the Supremes) and others. The focus of the film is how these performers managed to keep thriving through the 30 years of change in the music industry since the heydays of classic R&B.

A documentary about the pivotal hip-hop artist Tupac Shakur that is narrated entirely in the words of the deceased artist himself. Through a variety of interviews, journal readings, poetry performances, private home movies, and never-before-seen concert footage, the film serves as a "self-portrait" of a cultural icon whose career and persona, both, continue to grow from beyond the grave.

This documentary explores the lives and worlds of women who explore their masculine sides as "drag kings," using a legendary Drag King Night in New York as a starting point to follow some of the women into their lives, whether their drag persona be an identity they assume part or full-time. Drag kings in London and Zurich are also interviewed, including some who are experimenting with hormones to accelerate their masculinity.

A moving documentary from director Jennifer Dworkin, "Love and Diane" tells the hard tale of Diane, whose crack cocaine drug addiction in the 1980s resulted in social services taking each of her six children out of her care for more stable lives in foster homes and group homes. Now Diane is clean, and the oldest of her children, Love, is 18-years-old, HIV positive, and has a baby boy. Diane tries to reunite the family, which consists of five teenagers (one of her sons died), but life for them is not easy. At the beginning of the film they are all living together in a Brooklyn, New York apartment. But slowly things go awry. Diane and Love quarrel and social services comes to take the baby away. Neglect charges are filed against Love and social services separates her sisters into another living situation. Their younger brother stops going to school and then also leaves the apartment, no longer interested in living with his mother or with his family. A moving and emotional look at a family struggling against difficult odds to do what's best, LOVE & DIANE is mostly made up of conversations between Diane, Love, and the family. They talk about the hardships they've endured, how they got through difficult times, and how they pray for a brighter future. All combined, it is a truly affecting portrait of a family trying to keep together.

In this documentary, Nathaniel Kahn examines the life and career of his father, Philadelphia architect Louis I. Kahn (1901-1974), whose work included the Salk Institute and the Parliament and Capitol Buildings in Dhaka, Bangladesh, before dying of a heart attack in a Penn Station bathroom in 1974, unidentified and broke despite having been one of the century's most influential architects. Louis Kahn also led three different personal lives, with three different families, fathering a daughter with his wife, and a child each by two other lovers (one of whom was the mother of Nathaniel, who was 11 when his father died).

This documentary, filmed over six years (1996-2002), is about Mark "Gator" Rogowski, a pro skateboarding star in the '80s currently serving a life sentence for the rape and murder of a woman he barely knew. The film mixes old footage of Gator skating and carousing with recent interviews with such skateboarding icons as Tony Hawk and Stacey Peralta. It examines what drove a charming, rich, and famous bad-boy skater to kill.

This documentary examines the short life of Australian-born Leigh Bowery (1961-1994) whose resume included being a famous fashion designer, a 1980s gay nightclub icon in London (as host of the Taboo nightclub), outrageous performance artist, lead singer of the art rock group Minty and the costume designer for the Michael Clarke Dance Company.

On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

This documentary captures what happened in Rio de Janeiro, Brazil, on June 12th, 2000 when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento threatened to kill all of the passengers, but eventuallly agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens watching the event take place. Then, a police officer decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged at police brutality. The film intertwines the story of the standoff with biographical information about Sandro do Nascimento, including his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s, and the trauma of seeing his mother stabbed to death in front of him.