Browse Movies : 2004 : Rating Not Available

John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).

An innovative masterpiece that literally gives wings to one man's singular vision of an imaginary world. Henry Darger lived a reclusive life and died alone in a Catholic mission in 1973. For more than 60 years, he created a massive literary and graphic body of work, including The Realms of the Unreal, an epic, fifteen-thousand-page novel with hundreds of paintings that recounts the wars between nations on an enormous unnamed planet. Darger's keen sense of composition and vivid colors allowed him to create incredibly intense and beautiful illustrations which are often disturbingly violent. Consciously excluding art experts and psychologists, Yu presents impressions of Darger's work only from the people who knew him, letting the audience make up their own minds about the man. The film cleverly parallels his real life with his fantasies, making the oddness of his fantasy world more accessible.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

Havana: November, 1958. 18-year-old Katey Miller (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Ford. Bookish and awkward, Katey is expected to join the smart set of American teenagers who are the Millers' neighbors at the exclusive Oceana Hotel. But Katey finds herself drawn instead to the proud, purposeful Javier (Diego Luna), a waiter who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Javier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at Havana's glittering nightclub/casino, The Palace. Soon, the straight-A student is deceiving her parents, stealing away both day and night to discover a different part of Cuba with Javier. They meet at the steamy nightclub La Rosa Negra, where only the locals go and where the dancing is hotter than the temperature outside. Some days, they practice on the sand of an out-of-the way beach, aligning their bodies in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Javier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence.

Why just fly when you can soar with soul! After a humiliating experience on an airplane, Nashawn Wade sues the airline and is awarded a huge settlement. Determined to make good with the money, he creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot onboard dance club, and a bathroom attendant. Departing from all-new Terminal X in Los Angeles, "Soul Plane" gives "fly" a whole new meaning, taking its passengers on a maiden voyage full of comedy.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

The crew is back in Barbershop 2: Back in Business, a sequel to the original comedy smash hit. Ice Cube, Cedric the Entertainer, Sean Patrick Thomas, Eve, Troy Garity, Michael Ealy, and Leonard Earl Howze ý theyýre all still there in Calvinýs shop, this time with Queen Latifah joining the fun as Gina, a stylist at the beauty shop next door. Theyýre cutting hair, creating a sense of community, and having their signature Barbershop discussions ý outrageous, explosive, and hilarious. The world changes, but some things never go out of style ý you can still say anything you want at the barbershop.

Jim Jarmusch's ensemble comedy is a series of vignettes, all revolving around discussions held over coffee and cigarettes. Starring a diverse cast, including Bill Murray, Steve Buscemi, Tom Waits, Cate Blanchett, and others, the film has been in production since the 1980s and is in black and white. Topics of conversation include Nicola Tesla, alternative medicine, Paris, the movie industry, and more.

"De-lovely" is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and legendary hits like "Anything Goes," "It's De-lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter. Directed by Academy Award-winner Irwin Winkler from a script by Jay Cocks and starring Oscar-winner Kevin Kline, Ashley Judd, and Jonathan Pryce in addition to some of today's biggest rock and pop music stars, "De-lovely" is a sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love.

In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.

Kat, a brand new journalism grad, has landed her first big job. It's in Hawaii and she couldn't be more excited. All it requires is an upbeat personality, good instincts and a lot of perseverance. But Kat is finding the work harder than she ever imagined. For one thing, her prey - an elusive big wave surfer named "The Monk" – doesn't intend to be found, and the friendly locals are being somewhat less than helpful. Her uninvited boyfriend is driving her crazy, her ex-surfer guide has been on the losing end of too many waves, the geek she's reporting to is falling in love with her, and she's wanted by the FBI. What's a girl to do? Kat realizes too late that finding "The Monk" will cost her more than she could ever afford. But can she foresee that she'll wind up finding herself?

Paige (Julie Stiles), a free-spirited American college student starting her education at an Indiana university, meets and falls in love with one of her classmates, but what she doesn't know is that he's actually a Danish prince, Frederick (Luke Mably), spending his "gap year" by hiding in America disguised as a regular guy.

This is the true story of two members of England's Army Dental Corps, Sgt. Peter King (Kenneth Cranham), a World War I veteran looking to keep on fighting, and Private Leslie Cuthbertson (Leo Bill), a wet-behind-the-ears trainee, whose dedication to helping the war effort during World War II inspired them to leave their posts and attempt to join the war effort in France. Sneaking into occupied territory in 1942, the two dentists found a German radar station, a part of which they successfully destroyed, but their efforts caused them to be chased by the enemy through dangerous territory. The most dangerous opposition to their patriotism manifested itself, however, when they made their way back to English territory, where they were now branded as deserters and liars...

When the owner of a Baltimore working class convenience store, Sylvia Stickles (Tracey Ullman), suffers a concussion, the injury causes a drastic change in her sexual drive, turning her into a sex addict with crazy, wild and urgent desires and compulsions, much to the joy and then frustration of her husband (Chris Isaak) who has trouble keeping up with her, as her new personality threatens to tear apart the remnants of what wasn't an entirely perfect family to begin with.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

In 1974, the New York City music scene was shocked into consciousness by the violently new and raw sound of a band of misfits from Queens, called The Ramones. Playing in a seedy Bowery bar to a small group of fellow struggling musicians, the band struck a chord of disharmony that rocked the foundation of the mid-'70s music scene. This quartet of unlikely rock stars traveled across the country and around the world connecting with the disenfranchised everywhere, while sparking a movement that would resonate with two generations of outcasts across the globe. Although the band never reached the top of the Billboard charts, it managed to endure by maintaining a rigorous touring schedule for 22 years.

Winner of over 22 film festival awards, "Robot Stories" is science fiction from the heart, four stories in which utterly human characters struggle to connect in a world of robot babies and android office workers. The stories include: "My Robot Baby," in which a couple must care for a robot baby before adopting a human child; "The Robot Fixer," in which a mother tries to connect with her dying son by completing his toy robot collection; "Machine Love," in which an office worker android learns that he, too, needs love; and "Clay," in which an old sculptor must choose between natural death and digital immortality.

"Secret Things" is the story of two gorgeous young women who discover the power of sex as a tool to climb the social ladder. Sandrine and Natalie work at a strip club; Natalie performs an erotic act on stage while Sandrine serves drinks. After they are both fired, the two become roommates and Natalie begins training Sandrine in the art of the courtesan. Erotic lessons on how to pleasure oneself and others, how to seduce and not be seduced, public nudity and sex and the art of the fake orgasm are all part of their plan to take on the world of men. Their top prize is Christophe, a charming heir apparent and rising star at a large bank. These femme fatales don't bargain for the ultimate cruelty and power of their prey and soon find Christophe, a man who controls all he meets, their ultimate match.

Why are Americans so fat? Find out in "Super Size Me", a tongue in-cheek—and burger in hand—look at the legal, financial and physical costs of America's hunger for fast food. Ominously, 37% of American children and adolescents are carrying too much fat and 2 out of every three adults are overweight or obese. Is it our fault for lacking self-control, or are the fast-food corporations to blame? Filmmaker Morgan Spurlock hit the road and interviewed experts in 20 U.S. cities, including Houston, the "Fattest City" in America. From Surgeon Generals to gym teachers, cooks to kids, lawmakers to legislators, these authorities shared their research, opinions and "gut feelings" on our ever-expanding girth. During the journey, Spurlock also put his own body on the line, living on nothing but McDonald's for an entire month with three simple rules: 1) No options: he could only eat what was available over the counter (water included!); 2) No supersizing unless offered; 3) No excuses: he had to eat every item on the menu at least once. It all adds up to a fat food bill, harrowing visits to the doctor, and compelling viewing for anyone who's ever wondered if man could live on fast food alone. The film explores the horror of school lunch programs, declining health and physical education classes, food addictions and the extreme measures people take to lose weight and regain their health. "Super Size Me" is a satirical jab in the stomach, overstuffed with fat and facts about the billion-dollar industry besieged by doctors, lawyers and nutritionists alike. "Would you like fries with that?" will never sound the same!

The story of Haitian national hero Jean Dominique, "The Agronomist" represents a labor of love for the director Jonathan Demme, who first met and filmed the late journalist and freedom fighter in 1987. As owner and operator of his nation's only free radio station, Radio Haiti Inter, Dominique was frequently at odds with his country's various repressive governments and spent much of the 90's in exile in New York, where Demme continued to film him over the years. Following the successful reinstatement of Haiti's democratically elected government, Demee also filmed Dominique's triumphant return to Port Au Prince. But, it was Dominique's still-unsolved assassination in April of 2000, that gave the director the impetus to assemble more than a decade's worth of original and archival material into a celebration of the man and his legacy.