Browse Movies : 2004 : Rating Not Available

When the owner of a Baltimore working class convenience store, Sylvia Stickles (Tracey Ullman), suffers a concussion, the injury causes a drastic change in her sexual drive, turning her into a sex addict with crazy, wild and urgent desires and compulsions, much to the joy and then frustration of her husband (Chris Isaak) who has trouble keeping up with her, as her new personality threatens to tear apart the remnants of what wasn't an entirely perfect family to begin with.

Set in the fast-paced world of motorcycle racing, this action movie shows what happens to long-time biker Cary Ford (Martin Henderson) when he is framed by a long-time rival, Henry (Matt Schulze), the leader of a biker gang called the Hellions for the murder of Sleepy D, the brother of Trey Wallace (Ice Cube), the leader of the Machine, the most notorious and feared biker gang in the country. Cary and his friends must make a run for it as they have both Trey and his Machine bikers and the FBI on their tails.

"De-lovely" is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and legendary hits like "Anything Goes," "It's De-lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter. Directed by Academy Award-winner Irwin Winkler from a script by Jay Cocks and starring Oscar-winner Kevin Kline, Ashley Judd, and Jonathan Pryce in addition to some of today's biggest rock and pop music stars, "De-lovely" is a sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love.

The story of the life of artist Ray Johnson is cloaked in mystery not only at the moment of his death, but also throughout a career that was difficult to know and understand. As one of the seminal figures of the Pop Art era, he is known as "the founding father of mail art" and as a "collagist extraordinaire." But, overshadowed by those like Warhol who manipulated the world in a very dissimilar manner, he was also a reclusive and sometimes enigmatic figure who has been called "New York's most famous unknown artist" that challenged the commercial and critical establishment.

Why just fly when you can soar with soul! After a humiliating experience on an airplane, Nashawn Wade sues the airline and is awarded a huge settlement. Determined to make good with the money, he creates the full-service airline of his dreams, complete with sexy stewardesses, funky music, a hot onboard dance club, and a bathroom attendant. Departing from all-new Terminal X in Los Angeles, "Soul Plane" gives "fly" a whole new meaning, taking its passengers on a maiden voyage full of comedy.

Walter, a convicted sex offender, is trying to put his life back together. He lands a steady job, he sees an earnest therapist, and he spends time with his sympathetic brother-in-law. Still, he cannot escape his past--his sister shuns him, and he lives in fear of being discovered. Walter finds unexpected comfort in Vicki, a tough-talking woman who doesn't judge him for his history, but even her love is not enough to keep the demons away. As he discovers, it is hard to resist old temptations.

Set in a contemporary South untouched by time, "The Undertow" is a dramatic thriller about two brothers who run away from home to guard a secret following the death of their father and the arrival of their greedy, troubled uncle.

Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their unlikely relationship has on eachother's lives and futures. Evie Decker (Lili Taylor) is a painfully timid young woman whose monotonous life consists of living with her reclusive widower father (Tom Bower) and working a dead-end job dressed in a rabbit costume at a rundown amusement park. Evie's quiet existence is shattered when she hears a late-night radio interview with struggling musician Drumstrings Casey (Guy Pearce). Evie is fascinated with his seductive voice and sultry lyrics and convinces her best friend Violet (Sara Rue) to go with her to the local roadhouse to see him perform. Seeing him in person, Evie becomes even more mesmerized by the handsome and brooding musicians. During one of Drum's shows, Evie's growing infatuation blends with obsession when she becomes so entranced by his singing that she actually cuts his name into her forehead with a piece of glass. Instead of regretting her action, she considers this her first step towards taking more control of her life. The stunt brings her to Drum's attention and he and his manager David Elliot (John Hawkes) decide to use her as a marketing gimmick at future shows. Evie's total faith in Drum's talent inspires and intrigues him while her role as his "muse" imparts Evie with uncharacteristic self-assurance. The physical attraction between Evie and Drum increases as their emotional need for one another becomes more and more apparent. The inspiration they find together to break out from the confines of low expectations and the ordinariness of small town life begins to conflict with the pursuit of their individual dreams. Together or apart they must decide which path will lead to the fulfillment of their newfound strength.

The crew is back in Barbershop 2: Back in Business, a sequel to the original comedy smash hit. Ice Cube, Cedric the Entertainer, Sean Patrick Thomas, Eve, Troy Garity, Michael Ealy, and Leonard Earl Howze ý theyýre all still there in Calvinýs shop, this time with Queen Latifah joining the fun as Gina, a stylist at the beauty shop next door. Theyýre cutting hair, creating a sense of community, and having their signature Barbershop discussions ý outrageous, explosive, and hilarious. The world changes, but some things never go out of style ý you can still say anything you want at the barbershop.

Paige (Julie Stiles), a free-spirited American college student starting her education at an Indiana university, meets and falls in love with one of her classmates, but what she doesn't know is that he's actually a Danish prince, Frederick (Luke Mably), spending his "gap year" by hiding in America disguised as a regular guy.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).

Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.

A photographer who is haunted by the feeling that the gap between his ideals and his real life is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.

A persistent cell phone ring connects four crisscrossing stories of Indian Americans in this light-hearted movie set in the post Information Technology boom: two long-distance buddies who share every waking thought; two parents who delight in arguing with each other and are getting to know their future daughter-in-law Jenni, and their son who is juggling all of them; jobless roommates who can't fathom their friend's obsession for a girl back in India; and a newlywed, forced-to-stay-at-home girl who creates a fascinating world for herself within her home. Everything is conneted in this warm, quirky comedy that says the world is really, really small.

Three years in the making, this new film from acclaimed documentary filmmakers Joe Berlinger and Bruce Sinofsky provides a fascinating, in-depth portrait of the most successful heavy metal band of all time, as they faced monumental personal and professional challenges while recording their first studio album of original songs in five years. In the tradition of such seminal music documentaries as "Don't Look Back" and "Gimme Shelter", "Metallica: Some Kind of Monster" seeks to transcend the conventions of the "rock 'n' roll movie" genre, trading rock-star posing for truthful introspection, and revealing an intimate portrait of the individuals behind a legendary band and their unique creative journey.

This is a sex comedy about memory loss, as office worker Graham (Eduardo Noriega) has recently suffered a complete memory loss from a martial arts-related accident, which means that every time he has sex with Irene, one of the secretaries, he forgets about it an hour later, so every time is the first time...

Kat, a brand new journalism grad, has landed her first big job. It's in Hawaii and she couldn't be more excited. All it requires is an upbeat personality, good instincts and a lot of perseverance. But Kat is finding the work harder than she ever imagined. For one thing, her prey - an elusive big wave surfer named "The Monk" – doesn't intend to be found, and the friendly locals are being somewhat less than helpful. Her uninvited boyfriend is driving her crazy, her ex-surfer guide has been on the losing end of too many waves, the geek she's reporting to is falling in love with her, and she's wanted by the FBI. What's a girl to do? Kat realizes too late that finding "The Monk" will cost her more than she could ever afford. But can she foresee that she'll wind up finding herself?

The film follows the structure of Dante's masterwork, beginning in Hell. In Godard's hands, hell becomes a devastating but beautifully collected montage of war images. War - be it World War II, Algeria, Vietnam, Israel or Bosnia - is a constant in his films, but never has he pieced together an assemblage of such poetic power. Purgatory finds Godard himself in Sarajevo, where he has been invited to attend a European literary conference with other artists and writers. Here we are introduced to a young French-Jewish journalist based in Israel who has come to Sarajevo to see a place "where reconciliation is possible." Paradise is the most enigmatic section of the film, where the journalist finds peace by the water on a small beach guarded by American Marines.

Hollywood comedian/actor Pauly Shore loses everything: his house, nobody in Hollywood wants to represent him, he moves back home with his mom and is now parking cars at the Comedy Store. Then one night when he's up in his mom's loft, a dead famous comedian appears who tells Pauly to kill himself cause he'll go down as a comedic genius who died before his time. Pauly then fakes his own death, and the media goes crazy. Celebrities are talking about him on MTV and girls are fighting over him on Jerry Springer. It's everything that he wanted...his plan worked. A week or so later the LAPD is tipped off about his whereabouts and they break down the door of the seedy motel room that he's hiding out in and throw him in LA County's celebrity wing.