Documentary DVD & Blu-rays 2006 List

It was among the fastest, most efficient production car ever built. It ran on electricity, produced no emissions and catapulted American technology to the forefront of the automotive industry. The lucky few who drove it never wanted to give it up. So why did General Motors crush its fleet of EV-1 electric vehicles in the Arizona desert?

"Who Killed the Electric Car?" chronicles the life and mysterious death of the EV-1; examining the cultural and economic ripple effects caused by its conception and how they reverberated through the halls of government and big business.

Since bursting onto the scene in 1967, Leonard Cohen has inspired generations with his unique personality and haunting music, becoming one of the most original and enduring artists to emerge from the 1960s. Now, Lions Gate is proud to celebrate Cohen's legacy with director Lian Lunson's "Leonard Cohen I'm Your Man", an intimate look at the songs, poetry and life of one of music's most celebrated and influential troubadours.

In January, 2005, Lunson traveled to Sydney to film the historic "Came So Far For Beauty" show, a tribute to Leonard Cohen at the Sydney Opera House organized by famed music producer Hal Willner. "Leonard Cohen I'm Your Man" includes behind-the-scenes interviews and live performances from this event by Nick Cave, Rufus Wainwright, Kate & Anna McGarrigle, Martha Wainwright, Beth Orton, Linda Thompson, Teddy Thompson, Jarvis Cocker, The Handsome Family, Julie Christensen and Perla Battala, as well as a special performance of "Tower of Song" by Cohen and U2. And in a series of candid interviews, Cohen himself reveals his trademark wry humor and soulful intensity, using his own artwork, poetry and personal collection of photographs to reflect upon his colorful past and his creative process.

The film weaves the science behind the issue of global warming with the former vice president Al Gore's personal history and longtime commitment to communicating the pressing need to reverse the effects of global climate change.

This documentary investigates the stories of the dozens of thousands of Jews who emigrated to Israel in 1948 from Iraq, making up 25% of the new nation's Hebrew population. Leaving an Iraq in the 1940s in which Jews lived in peace with Christian and Muslim neighbors, these emigres found themselves pitched into a new political environment in which they were not exactly welcomed, with Ben Gurion once saying of the Iraqi Jews, "We kicked out good Arabs and brought in bad Jews". Director Samir interviewed a quartet of elderly survivors from that time (who also happened to be Communists, which was another reason they were not welcomed), along with NYU film historian Ella Shohat, to make a film that combines their testimony with light-hearted fragments of the last 100 years of Jewish culture as documented in the movies, to demonstrate the sometimes thin, sometimes thick lines between Arabs, Jews, and those who have claim to both heritages (ie, the "Mizrahim", or Eastern Jews).

Doug Bruce woke up in Coney Island with no memory of any day of his life. After turning himself into the police, he was sent off to a psychiatric hospital and eventually rescued by a friend.

The revolutionary 20th-century dance troupe known as the Ballets Russes began as a group of Russian refugees, who never danced in Russia, and became not one but two rival dance troupes. 'Ballets Russes' begins with the company's Diaghilev-era in turn-of-the-century Paris -- when artists such as Nijinsky, Balanchine, Picasso, Miro, Matisse and Stravinsky united in an unparalleled collaboration. The film then explores the company's halcyon days of the 1930s and '40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, The company's demise came in 1950s and '60s when rising costs, rocketing egos, outside competition and internal mismanagement ultimately brought the revered Ballets Russes to its knees.

"The Devil and Daniel Johnston" is a stunning portrait of a musical genius that nearly slipped away. It depicts a perfect example of brilliance and madness going hand in hand. Because Daniel Johnston is an artist suffering from manic depression with delusions of grandeur, wild fluctuations, numerous downward spirals, and periodic respites mark his life. The film artfully melds current footage, vintage performances, home movies, and dozens of recorded audiotapes from Johnston's life. Testimony from supportive friends and a deeply committed family adds a rich layer to Johnston's personal history, but Daniel Johnston's poetic songs tell their own passionate, haunting, and truly unforgettable story.

Based on the best-selling book of the same name by Fortune reporters Bethany McLean and Peter Elkind, a multidimensional study of one of the biggest business scandals in American history. The chronicle takes a look at one of the greatest corporate disasters in history, in which top executives from the 7th largest company in this country walked away with over one billion dollars, leaving investors and employees with nothing. The film features insider accounts and rare corporate audio and video tapes that reveal colossal personal excesses of the Enron hierarchy and the utter moral vacuum that posed as corporate philosophy. The human drama that unfolds within Enron's walls resembles a Greek tragedy and produces a domino effect that could shape the face of our economy and ethical code for years to come.

Hailed as "powerful" and "quietly unflinching," Patricia Foulkrod's searing documentary feature includes exclusive footage that will stir audiences. The filmmaker's subjects are patriotic young Americans – ordinary men and women who heeded the call for military service in Iraq – as they experience recruitment and training, combat, homecoming, and the struggle to reintegrate with families and communities. The terrible conflict in Iraq, depicted with ferocious honesty in the film, is a prelude for the even more challenging battles fought by the soldiers returning home – with personal demons, an uncomprehending public, and an indifferent government. As these battles take shape, each soldier becomes a new kind of hero, bearing witness and giving support to other veterans, and learning to fearlessly wield the most powerful weapon of all – the truth.

"CSA: The Confederate States of America", through the eyes of a faux documentary, takes a look at an America where the South won the Civil War. Supposedly produced by a British broadcasting company, the feature film is presented as a production being shown, controversially, for the first time on television in the States. Beginning with the British and French forces joining the battle with the Confederacy, thus assuring the defeat of the North at Gettysburg and ensuing battles, the South takes the battle northward and form one country out of the two. Lincoln attempts escape to Canada but is captured in blackface. This moment is captured in the clip of a silent film that might have been. Through the use of other fabricated movie segments, old government information films, television commercials, newsbreaks, along with actual stock footage from our own history, a provocative and humorous story is told of a country, which, in many ways, frighteningly follows a parallel with our own. After victory, President Davis brings slavery back to the northern states by offering a tax rebate to businesses and households who will buy and own them. Liberals move to Canada. The nation chooses an expansionist policy and conquers Mexico and South America. As world war looms, the CSA takes a non-aggressive stance toward the Third Reich and their move toward racial purity (although not condoning their wasting of possible slave stock by the Final Solution) and makes a preemptive strike on Japan on December 7, 1941. Kennedy is assassinated soon after being elected, as it appears he will not only emancipate but also give women the vote. A growing black terrorist base stems from Canada and a Cold War breaks out...complete with the Cotton Curtain being built between the two countries. Through it all, including a contemporary run for the presidency, we follow a political dynasty, the Fauntroy family, who lead the country through its triumphs and tragedies. We arrive to a today that, in many ways, we recognize. Although a nation that is content and prosperous, there is a tremendous divide within and suspicious eye without. Current politicians refer to us as two countries and perhaps, other than geographically, there is no difference between Red and Blue or North and South states. We have always struggled as to whether we are the United or Confederate States of America.

This film explores the growth of anti-Semitism since 9/11 and challenges to those who believe the Jews were responsible for the attack on the World Trade Center.

A best-selling author for 30 years, Carlos Castaneda inspired millions to break free from social dogma, fueling controversy over his work's authenticity and assertions of perceiving non-ordinary reality, during an apprenticeship with Yaqui sorcerer, don Juan Matus. Genius, guru, cult leader or fraud? No one really knows. Over three years in the making, this documentary explores Castaneda's mythic impact, controversial teachings and cult following. Candid interviews backed with animation and experimental footage offer an intense visual and intellectual experience.

"Neil Young: Heart of Gold" is filmmaker Jonathan Demme's intimate musical portrait of legendary singer/songwriter Neil Young, filmed on the occasion of the world premiere of Young's Prairie Wind concert at Nashville's hallowed Ryman auditorium last summer. Young's music provides an emotionally rich view into this unique artist's relationship to family, friends, mortality and the passage of time. Young is accompanied on stage by many long time musical companions, including country star Emmylou Harris, Neil's wife Pegi Young, and band leader/ steel guitarist Ben Keith.

"Dave Chappelle's Block Party" spotlights comedy superstar Dave Chappelle in all-new freestyle standup material, and also one-time-only performances by Kanye West, Mos Def, Erykah Badu, Dead Prez, Jill Scott, and The Roots, among others. The unprecedented combination of comedy and music was shot on location last year, as Chappelle threw a party in downtown Brooklyn, inviting local residents and cameras.

"Why We Fight" is an unflinching look at the military industrial complex and the rise of the American Empire. Inspired by Dwight Eisenhower's legendary farewell speech (in which he coined the phrase "military industrial complex"), the film surveys the scorched landscape of a half-century's military adventures, asking how—and telling why—a nation of, by, and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war. The film moves beyond the headlines of various American military operations to the deeper questions of why—why does America fight? What are the forces—political, economic and ideological—that drive us to fight against an ever-changing enemy?

A record of Chinese basketball star Yao Ming's first year playing in the NBA. Back home, Chinese fans are eager for their homeboy to honorably represent 1.2 billion of his countrymen. In the States, however, more than a few observers, cynically question whether the big guy can play the NBA version of the game.

Steve Earle offered to "stand on Bob Dylan's coffee table in my cowboy boots" to declare him the world's greatest songwriter. In concert, Lucinda Williams often dedicates "2 Kool 2 Be 4-Gotten" to him. Artists, as diverse as Emmylou Harris and The Meat Puppets, have recorded his songs. The late Townes Van Zandt was the kind of artist who is always more famous dead than alive. Born into wealth, Townes was an outsider from the get-go. Clinical depression steered the ragged course as did his appetite for drugs and alcohol. Determined to be a success, Townes eventually had a hit. The royalty checks were welcome, but this mainstream cameo seems to have been awkward for him, and there's tangible discomfort and detachment from it all.

Tracing the historical arc of the professional bowling tour, the film includes archival footage from the sport's glory days in the 1950s and '60s, through its near extinction in 1997. The story takes a twist when newly installed CEO Steve Miller sets about modernizing the PBA. In addition to Miller, the chronicle focuses on four pro bowlers: Pete Weber, bowling bad-boy and son of legendary bowler Dick Weber whose conservative style doesn't jibe with the direction Miller is taking the new PBA. Pete's nemesis is Walter Ray Williams Jr., a straight-laced six-time world horseshoe-pitching champion and, with 36 PBA titles to his name, the dominant player on the tour. Also, there's Chris Barnes, a young father of newborn twins, who must leave his wife and sons at home and hit the road to compete for the winnings that his young family is depending upon. Finally there's Wayne Webb, a 20-time PBA champion who has fallen on hard times and hopes to squeeze one more good season out of his career to stave off bankruptcy.

This documentary traces the life of poet and author Charles Bukowski, a writer whose works were often full of despair, debauchery, and dirty language. It focuses more on Bukowski the real man than on the myth he created and cultivated. Acknowledged as an unsentimental and often brutal writer who lived his life as if it were a novel, Bukowski is revealed here to be both human and humane — an artist greater than the sum of his experiences.

The docu-drama "First Descent" chronicles the rebellious, inspiring and sometimes controversial rise of snowboarding--as seen through the eyes of the snowboarders setting the standards and breaking the boundaries of this worldwide phenomenon.

"First Descent" spotlights a handful of snowboarding's early pioneers (including Shawn Farmer, Nick Perata and Terje Haakonsen) and some of the ultra-sponsored superstar phenoms at snowboarding's current cutting edge (Shaun White and Hannah Teter) and literally takes them to the edge--the snow blanketed mountains of Alaska—where these five icons face some of the most challenging and hard-core natural terrain on the planet. The five come for different reasons—Perata and Farmer to see if they still have what it takes, Haakonsen to add another credit to his Big Mountain resume, and White and Teter to undertake their first Big Mountain ride ever—and yet all seek to challenge themselves to accomplish the best snowboarding feat of their lives down peaks of powder no rider has ever descended.

Leading up to their first descent, the crew of five share their stories, comparing viewpoints, individual lifestyles, and unedited opinions on the evolution of snowboarding that began as a delinquent child of skiing and now stands as an international cultural movement that has permanently changed the face of winter sports.

Intercutting footage from the snowboarding revolution of the '80s and '90s, real-life accounts from both notorious and famed riders, and dramatic, newly-filmed scenes from the biggest winter contests and experiences these riders undergo on their way to and in Alaska, "First Descent" creates a fast-paced portrait of a snowsport that has quickly evolved from a fringe hobby to a full-fledged global event.

Brian has been crazy about Drew Barrymore since the second grade when he first saw her in "E.T." Now it's 20 years later, and since Drew hasn't come knocking on his door, Brian decided to make the first move. By documenting his quest to meet Drew on video tape, Brian thought he would represent the "everyman," and his quest will seem noble, instead of just desperate. Armed only with steadfast determination, a video camera and $1,100 that he recently won on a game show, Brian summoned the powers of "Six Degrees of Separation," figuring he must know somebody who knows somebody who knows somebody who knows Drew. Despite the odds, Brian found encouragement in the words of Drew Barrymore: "If you don't take risks, you'll have a wasted soul." "My Date with Drew" will inspire moviegoers everywhere to follow their dreams.

Based on the best-selling book of the same name by Fortune reporters Bethany McLean and Peter Elkind, a multidimensional study of one of the biggest business scandals in American history. The chronicle takes a look at one of the greatest corporate disasters in history, in which top executives from the 7th largest company in this country walked away with over one billion dollars, leaving investors and employees with nothing. The film features insider accounts and rare corporate audio and video tapes that reveal colossal personal excesses of the Enron hierarchy and the utter moral vacuum that posed as corporate philosophy. The human drama that unfolds within Enron's walls resembles a Greek tragedy and produces a domino effect that could shape the face of our economy and ethical code for years to come.

Comedy veterans and co-creators Penn Jillette and Paul Provenza capitalize on their insider status and invite over 100 of their closest friends--who happen to be some of the biggest names in entertainment, from George Carlin, Whoopi Goldberg, Drew Cary to Gilbert Gottfried, Bob Saget, Paul Reiser and Sarah Silverman--to reminisce, analyze, deconstruct and deliver their their own versions of world's dirtiest joke, an old burlesque, too extreme to be performed in public, called "The Aristocrats".