DVD & Blu-rays Released October 4, 2016

A dire warning of a wake up call of what might be our future when a globalist terrorist organization aligned with the United Nations disables the United States' power grid and institutes martial law. It will take a dedicated family of patriots armed with strong survival skills and the remains of the Second Amendment to save America and reclaim its freedom.

Based on true events, The Last King is set in civil war-ravaged Norway. Aided by rebel group the Birch Legs, the Norwegian King fights for survival against the Church’s Bishopsmen, who seek to supplant the throne. On his deathbed after falling ill, the King soon welcomes a son, born in secrecy, as half the Kingdom wants him dead. Tasked with guarding the only remaining heir to the throne, two Birch Legs warriors, Skjervald (Oftebro) and Torstein (Hivju), escape with the infant and must traverse treacherous landscapes to protect their future King.

The magical kingdom of Lucis is home to the sacred Crystal, and the menacing empire of Niflheim is determined to steal it. King Regis of Lucis (Sean Bean) commands an elite force of soldiers called the Kingsglaive. Wielding their king’s magic, Nyx (Aaron Paul) and his fellow soldiers fight to protect Lucis. As the overwhelming military might of the empire bears down, King Regis is faced with an impossible ultimatum—to marry his son, Prince Noctis to Princess Lunafreya of Tenebrae (Lena Headey), captive of Niflheim, and surrender his lands to the empire’s rule. Although the king concedes, it becomes clear that the empire will stop at nothing to achieve their devious goals, with only the Kingsglaive standing between them and world domination.

Follows an aimless 18-year-old Charlie (Nick Robinson), who drifts in and out of rehab clinics for his drug addiction while his actor-turned-politician father (Cary Elwes) runs for governor of California. Charlie begins a relationship with fellow patient Eva (Morgan Saylor), and the two attempt the straight-and-narrow life.

Set in a small town in California's San Joaquin Valley in 1942, fourteen-year-old Homer Macauley, a telegraph bike messenger, is left to care for his widowed mother, his older sister and his four-year-old brother, after his older brother goes to fight in World War II. The effects of the war are revealed as Homer delivers messages of love, friendship, pain and death, including one message that alters his own life forever.

Zack Connors and Rachel Meadows were born with incredible psychokinetic capabilities. When word of their supernatural talents gets out, they find themselves the prisoners of Michael Slovak, a deranged doctor intent on harvesting their powers. After a daring escape, they are free from his sinister institution, but the corrupt doctor will stop at nothing to track them down so that he may continue to siphon their gifts for his own use.

After his engagement suddenly ends, Joshy and a few his friends decide to take advantage of what was supposed to be his bachelor party in Ojai, California. In their attempt to help Joshy deal with the recent turn of events, the guys turn the getaway into a raucous weekend filled with drugs, booze, debauchery, and hot tubs.

Léa Sedoux follows in the footsteps of Paulette Goddard and Jeanne Moreau as Célestine, a resentful young Parisian chambermaid who finds herself exiled to a position in the provinces where she immediately chafes against the noxious iron rules and pettiness of her high-handed bourgeois mistress (Clotilde Mollet), must rebuff the groping advances of Monsieur (Hervé Pierre), and reckon with her fascination with the earthy, brooding gardener Joseph (Vincent Lindon). Backtracking past the fetishism of Buñuel’s version to Octave Mirbeau’s original 1900 novel, Benoît Jacquot has one eye on contemporary France: the sense of social stiflement, Célestine’s humiliating submission to Madame’s onerous terms of employment, Joseph’s virulent anti-Semitism. But the turn-of-the-century setting saw the rise of Freud ideas about the human unconscious and so Jacquot takes care to look past the characters’ outward behavior and appearance to the repression and compulsions that lie behind.