2003 Least Anticipated Movies (Page #5)

Avery has finally gotten his life back on track. A competitive swimmer, he had to drop out of college to support his girlfriend, Krista, and their son, Jordan. He's back on the swim meet circuit, and starting to have some success. When he's approached by a college scout after winning his latest race, he goes out to celebrate with his friends, Cashmere and Dre. In an instant, Avery's luck is about to run out...

The plot is based on the true story of Harvey Pekar (Paul Giamatti), a Cleveland Hospital file clerk who writes comic books about his life and experiences in his free time.

The film follows the story of a respected upper middle class family whose high social stature is burst following a murder. Chabrol reexamines the individual family members' lives in the time period leading up to the crime unveiling their secrets and probing their character.

Based on "The Age of Grief" by Jane Smiley, it centers on a dentist that has a dream that blurs the lines between fantasy and reality. Dr. Dave Hurst (Campbell Scott) shares two homes, three children and a private practice with his dentist wife Dana (Hope Davis). One evening, backstage at Dana's drama club production, Dave believes he witnesses his wife in an intimate exchange with another man. Emotionally repressed by nature, Dave's jealousy flares up in the form of a raucous alter-ego personified by an unsatisfied patient named Slater (Denis Leary). Slater goads the quiet dentist toward violent action, but the unraveling of the emotional bonds in the marriage is more than a simple threat of aggression can solve.

This is Mr. Puck. Honor student. Rebel. All-American Hero. The Anarchist Collective and their crash pad known as SAM housed an idealistic assortment of unruly characters looking to make a difference and find a happier way of life. And then came Johnny Black...

A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.

This movie tells two stories in three settings, going back and forth between each story as the film proceeds. One is the story of two cowboy brothers (Joseph Fiennes, David Wenham) who worked as mercenaries in Turkey around the turn of the century, and fall in love with the same woman (Anne Brochet). The other is set in contemporary New York, and is about a 90-year-old woman with a secret horde of Balkan gold and a thief (Adrian Lester), who surprisingly become friends. The third setting is the Ottoman Empire, circa 1913.

This is the story of an illegal Honduran immigrant living in the U.S., Pablo Fernandez (Jesus Nebot), working on a tomato farm, who gets in trouble when he accidentally hits a girl with his employer's truck. Deciding to try to escape the law, Pablo goes on the run with his young daughter, Christina (Chelsea Rendon), but as the title says there is "no turning back." As he flees, his experience is recorded in print and on video by a mysterious "guerrilla journalist" (Lindsay Price), who also helps him hide from his pursuers.

The second feature film from writer-director Sofia Coppola ("The Virgin Suicides") is set in Tokyo, where two bored Americans — a fading TV star (Bill Murray) shooting an alcohol ad and a young married woman (Scarlett Johansson) with an ambitious, neglectful husband — become fast friends after meeting in a hotel bar. The two then spend an adventure-filled weekend together "finding themselves."

Victor Vargas (Victor Rasuk), a 16-year-old Dominican boy growing up on New York's Lower East Side, finds his self-image as a burgeoning ladies man deflated when the neighborhood finds out that he's dating an unpopular and overweight girl (Donna Maldonado) who lives two stories above his grandmother's apartment (where he lives, along with his brother and sister). So, he sets his sights on the most beautiful girl at the local swimming pool, "Juicy" Judy Rodriguez (Judy Marte).

At the edge of adolescence, Tracy (Evan Rachel Wood) is a promising student and the loving apple of her mother's eye. But that was before she fell under the spell of Evie (Nikki Reed), the most popular and beautiful girl in school. Tracy aches to become Evie's friend but fails the secret code of acceptance. Wrong socks, wrong look. As Tracy transforms to reach for a new life, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother, teachers, and old friends. Each decision is radical, each choice is major, each crisis is huge, and it all makes Tracy squeal with horror and excitement. But that's what it's like to be 13!

Winner of the Jury Grand Prize at the Venice Film Festival, and the Official Russian Selection for Academy Award® Best Foreign Language Film, "House of Fools" (Dom Durakov) is a satirical look at war seen through the eyes of a beautiful woman who is literally madly in love. Based on a true story, "House of Fools" tells the tale of a young Chechen woman, Janna, who is one of several inmates living in a psychiatric hospital on the Russian border of Chechnya. Insulated from the world, the inmates are oblivious to the war that rages around them. In her dream world, Janna finds comfort when her imaginary fiancé (Bryan Adams, played by himself) sings her love songs.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

The hottest trend in America comes to the big screen with The Real Cancun. Casting was done at colleges across the country to assemble a unique cast of real people ready to explore reality's barriers beyond the limits of television while on the ultimate Spring Break vacation in Cancun, Mexico, with surprising and electric results.

At a deserted train station, a teacher and a gangster meet and realize that each might have been better suited to the other man's way of life. As a friendship of sorts develops between these opposite personalities, each starts to envy the other and by the week's end, everything will change for both of them.

Follows young Lilya, who moves to Sweden from the Soviet Union with her boyfriend after her mother leaves for America. Once she gets there, she finds nothing but deceit, betrayal, and violence.

A thief on the run from a life of crime. A nightclub singer hoping to escape from the blues of heartache. Two lost souls who have become fugitives from the past... but now, fate is about to bring them together in the unfolding present. Half way around the world, in a mysterious and enchanted village, they will each seek a way to literally save their endangered lives, while discovering a love that will radically change them. Valentin (Jeremy Irons) is an English jewel thief and master of disguise who has managed to pull off heists from the greatest gem shops of Europe using only two weapons: humorous bluff and charming deceit. Jane Lester (Patricia Kaas) is a jazz chanteuse reeling from a bad love affair with a philandering trumpet player. Their fates collide when Valentin's yacht (which is named "Ladies and Gentlemen") crashes off the coast of Morocco.

Steve James's new film takes a deeply personal turn as he returns to the town where 10 years earlier he was a "big brother" to a troubled young boy named Stevie. As he resumes his connection with this emotionally and socially challenged man after so many years, we get a glimpse into the difficulties Stevie faced as a product of his environment. Abandoned by his mother at a young age, he bounced from foster home to foster home, abused and neglected. He soon found his way into trouble with the law, which complicated his strained relationships with what little family he had.

After a fight with her coked-up boyfriend Marcus, Alex leaves a party to go home. She never gets there; instead she's raped in a desolate tunnel. Her angry boyfriend, and her buddy Pierre decide to take justice into their own hands and hunt down the rapist themselves.

Set in an unnamed country in a post-apocalyptic future, this is the story of a young female assassin, Yuki (Yumiko Shaku), who discovers that the leader of the band of outlaws she belongs to murdered her mother. Finding herself targeted for elimination after she confronts the group's leader about her mother's death, Yuki goes on the run from her former coworkers. Barely surviving an attack, she finds refuge with a young man who used to be a terrorist, with whom she gradually falls in love, but with trained killers getting closer and closer to finding her, can their love survive?