2005 Best Reviewed Movies (Page #3)

In "Kiss Kiss, Bang Bang", a breezy take on Black's trademark buddy action/comedy oeuvre, a petty thief (Robert Downey Jr.) is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl (Michelle Monaghan) and a detective (Val Kilmer) who has been training him for his upcoming role.

A Chicago art dealer marries a Southerner from an uptight North Carolina family. When she attempts to track down a reclusive back-woods artist, her in-laws get their petticoats in a twist in various and sundry ways.

He was a writer. He thought he wrote about the future but it really was the past. In his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention—to recapture their lost memories. It was said that in 2046, nothing ever changed. Nobody knew for sure if it was true, because nobody who went there had ever come back—except for one. He was there. He chose to leave. He wanted to change.

In this follow-up to his critical smash "Read My Lips", French filmmaker Jacques Audiard has adapted and updated James Toback's 1978 cult classic, "Fingers", to come up with a moody, memorable study of a young man torn between a life of crime and classical music.

40-year-old Andy Stitzer (Steve Carrell) has done quite a few things in his life. He's got a cushy job stamping invoices at an electronics superstore, a nice apartment with a proud collection of action figures and comic books, good friends, a nice attitude. But there's just one little thing he hasn't quite gotten around to doing yet--something most people have done by his age. Done a lot. Andy's never, ever, ever had sex--not even by accident. So is that such a big deal?

Well, for Andy's buds at the store, it sure is. Although they think he's a bit of an oddball, there's certainly a planetful of stranger (and homelier) guys who've at least had one go at having a go. They consider it their duty to help Andy out of his dire situation and go to great lengths to help him. But nothing proves effective enough to lure their friend out of lifelong chastity until he meets Trish (Catherine Keener), a 40-year-old mother of three. Andy's friends are psyched by the possibility that "it" may finally happen...until they hear that Andy and Trish have begun their relationship based on a mutual no-sex policy.

One dark night, a former native of a rural Thai village, has his men steal the head of the town's Ong Bak (Buddha statue) to win favor with ruthless crime boss Khom Tuan. The locals regard the theft as a catastrophe, and seek a champion to retrieve their lost treasure. They find their man in Ting (Tony Jaa), an orphaned youngster raised at the local temple, and schooled by Pra Kru, a kindly monk, in an ancient system of Muay Thai: 'Nine Body Weapons'. Ting travels to the mean streets of Bangkok, where he's forced to compete in illegal street fights, taking on both local and foreign opponents to win the head of Ong Bak from the ruthless crime boss.

"Gunner Palace" reveals the complex realities of the situation in Iraq not seen on the nightly news. Told first-hand by our troops, "Gunner Palace" presents a thought provoking portrait of a dangerous and chaotic war that is personal, highly emotional, sometimes disturbing, surprisingly amusing ... and thoroughly fascinating. Filmmaker Michael Tucker, who lived with 2/3 Field Artillery, a.k.a. "The Gunners" for two months, captures the lives and humanity of these soldiers whose barracks are the bombed-out pleasure palace of Uday Hussein (nicknamed Gunner Palace), situated in the heart of the most volatile section of Baghdad. With total access to all operations and activities, Tucker's insider footage provides a rare look at the day-to-day lives of these soldiers on the ground—whether swimming in Uday's pool and playing golf on his putting green or executing raids on suspected terrorists, enduring roadside bombs, mortar attacks, RPGs and snipers.

The film explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect, and an array of high-tech tools to fight the sinister forces that threaten the city.

It is 1933, and vaudeville actress Ann Darrow has found herself--like so many other New Yorkers during the Great Depression--without the means to earn a living. Unwilling to compromise and allow herself to sink into a career in burlesque, she considers her limited options while aimlessly wandering the streets of Manhattan. When her hunger drives her to unsuccessfully try to steal an apple from a fruit vendor's stall, she is rescued--literally--by filmmaker and multiple hyphenate Carl Denham. It seems that the entrepreneur-raconteur-adventurer is no stranger to theft, having that day lifted the only existing print of his most recent and unfinished film from under his studio executives' noses when they threatened to pull his completion funds. Carl has until the end of the day to get his crew onboard the Singapore-bound tramp steamer, the S.S. Venture, in hopes of completing his travelogue/action film. With that, the showman is certain he will finally achieve the personal greatness he knows awaits him around the corner--and although the crew believe that corner to be Singapore, Denham actually hopes to find and capture on film the mysterious place of legend: Skull Island. Unfortunately for Carl, his headlining actress has pulled out of his project, but his search for a size-four leading lady (the costumes have all been made) has, fatefully, led him to Ann. The struggling actress is reluctant to sign on with Denham, until she learns that the up-and-coming, socially relevant playwright Jack Driscoll is penning the screenplay--the fees his friend Carl pays for potboiling adventure are a welcome supplement to Driscoll's nominal income from his stage plays. With his newly discovered star and coerced screenwriter reluctantly onboard, Denham's moving picture ship heads out of New York Harbor--and toward a destiny that none aboard could possibly foresee.

Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor, a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love.