Raising Victor Vargas
96% on Rotten Tomatoes based on 111 reviews
Victor Vargas (Victor Rasuk), a 16-year-old Dominican boy growing up on New York's Lower East Side, finds his self-image as a burgeoning ladies man deflated when the neighborhood finds out that he's dating an unpopular and overweight girl (Donna Maldonado) who lives two stories above his grandmother's apartment (where he lives, along with his brother and sister). So, he sets his sights on the most beautiful girl at the local swimming pool, "Juicy" Judy Rodriguez (Judy Marte).
Bus 174
96% on Rotten Tomatoes based on 79 reviews
This documentary captures what happened in Rio de Janeiro, Brazil, on June 12th, 2000 when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento threatened to kill all of the passengers, but eventuallly agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens watching the event take place. Then, a police officer decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged at police brutality. The film intertwines the story of the standoff with biographical information about Sandro do Nascimento, including his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s, and the trauma of seeing his mother stabbed to death in front of him.
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Spellbound
97% on Rotten Tomatoes based on 139 reviews
This documentary follows eight children of various ages as they compete their ways through regional finals, with their eyes on going to the 1999 Scripps Howard National Spelling Bee in Washington, D.C., and hopefully, winning. Nine million kids try each year, but only 250 make it to the Nationals. The kids seen in this movie come from vastly different backgrounds, from families ranging from the affluent to the struggling (and some in-between).
Sweet Sixteen
97% on Rotten Tomatoes based on 88 reviews
Liam's mom, Jean, is in prison but is due to be released in time for his 16th birthday. This time Liam is determined that things will be different. He dreams of a family life he's never had, which means creating a safe haven beyond the reach of wasters like Jean's boyfriend Stan and his own mean-spirited grandfather. But first he's got to raise the cash - no mean feat for a skinny teenager. It's not long before Liam and his pals' crazy schemes lead them into all sorts of trouble. Finding himself dangerously out of his depth, Liam knows he should walk away. Only this time, he just can't let go.
To Be and To Have
97% on Rotten Tomatoes based on 59 reviews
This documentary is an intimate portrayal of several months at a one-room elementary schoolhouse in a small village (Saint-Etienne Sur Usson) in rural France, where a single teacher, Georges Lopez, gives his small class of thirteen students, ages 3-10, the sort of attention that is dwindling in many other schools in France (and elsehwere), where crowded classrooms are the norm.
Alien: The Director's Cut
98% on Rotten Tomatoes based on 127 reviews
A ship sent to investigate an SOS distress call encounters an alien that begins to kill the crew members one by one.
The Man Without a Past
98% on Rotten Tomatoes based on 99 reviews
At the beginning of the film, a man (Markku Peltola) who has traveled to Helsinki in search of work gets mugged and loses his memory, forcing him to start completely anew. He soon discovers love (Kati Outinen), and a new set of values. A small story about people who still know how to be gentle.
The Revolution Will Not Be Televised
98% on Rotten Tomatoes based on 47 reviews
On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).