2009 Worst Movies (Page #19)

Sandra Laing is a black child born in the 1950s to white Afrikaners, unaware of their black ancestry. Her parents are rural shopkeepers serving the local black community, who lovingly bring her up as their ‘white’ little girl. But at the age of ten, Sandra is driven out of white society. The film follows Sandra’s thirty-year journey from rejection to acceptance, betrayal to reconciliation, as she struggles to define her place in a changing world - and triumphs against all odds.

This is a story of boy meets girl, begins the wry, probing narrator of "500 Days of Summer", and with that the film takes off at breakneck speed into a funny, true-to-life and unique dissection of the unruly and unpredictable year-and-a-half of one young man’s no-holds-barred love affair.

Tom, the boy, still believes, even in this cynical modern world, in the notion of a transforming, cosmically destined, lightning-strikes-once kind of love. Summer, the girl, doesn’t. Not at all. But that doesn’t stop Tom from going after her, again and again, like a modern Don Quixote, with all his might and courage. Suddenly, Tom is in love not just with a lovely, witty, intelligent woman – not that he minds any of that -- but with the very idea of Summer, the very idea of a love that still has the power to shock the heart and stop the world.

When the free-spirited, jazz-loving Prince Naveen of Maldonia comes to town a deal with a shady voodoo doctor goes bad and the once suave royal is turned into a frog. In a desperate attempt to be human again, a favor in exchange for a fateful kiss on the lips from the beautiful girl, Tiana, takes an unexpected turn and leads them both on a hilarious adventure through the mystical bayous of Louisiana to the banks of the almighty Mississippi and back in time for Mardi Gras in New Orleans. An unforgettable tale filled with music, humor and heart where two frogs—along with the help of a 200-year-old voodoo priestess, a love-sick Cajun firefly, and a trumpet-playing alligator—discover that what they want isn’t as important as what they need

Zac Efron will star as high school senior Richard Samuels—an age and grade level the actor knows well—who, while walking the streets of Manhattan one day, comes across Orson Welles' still unopened Mercury Theater, where the Shakespearean auteur, pre-Citizen Kane, is staging a production of Julius Caesar. Richard lands a bit part in the play and does a lot of growing up during his brief time under Welles' tutelage.

"Tyson" is acclaimed indie director James Toback's stylistically inventive portrait of a mesmerizing Mike Tyson. Toback allows Tyson to reveal himself without inhibition and with eloquence and a pervasive vulnerability. Through a mixture of original interviews and archival footage and photographs, a startlingly complex, fully-rounded human being emerges. The film ranges from Tyson's earliest memories of growing up on the mean streets of Brooklyn through his entry into the world of boxing, to his rollercoaster ride in the funhouse of worldwide fame and fortunes won and lost. It is the story of a legendary and uniquely controversial international athletic icon, a figure conjuring radical questions of race and class. In its depiction of a man rising from the most debased circumstances to unlimited heights, destroyed by his own hubris, "Tyson" emerges as a modern day version of classic Greek tragedy.

In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.

The story is about a gay man (Colin Firth), who tries to go about his normal routines after the death of his partner. Matthew Goode will play Firth's former boyfriend, and Julianne Moore will be his friend.

In Werner Herzog's new film "Bad Lieutenant: Port of Call New Orleans," Nicolas Cage plays a rogue detective who is as devoted to his job as he is at scoring drugs -- while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes). Together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.

Bill Hader will voice Flint Lockwood, a young inventor who dreams of creating something that will improve everyone's life. Anna Faris, who recently turned heads as the star of the comedy hit The House Bunny, takes on the role of Sam Sparks, a weathergirl covering the phenomenon who hides her intelligence behind a perky exterior. James Caan plays Tim Lockwood, Flint's technophobic father. Andy Samberg plays Brent, the town bully who has plagued Flint since childhood. Bruce Campbell plays Mayor Shelbourne, who figures out that Flint's invention can put the town, and more importantly himself, on the map. Mr. T plays the by-the-rules town cop Earl Devereaux, and Tracy Morgan takes on the role of Earl's rule-breaking son, Cal.

"Sin Nombre" is an epic dramatic thriller written and directed by Student Academy Award winner Cary Joji Fukunaga in his feature debut. The filmmaker’s firsthand experiences with Central American immigrants seeking the promise of the U.S. form the basis of the Spanish-language movie.

"Sin Nombre" tells the story of Sayra (Paulina Gaitan), a teenager living in Honduras, and hungering for a brighter future. A reunion with her long-estranged father gives Sayra her only real option – emigrating with her father and her uncle into Mexico and then the United States, where her father now has a new family.

Meanwhile, Casper, a.k.a. Willy (Edgar Flores), is a teenager living in Tapachula, Mexico, and facing an uncertain future. A member of the Mara Salvatrucha gang brotherhood, he has just brought to the Mara a new recruit, 12-year-old Smiley (Kristyan Ferrer), who undergoes a rough initiation.

While Smiley quickly takes to gang life, Casper tries to protect his relationship with girlfriend Martha Marlene (Diana García), keeping their love a secret from the Mara. But when Martha encounters Tapachula’s Mara leader Lil’ Mago (Tenoch Huerta Mejía), she is brutally taken from Casper forever.

Sayra and her relatives manage to cross over into Mexico. There, they join other immigrants waiting at the Tapachula train yards. When a States-bound freight train arrives one night, they successfully rush to board – riding atop it, rather than in the cars – as does Lil’ Mago, who has commandeered Casper and Smiley along to rob immigrants.

When day breaks, Lil’ Mago makes his move and Casper in turn makes a fateful decision. Casper must now navigate the psychological gauntlet of his violent existence and the physical one of the unforgiving Mara, but Sayra bravely allies herself with him as the train journeys through the Mexican countryside towards the hope of new lives.