Browse Movies : Released : NR : Drama

The chilling true story of conman, Robert Freegard, who posed as an undercover MI5 agent kidnapping countless victims amidst a high-stakes manhunt until the woman who fell for him brought him to justice.

As a member of a notorious Brussels gang renowned for their expertly-executed robberies, Gigi (Matthias Schoenaerts) tends to his front, a luxury automobile import-export business, in his downtime. Sparks fly when he meets glamorous and affluent race car driver Bibi (Adèle Exarchopoulos), and despite their wildly different backgrounds, the pair fall instantly and tragically in love. While Gigi attempts to break away from his illicit history, two things stand in the couple's way to a happy life together: an unrelenting mob hungry for another heist, and the cops that are closing in on them.

Archie Williams (Gabriel Sunday) is a 17-year old media geek who has suddenly found himself the most talked-about kid in school. He has announced that he's going to kill himself - on camera - for a class project. His classmates, parents, Sierra - the most beautiful girl in school (Brooke Nevin), and a "Shady Bunch" of shrinks, doctors, pill-pushers, and counselors descend on Archie. Some are hoping to save him, some want to imitate him, others try to push him over the brink. Archie films every moment of his high school experience, hiding nothing from his audience: realities of life, death, violence, sex, drugs, and the intense media overload and hypocrisy that bombard all teenagers.

In Galveston, Roy (Foster) is a heavy-drinking criminal enforcer and mob hit man whose boss set him up in a double-cross scheme. After killing his would-be assassins before they could kill him, Roy discovers Rocky (Fanning), a young woman being held captive, and reluctantly takes her with him on his escape. Determined to find safety and sanctuary in Galveston, Roy must find a way to stop his boss from pursuing them while trying to outrun the demons from his and Rocky’s pasts.

Agnieszka Holland’s thriller, set on the eve of WWII, sees Hitler’s rise to power and Stalin’s Soviet propaganda machine pushing their “utopia” to the Western world. Meanwhile an ambitious young journalist, Gareth Jones (Norton) travels to Moscow to uncover the truth behind the propaganda, but then gets a tip that could expose an international conspiracy, one that could cost him and his informant their lives. Jones goes on a life-or-death journey to uncover the truth behind the façade that would later inspire George Orwell’s seminal book Animal Farm.

Russ Millings has just been released from prison after serving 21 years for a 3rd strike conviction for possessing an ounce of marijuana. As he tries to adapt to a world he doesn’t recognize – including trying to learn how to use the internet – he finds an abandoned baby in a dumpster behind the fast food restaurant where he works as a dishwasher. Unsure of what to do, and caught between impulses of kindness and panic, Russ soon realizes this could be his chance at redemption.

Two ordinary guys in a small town embark on an extraordinary adventure and risk everything for a stranger in need.

Charles (Dany Boon) is a taxi driver in Paris, and he is having a very bad day. Some pressing personal debts are due, he’s in danger of losing his driver’s licence to numerous traffic infractions, and his marriage, like Charles himself, is strained to the point of snapping. A quick fare in the suburbs seems like an easy distraction.

Enter Madeleine (Line Renaud), an immaculately groomed 92-year-old woman, who informs Charles that the trip today will not be a direct one. She is moving into a care home and would like to make some stops along the way, predicting that this might be her last car ride through the city. Initially exasperated and grumbling, Charles is slowly lured in by her warm charm and directness, fascinated by the stories she wants to tell. Their ride takes them through the momentous locations of her life and we discover that she has had a shocking and very dramatic journey indeed.

Julia is a mother– or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn by the widespread violence in a country gaging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.

Martina Gedeck plays an unnamed woman who inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the beautiful Austrian mountainside where she is vacationing. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature. As she grapples with her mysterious circumstances, she begins an inward journey of spiritual growth and transcendence. Based on Marlen Haushofer’s eponymous classic novel, The Wall is both a riveting tale of survival and a gorgeous meditation that raises profound questions about humanity and our relationship to the natural world.

Mark Pelllngton’s adaptation of Dan Wakefield’s seminal novel about a young man coming of age in the 1950s is a timeless story of freedom and repression, friendship and family, sex and love, and the psychological and spiritual struggle to be true to one’s self even if it means going against society’s expectations.

Life imitates deadly arts as a French New Wave obsessed film student, Terry, finds his muse in mysterious and beguiling actress, Catherine. Both Terry and his best friend, Phil, fall under the spell of this beautiful woman. But they soon realize that the more time they spend with her, the more enigmatic she becomes. After years of sex, betrayal, and collateral damage, the three end up in a dangerous situation that leaves one of them fighting for his life.

The film follows Iraq War veteran Will Gardner (Martini) who suffers from PTSD and the lingering effects of a traumatic brain injury (TBI), which he sustained years earlier when he and his platoon, led by his fellow soldier and best friend, Tops (Hardwick), came under attack. Enduring painful flashbacks to his harrowing combat days and humiliating setbacks in the present, Will sets out on a spirited motorcycle journey across America in hopes of reconciling with his young son and former wife (Röhm). Along the way, he encounters other veterans and a young woman (Rabe) who will push him to confront some of his most painful memories in hopes of finally finding some peace and closure.

Two Americans, one an aspiring poet and the other an established folk musician, cross paths in the scenic, coastal town of Taormina, Sicily. Their instant chemistry sparks collaboration, leading to an unexpected, weeklong writer's retreat at a beautiful villa in the Sicilian countryside. As they immerse themselves in the local culture, they challenge each other to express their thorniest secrets, growing closer all the while.

Winter 1997. Amarillo, Texas. Brian Deneke is known for his green mohawk and undying passion for punk music. He throws punk shows with his friends at a rundown venue known as “Bomb City.” And Brian, along with many of his fellow “punks,” refuses to conform to the conservative culture that surrounds them. Their radical appearances stir social intolerance within the community, particularly with Cody Cates, a high school jock who assimilates to a pack known as “white-hatters.” After losing a football game, Cody and a few other white-hatters have an altercation with several of the punks. This conflict ignites a series of hostile encounters between the two groups, climaxing one evening with a horrific, violent street fight. The night would soon become notorious for being one of the most controversial hate crimes in modern American culture.

Sara (Juliette Binoche) and Jean (Vincent Lindon) have been in a loving and stable relationship for ten years. When they first met, Sara was in a relationship with François (Grégoire Collin), Jean’s best friend. One day, Sara sees François on the street. He does not see her, but she is overwhelmed by a sensation that her life could suddenly change. François does indeed get in touch with Jean to suggest that they work together again. Before long, things are in danger of spiraling out of control.

Three people are up for the same job. Their lives are turning inside out under the pressure. And someone is watching the whole thing. More than one person, in fact. And someone else is watching them watch. A sorrowful and comedic examination of our fall into the surveillance culture.

A jaded reporter is demoted to a rural news station, but her cynicism is slowly transformed when she befriends a recovering addict as she works a news story about a church struggling to purchase a motel for homeless families.

Barbara O’Brien, an Irish Catholic mother, has her life turned upside-down when her son, a freshman in college, is involved in a tragic hazing incident. Taking justice into her own hands, she travels across the country recording mothers who have lost sons to hazing in an effort to prove the university’s liability. When she is confronted by corruption and cover ups, she seeks revenge on the one person she finds truly responsible, proving that hell hath no fury like a mother scorned.

William Miller’s faith is in ruins. After miraculously surviving a fierce battle in the War of 1812, Miller questions why God spared him. His search for wisdom leads to an astonishing prophesy—the world is going to end. The Hopeful unfolds as a story of a man burdened with the knowledge of Christ’s return. Miller’s message resonates with some—even as it is scorned by others. When a young woman named Ellen Harmon listens to one of his sermons she is transformed. And through her witness the message begins to take hold. Her preaching grows beyond prophecy and develops into a more holistic vision for how Christians should live and worship. We see blossoming the seeds of a new global movement of faith—the Seventh-day Adventist Church. The Hopeful is the true story of a community whose lives were transformed as they learn what it means to truly wait for Jesus. This sweeping drama, set in 19th century New England, invites audiences of all ages to imagine how hope can change the world.