Browse Movies : Released : 2013 : Drama (Page #6)

Following Daniel Domscheit-Berg (Brühl), an early supporter and eventual colleague of Julian Assange (Cumberbatch), The Fifth Estate traces the heady, early days of WikiLeaks, culminating in the release of a series of controversial and history changing information leaks. The website’s overnight success brought instant fame to its principal architects and transformed the flow of information to news media and the world at large.

Story centers on a man kept apart from the girl he has loved his entire life. He must risk everything to access the forbidden world of affluence that exists literally above him while manipulating the gravitational force that physically pulls him back to his world.

. Moving from a remote tribal village to the sprawling metropolis of Johannesburg, South Africa, a proud young Winnie (Jennifer Hudson) soon found love with a rising political star, Nelson Mandela (Terrence Howard). When Nelson was imprisoned for protesting the brutal Apartheid government, Winnie worked tirelessly to win his freedom and to carry on his message of peace and equality. Her struggle to keep the Mandela dream alive was rewarded by years of persecution and imprisonment. Throughout, her resolve to fight for her freedom, her family and her country never wavered. Her leadership and unconquerable spirit caught the attention of the world and earned her the name "the mother of the nation."

Wallace Avery (Colin Firth) is tired of his existence. Divorced, disconnected from his young son, dissatisfied with his love life, depressed and in the doldrums of middle age, he decides to make a radical change by walking away from his old life. He buys a new identity and hits the road as Arthur Newman to begin life anew, bound for Terre Haute, Indiana, where he dreams of reinventing himself as a golf pro at a tiny country club.

But his road trip is derailed by the entrance of Michaela “Mike” Fitzgerald (Emily Blunt), whom Arthur discovers passed out poolside at a seedy roadside motel. Mike sees through Arthur’s identity scam, and soon enough Arthur sees through hers — she’s a kleptomaniac fleeing from domestic turmoil of her own. Soon romance blossoms on the road to Indiana as the unexpected couple infiltrates the lives of random strangers as a way of better grasping the essence of their own waylaid lives. Painful secrets unfold; new lives take shape. But is it possible to truly start all over again?

Story of the strong-willed women of the Weston family, whose lives have diverged until a family crisis brings them back to the Midwest house they grew up in, and to the dysfunctional woman who raised them. Meryl Streep has been cast as pill-popping matriarch Violet Weston, and Julia Roberts will play her complicated adult daughter Barbara.

When police discover a young girl brutally murdered, brothers Joe Fairburns (Paul Bettany) and Chrissie Fairburns join their supervisor Robert (Mark Strong) to investigate main suspect Jason Buliegh, a local sex offender and social outcast.

Forced to release Jason from police custody, the Fairburns take matters into their own hands in an attempt to coerce a confession. All the while, Joe and Chrissie’s father Lenny Fairburns (Brian Cox), the former chief of police, remains in the car, a quiet spectator to the fatal tragedy that begins to tear his sons apart. Unspoken secrets and unvoiced suspicions drive the ominous suspense as Joe spirals into an obsessive confrontation between crimes of the present and crimes of the past.

Mother and daughter vampires arrive in a small British town revealing their secret. A teenager dying of leukemia struggles with his mortality, causing the teen vampire to struggle with her own immortality.

CBGB follows the story of Hilly Kristal's New York club from its origins as Country, Bluegrass and Blues (CBGB) to what it ultimately became: the birthplace of underground rock 'n roll and punk. Kristal, a fan of Country and Bluegrass dreamed of having a club in the lower Eastside that catered to that kind of music, when he had difficulty booking those bands he turned to other kinds of rock music. Hilly had one demand of the acts he booked, they could only play their own original music. No top 40's, no covers. It was the credo he lived by, support the artist at whatever the cost.

The film takes audiences into the private realm of one the world’s most iconic and inescapably public women -- the Princess of Wales, Diana (Naomi Watts) -- in the last two years of her meteoric life. On the occasion of the 16th anniversary of her sudden death, director Oliver Hirschbiegel explores Diana’s final rite of passage: a secret love affair with Pakistani heart surgeon Hasnat Khan, the human complications of which reveal the Princess’s climactic days in a compelling new light.

ajo Tonorio, a.k.a. “Filly Brown,” is a raw, young Los Angeles hip-hop artist who spits rhymes from the heart. With an incarcerated mother, and a father struggling to provide for his daughters, a record contract could be the ticket out for her family. But when a record producer offers Majo a crack at stardom, she is suddenly faced with losing who she is as an artist and the friends who helped her reach the cusp of success.

Daisy (Saoirse Ronan), a teenager from New York, is sent to the English countryside for the summer to stay with cousins. She soon immerses herself in a dreamy pastoral idyll as she falls madly in love with Eddie (George McKay), until their perfect summer is blown apart by the sudden outbreak of a 21st century world war. Along with Eddie’s younger siblings, Isaac (Tom Holland) and Piper (Harley Bird), they are left in isolation and forced to fend for themselves. When they are violently separated Daisy must embark on a terrifying journey in order to be reunited with the boy she loves. Eddie is never far from Daisy’s mind but as her journey to find him becomes more desperate, the idea of what she may or may not find consumes her consciousness and haunts her soul.

Like Alice in a brutally violent Wonderland, music executive Ray Saxx, Jr. is trapped in K-11, a very unique part of the Los Angeles County Prison System. He was out cold when he arrived and he has no idea how he got there – all he knows is he needs to get the hell out…alive and intact. To do that Ray must navigate through a maze of drug addled-transvestite-criminal politics with obstacles at every turn. Insane cellmates, corrupt guards and his own issues are just a few of what he’s dealing with while he pieces together his means of release from this entirely new brand of hell, K-11.

If a political candidate is personally flawed, but stands to make a positive difference in millions of lives, would you help him win? That question looms over the life of “true believer” Paul Turner (Rob Lowe), a savvy strategist sharply maneuvering politicians out of scandal and into public office. With the help of a bright young assistant (Jamie Chung) and a seedy operative (Richard Schiff), Turner spins every news cycle and a shrewd reporter (Julie Bowen) on behalf of his clients: a philandering Kentucky governor (Eric McCormick), a blackmailed California senator (David Harbour), and an idealistic doctor turned gubernatorial candidate (Carrie-Anne Moss). When the ugly side of Turner’s work begins to haunt him, he learns that even in the bloodiest of battles, sometimes you have to fight clean.

Post Tenebras Lux (“light after darkness”), ostensibly the story of an upscale, urban family whose move to the Mexican countryside results in domestic crises and class friction, is a stunningly photographed, impressionistic psychological portrait of a family and their place within the sublime, unforgiving natural world. Reygadas conjures a host of unforgettable, ominous images: a haunting sequence at dusk as Reygadas’s real-life daughter wanders a muddy field and farm animals loudly circle and thunder and lightning threaten; a glowing-red demon gliding through the rooms of a home; a husband and wife visiting a swingers’ bathhouse with rooms named after famous philosophers.

Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.

Beecham House is abuzz. The rumor circling the halls is that the home for retired musicians is soon to play host to a new resident. Word is, it's a star. For Reginald Paget (Tom Courtenay), Wilfred Bond (Billy Connolly) and Cecily Robson (Pauline Collins) this sort of talk is par for the course at the gossipy home. But they're in for a special shock when the new arrival turns out to be none other than their former singing partner, Jean Horton (Maggie Smith). Her subsequent career as a star soloist, and the ego that accompanied it, split up their long friendship and ended her marriage to Reggie, who takes the news of her arrival particularly hard. Can the passage of time heal old wounds? And will the famous quartet be able to patch up their differences in time for Beecham House's gala concert?

Set in the underbelly of usually sunny Florida, Melissa Winters (two-time Academy Award nominee Naomi Watts) works as a cashier at the local convenience store, SUNLIGHT JR. She lives in a seedy motel with her boyfriend Richie (Academy Award nominee Matt Dillon), a former TV repairman who lives month-to-month on his government disability check, spending most of it at a neighborhood tavern. When an unexpected pregnancy takes their lives in a new direction, they are forced to examine the realities of both of their lives, and to face tough choices about what lies on the horizon.

Nelly (Felicity Jones), a happily-married mother and schoolteacher, is haunted by her past. Her memories, provoked by remorse and guilt, take us back in time to follow the story of her relationship with Charles Dickens (Ralph Fiennes) with whom she discovered an exciting but fragile complicity.

In 1970s American suburbia, Maggie and her younger siblings spend the night telling each other stories in the attic. Downstairs, their parents put on airs and entertain guests over the course of a gin-soaked evening. The more they drink, the faster the artificial civility of the gathering deteriorates, and for the first time, the family is forced to confront the truth behind the betrayals and disappointments of their lives.