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Louise (Karen Gillan), a 28-year-old Brooklynite adrift in life, finds herself suddenly single and grappling with her identity as a musician. While she struggles with her underlying depression, a reckless drunken stumble lands her with a broken hip, and leads to a stint in a physical therapy ward with patients twice her age. Here, she crosses paths with Antonina (Margaret Sophie Stein), a cantankerous elderly Polish woman who speaks no English. Reluctantly, Louise takes on the role of Antonina's caregiver, a situation neither of them welcomes. As they navigate their begrudging relationship, they confront the realities of aging, forcing Louise to consider her own journey into adulthood.

Lazareth follows Lee (Ashley Judd), an aunt whose life mission is to protect her orphaned nieces, Imogen and Maeve, from a self-destructing world, raising them in isolation until an outsider threatens their peaceful existence.

In the Aftermath, the city was left decimated. A past reminder of the great battle and fall of heroes. The heroes were blamed, stripped of their titles, and hunted.

19-year-old Lola James is trying to work to save enough money to get her beloved little brother, Arlo, out of their toxic home. Until one tragic night, when her whole world gets uprooted. From that moment on, nothing will ever be the same.

Léa Drucker stars as Anne, a lawyer who specializes in cases of sexual consent and parental custody. Seemingly happily married to kind-hearted businessman Pierre (Olivier Rabourdin) with adopted twin daughters, Anne inexplicably finds herself drawn to Pierre’s estranged 17-year-old son Théo (Samuel Kircher) after the boy returns home to live with them. Embarking on a passionate affair with the teenager, Anne all too willingly thrusts herself into a maelstrom of attraction, intimidation, and manipulation.

A classic ‘coming of age’ tail of a pair of leopard cubs born into one of the most dramatic landscapes on earth.

Ruby is a thirty and flirty (but definitely not thriving) New Yorker whose life is transferred to the Hamptons right after a chance meeting with a wealthy consignment store owner.

In a remote cabin on the evening of a record-breaking blizzard, a young woman plots to poison her abusive husband in order to end their toxic relationship once and for all. When the poison fails to kill him, she not only has to quickly concoct a backup plan, but also contend with her husband’s increasing suspicion that his intensifying illness isn’t wholly accidental. And with the unexpected arrival of her brother, her carefully crafted scheme threatens to spiral ever further out of control. Now trapped together as the snow piles up, double-crosses and horrifying secrets threaten to ensnare each of them in their own spiderwebs of deception.

A chance meeting at the airport leads two married people to an unforgettable night full of excitement, desire, and temptation in New York City.

At his soon-to-be-demolished childhood home, Mason finds a VHS camera that can see into the past, invoking a deadly obsession with nostalgia.

An alcoholic woman with a marriage on the rocks finds an unlikely ally in a wounded drug mule when the two of them are forced to defend her home from a violent siege of corrupt small-town cops.

Living with Chucky takes an in depth look at the groundbreaking Child’s Play franchise from the perspective of a filmmaker who grew up within it. Featuring interviews with cast and crew such as Brad Dourif, Jennifer Tilly, Alex Vincent, creator Don Mancini, and much more, this personal film recounts the dedication, creativity and sacrifice that went into making the franchise and its long-lasting impact on the horror community.

Lord of Misrule follows Rebecca Holland (Tuppence Middleton), who has recently taken over as priest of a small town. When her young daughter Grace (Evie Templeton) goes missing at the local harvest festival, a desperate search begins. The closer they edge towards finding Grace, the more secrets emerge from the town’s dark past. Soon, Rebecca must decide just how much she is willing to sacrifice to rescue her daughter from the grip of evil.

Life tells the story of the six-member crew of the International Space Station that is on the cutting edge of one of the most important discoveries in human history: the first evidence of extraterrestrial life on Mars. As the crew begins to conduct research, their methods end up having unintended consequences and the life form proves more intelligent than anyone ever expected.

A storm rages. A young girl is kidnapped. Her mother (Jurnee Smollett) teams up with the mysterious woman next door (Allison Janney) to pursue the kidnapper – a journey that tests their limits and exposes shocking secrets from their pasts.

Sofia and her mother Helena have a troubled relationship living together in a dense and fragmented environment, wracked by the guilt surrounding the family’s past which may be related to Helena’s strange behavior after a serious accident. Such an event opens space for the emergence of obscure and unimaginable mysteries, which will put Sofia’s notion of reality in check and reveal dark secrets of their past.

Centers around a couple (Oscar Isaac and Olivia Wilde) which leads a multi-generational love story spanning both decades and continents, from the streets of New York to the Spanish countryside, and are all connected by a single event.

Dave was recently out of a long-term relationship and eager to restart his romantic life, so he did what most people do: He tried online dating. Liz and Cari were two of his most promising connections, both single moms with winning personalities who helped bring him out of his shell in different ways. It should have been an opportunity for this hard-working, devoted dad to enjoy a second chance at casual romance, but it turned into a twisted love triangle, putting Dave and everyone he cared about at risk.

Detective Travis Hurley (Simon Baker) arrives in a small town in the Australian outback. The Hotel Limbo, which resembles a rocky grotto, proves to be perfect for his very own particular type of relaxation. But he has come here to investigate a case from 20 years ago for which the only evidence is a number of tape recordings: the unsolved murder of an Aboriginal girl named Charlotte Hayes. The residents of the small town are less than forthcoming regarding the provision of information; this is especially true of the victim's fractured family. You do not talk to a cop, especially if he is white. But Hurley, in a stoic performance by Baker, knows how to wend his way in his cool car through the labyrinthine landscape of the Opal Mountains and form a bond with the cave and caravan dwellers.