Browse Movies : Horror : B (Page #4)

Sean Reynolds, an eager Television Host, is on a mission to debunk famed Bigfoot hunter Carl Drybeck, who claims to possess the body of a dead Sasquatch. When the team arrives in Northern California they are immediately thrilled -- Drybeck’s zealous belief in his hoax is going to make for a wildly entertaining episode of campy-paranormal television. However, when Drybeck’s hunting partner is mysteriously attacked, the team is left alone and reality begins to set in. The evidence is stacking up, Drybeck’s theory may not be a hoax, and the existence of Bigfoot might just be the least of their worries. Shot on location in the region of the world’s largest concentration of Bigfoot sightings and based on the real accounts of locals, The Lost Coast Tapes reveals a new truth about America’s oldest living legend.

When a party bus on its way to Burning Man filled with a bunch of sexy young adults breaks down in the desert and in the middle of a group of Satanic worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped on the bus, fighting for their lives while wondering if someone or someones are not what they seem.

Overflowing with terrifying deep-water intrigue, this WWII submarine thriller sets a crew at risk of combat, just as they discover that some other evil--a giant monster--lurks in the deep sea below.

In BELZEBUTH, Special Agent Emanuel Ritter leads a police investigation into a series of shocking deaths. But after a priest from the Vatican finds a link between the murders and an ancient demon, a descent into horror ensues.

Set in 1976, pic takes place at one of the cheapest, sleaziest post-production facilities in Italy, where a naive and introverted sound engineer from England is hired to orchestrate the sound mix for the latest film by a horror maestro.

After 60-something neighborhood activist Lupita (Adriana Barraza) discovers that her beloved local bingo hall has been taken over by a mysterious businessman named Mr. Big (Richard Brake), she rallies her elderly friends to fight back against the enigmatic entrepreneur. But when her longtime neighbors begin turning up dead under grisly circumstances, Lupita suddenly discovers that gentrification is the least of her problems. Something terrifying has made itself at home in the quiet barrio of Oak Springs, and with each new cry of “Bingo!” another victim falls prey to its diabolical presence. As the cash prizes increase and the body count steadily rises, Lupita must face the frightening realization that this game is truly winner-takes-all.

The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. In this apocalyptic environment, the church is losing its grip on the people. There are rumors of a village, hidden in marshland that the plague cannot reach. There is even talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors.

A horror-fantasy writer discovers her novels are about to release the hellish creatures she's been writing about into the real world.

Eight years after the world ends, humanity has sought refuge underground. One man, with nothing left to lose, finds there is more to himself when he and a young girl are left alone to survive and find their way home after their team is killed off by mysterious creatures.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

Lilith, Adam’s first wife according to Jewish mysticism, seeks revenge against all of God’s creation. God expelled Lilith from the Garden of Eden because of her refusal to obey Adam, the man. Scorned, she returns present day with a vengeance against man and his offspring.

The Hash House Harriers ("a drinking club with a running problem") are on a 25th anniversary get-together when they accidentally cross paths with a beekeeper who also happens to be a serial killer in a crazy Kiwi horror-comedy that is part Animal House and part 80's slasher movie.

Small college town, girl gets a babysitting job on a rural farm, she is terrorized throughout the night.

During a sex, drugs, and rock-fueled party, six small-town teenagers find an old vinyl record and decide to play it backwards in order to listen for any subliminal/satanic messages. Lo and behold, a seemingly malevolent spirit quickly infiltrates the group, wreaking havoc as it moves from one body to another. Eventually, however, it’s revealed that the spirit in question is actually trying to convey a message… and that the real source of horror isn’t particularly paranormal, but rather something (or someone) much closer to home.

Duncan’s (Ken Marino) life is a real pain in the ass. Tormented by a manipulative, crooked boss (Patrick Warburton), a nagging mother (Mary Kay Place) with a boyfriend 1/3 her age, a deadbeat new age dad (Stephen Root), and a sweet, yet pressuring, wife (Gillian Jacobs), his mounting stress starts to trigger an insufferable gastrointestinal reaction. Out of ideas and at the end of his rope, Duncan seeks the help of a hypnotherapist (Peter Stormare), who helps him discover the root of his unusual stomach pain: a pintsized demon living in his intestine that, triggered by excessive anxiety, forces its way out and slaughters the people who have angered him. Out of fear that his intestinal gremlin may target its wrath on the wrong person, Duncan attempts to befriend it, naming it Milo and indulging it to keep its seemingly insatiable appetite at bay.

Set in the Bay Area during late 1969, a psychedelic rock band called Sunrise Majesty sequesters themselves away on their communal ranch while they work on their new album. Unfortunately, their lead singer has contracted a mysterious venereal disease that transforms him into a werewolf every time he's around a "square," making him more like a "squarewolf." After transforming the rest of the band, Sunrise Majesty holds a love-in on their ranch to which only their most die-hard fans are invited.

The film centers on Christy (Nora Zehetner), whose beautiful older sister is disfigured in a brutal car accident, in which Christy was the driver. Haunted by visions of the accident, Christy returns home after years away only to find that her most disturbing visions are both real and predictive.