Browse Movies : Foreign

Arthur journeys with the Minimoy Princess Selenia and her brother Betameche in search of the forbidden city of Necropolis, home of the villainous wizard Maltazard. They must make their way past sticky spider webs and Maltazard's threatening henchmen.

It's the score of their lives--if they can pull it off. Five thieves at the top of their game, and the crew is assembling for their biggest job yet. Popie's the muscle and brains, Pepsee's the safecracker. Yenicall climbs walls, Zampano is the strategy man, and Chewingum is the master of disguise. But this new score--it's hot. Maybe too hot. But who can resist the Tear of The Sun: a 318-carat diamond, worth 20 million dollars, and locked away in a casino. The vault is impenetrable, the location covered in cops, and everyone knows there's no honor among thieves--especially not the crew Macao Park, Popie's old partner, has forced their team to work with. As they gear up and stroll into the casino with a plan, skills, and a whole lot of nerve, they quickly learn that avoiding the cops may not be their toughest problem. What's Macao Park's real motive? Who will betray them all? And who will walk away with the diamond?

Dreaming of becoming a millionaire, a short but ambitious Czech works his way into a posh pre-war luxury spa, where his marriage to a Hitler-loving fräulein provides him with a golden opportunity to make his fondest wish come true.

Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed, ruthless computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vanger's are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.

On a passenger train, a beautiful young woman traveling alone carries a handmade ceramic vase, intricately painted by her own hand, a gift for a distant lover. She meets a friendly, handsome young veterinarian, who tries to tell her that she should sell the valuable piece to him, instead of giving it away to her boyfriend for free. Simply to spite the persistent animal doctor, the young woman hurls the vase to the floor of the train, shattering it to pieces.

This is the story of how a washed-up 1980s pop star (Craig Ferguson) gets a chance at a new direction in his life when he discovers that he has a teenage daughter, Olivia (Charlotte Church), in Cardiff, Wales (her real-life hometown) as the result of a weekend affair he had back at the height of his fame, especially when she decides she wants to follow him with a musical career of her own, against the wishes of her mother (Jemma Redgrave).

Biopic of debauched 1960s rock icon, Brian Jones, the charismatic guitarist who founded the Rolling Stones but was fired in 1969 and found dead at the bottom of his swimming pool a few weeks later.

Set in 1938 Colonial India, against Mahatma Gandhi's rise to power, "Water" begins when 8-year-old Chuyia is widowed and sent to a home where Hindu widows must live in penitence. Chuyia's feisty presence deeply affects the lives of the other residents, including a young widow, who falls for a Gandhian idealist.

Hye-ja is a single mom to 27-year-old Do-joon. Her son is her raison d'etre. Though an adult in years, Do-joon is naive and dependent on his mother, and a constant source of anxiety, often behaving in ways that are foolish or simply dangerous.

Walking home alone one night down a nearly empty city street, he encounters a young girl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused of her murder.

Thanks to an inefficient lawyer and an apathetic police force, Do-joon's case is quickly closed, but his mother refuses to let this be the end of the story. Trusting no one, Hye-ja's maternal instincts kick into overdrive, and she sets out to find the girl's killer and prove her son's innocence.

Zoya, who was born on the day that India won its first World Cup, became her father’s lucky charm. From there on she was the luck that made India win the matches (or so her father believed). Zoya grows up disliking cricket as a result of this obsession, till she comes at the romantic crossroads with the Indian cricket captain who is struggling to keep his team from losing. Enter Zoya and the team starts winning. The players believe she is their Lucky Charm - their 12th woman. What happens when the Lucky Charm of India romances the Indian cricket captain, who leaves nothing to luck?

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

Nathaniel Brown and Paz de la Huerta star in a visceral journey set against the thumping, neon club scene of Tokyo, which hurls the viewer into an astonishing trip through life, death, and the universally wonderful and horrible moments between.

A wealthy housewife falls on hard times when her husband leaves. She takes a job as a singer for a wedding band while keeping her involvement secret from her high-society friends and family, but it becomes a tricky balancing act as the band gains in popularity.

In the final part of the Millennium Trilogy, Lisbeth Salander is hospitalized after meeting with her father. Mikael Blomqvist continues to uncover the reasons why Lisbeth has been treated harshly by the Swedish authorities.

The film examines the relationship of a physically handicapped boy with his parents as they struggle to carve out a normal life for the their son.

A young psychiatric intern unearths secrets about the mental health facility in which he works.

Focuses on a group of students who discover what they believe is a government conspiracy to keep the existence of trolls in the north of Norway hidden from the general public.

We come to know the rapist Gilson, tried and sentenced by the Law Behind Bars; Zico and Deusdete, inseparable half brothers who, in jail, become each other's assassins; Highness and his shrewd balancing act between women and heists; Old Chico, a Zen master in the ways of the dungeon, at last on the brink of his long-awaited freedom; Warden Pires, who oversees the prison with the perspicacity of a tightrope walker; Ebony, the true leader of the inmate community and the arbiter of all its contentions; the religious conversion of the assasin, Dagger, the rise and fall of the surfer Ezequiel; Antonio Carlos, Claudiomiro and, coming between them like a knife, and depraved Dina; the existentialist philosopher No Way and his love affair with the divine lady Di. The narrative of the film is crafted like a puzzle with one story giving way to another for of surrealist, uniquely Brazilian collage of tragedy.

"Eros" is an anthology of three short films on the subject of eroticism and love, from a trio of the world's most extraordinary directors, Wong Kar Wai, Steven Soderbergh, and Michelangelo Antonioni. Wong Kar Wai's "The Hand" is the story of a young tailor's (Chang Chen) long-time unrequited love for a beautiful Hong Kong courtesan (Gong Li). Over many years, he lovingly crafts the clothes that she wears for other men. Over time, the seemingly unattainable fantasy woman loses everything, just as the tailor prospers in his career. Then the unexpected happens... Steven Soderbergh's "Equilibrium" is about a stressed-out 1950's advertising man (Robert Downey, Jr.) who has been suffering from a series of recurring erotic dreams. During his session with psychiatrist Dr. Pearl (Alan Arkin), he describes his dream of a woman who is familiar to him—but he can't recall who she is when he wakes up. Through the course of a very offbeat hour of therapy, we discover why that is. Michelangelo Antonioni's "The Dangerous Thread of Things" follows a fortyish married couple (Christopher Buchholz and Regina Nemni) that no longer have anything to say to one another. At an impasse, the man has a passionate one night stand with a free-spirited young girl (Luisa Ranieri), but this experience also fails to satisfy him. Later on, the wife and the girl meet....

Rising young artist Angelique (Audrey Tautou) lives in a candy-colored fantasy world. From the moment she flashes her smile and persuades a flower shop owner to deliver a surprise single rose to her lover Loic (Samuel Le Bihan), the world has – again – fallen under her spell. In the glorious throes of true love, Angelique is happily planning her future: a career as a painter and a future with Loic… what more could she desire? But things are rarely as they seem and Loic, a married cardiologist, has a slightly more jaded take on their affair…